(2011-10-05) “It’s intense to see it all here. She died young so she never really had a chance to have a home,” says SoetoroNg, who was in town for the opening reception last weekend. “She envisioned a retirement that involved having people over, good food, good storytelling, being able to conjure from all her adventures. While much of it is lost, to see it all here together is a great gift to me. It is such an emotional experience for me.”
... “It resonates so much with me,” says Schuster, who spent two years gathering artifacts for the exhibit. “I love that nothing here is really valuable. She valued what people did for a living. The tools, when you see it all together with her photographs, she just showed such a love of process, that respect for human effort. It’s apparent in the totality of her work.”
... “She also saw it as a feminine cause. Aside from blacksmithing, most of the handicrafts were made by women,” says Soetoro-Ng. “It gave them a sense of empowerment in their own lives and in the lives of their children. She championed cottage industries, even while challenging the thinking of other anthropologists.”
