Yuri

Surreal Portrait, Benjamin Berlin (United States, District of Columbia, Washington, 1887-1939), United States, Washington D.C., 1938, Paintings, Oil on canvas board.

Franz Marc, 1913

Marsden Hartley, 1920

James S. Inglis, New York (purchased in Spain between 1882 and 1887–d. 1908; his estate, 1908–12; sold to Cottier); [Cottier & Co., New York, 1912; sold for $8,000 to Mrs. Havemeyer]; Mrs. H. O. (Louisine W

the artist's brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl

Paintings with views of Kyoto and its suburbs are known as rakuchū-rakugai zu, a term referring to "inside" the capital city (rakuchū) and "outside" (rakugai). Usually executed on screens, these pictures illustrate the famous scenic spots and important monuments that served as settings for seasonal festivals and entertainments

Wheat Field with Cypresses is Van Gogh’s initial study from nature of a composition that he repeated in three other versions: a large reed-pen drawing (Van Gogh Museum, Amsterdam, 47.1 x 62.3 cm),[1] and two painted studio variants: one of the same format, now in the National Gallery, London, and a “reduction” (51

the artist (1914–d. 1916); his sister, Amelia Raffaella Boccioni Callegari, Verona (1916–45; sold in fall 1945 to Toninelli); Romeo Toninelli, Milan (1945–54; on consignment in 1954 to Galleria del Naviglio); [Galleria del Naviglio, Milan, 1954; sold on December 1, 1954, for $1,840, to Winston]; Lydia and Harry Lewis Winston, Birmingham, Mich

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[probably Ambroise Vollard, Paris, by 1895–until 1896; stock book B, no. 3451, as "maisons étagées," sold on February 27, 1896 to Costa]; probably count Enrico Costa (from 1896); [Ambroise Vollard, Paris, 1904/6–until 1924; sold on February 12, 1924 to Thannhauser]; [Justin K

Irises (The J. Paul Getty Museum Collection); 1889; Vincent van Gogh (Dutch, 1853 - 1890); Oil on canvas; Unframed: 74.3 × 94.3 cm (29 1/4 × 37 1/8 in.); 90.PA.20

[Pendulum Curve] (The J. Paul Getty Museum Collection); 1899–1910; Frederick H. Evans (British, 1853 - 1943); Ink; Image: 6.5 × 5.3 cm (2 9/16 × 2 1/16 in.); 84.XO.828.4.2

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the artist (until d. 1910; bequeathed to Kuindzhi Society); Kuindzhi Society, Moscow (1910–1916/18; sold for 22,500 rubles to Dembovski); K. B. Dembovski (from 1916/18); Peter Tretyakov, New York (by 1967–74; sale, Parke-Bernet, New York, May 1, 1969, no

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[possibly Ambroise Vollard, Paris, by 1909]; Alphonse Kann, Paris (by 1917; until 1918; one of twenty-eight works sold in April for 635,000 Danish kroners [this work valued at 100,000 Danish kroners] to Hansen); Wilhelm Hansen, Ordrupgaard, near Copenhagen (1918–23; acquired by him through a consortium consisting of Hansen, Herman Heilbuth, and their firm, Winkel and Magnussen; sold in February 1923 through Galerie Barbazanges, Paris, for Fr 100,000 to Matsukata); [baron] Kojiro Matsukata, Kobe (1923–d

For a century until Spring Morning reappeared at auction in 1981, its composition was known only through the related drypoint (see Notes). It was common practice for Tissot not only to repeat his paintings as etchings, but to re-use and re-combine figures, motifs, costumes, and compositions

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Court of the Dances, Alcázar, Sevilla (The J. Paul Getty Museum Collection); 1910; Joaquín Sorolla y Bastida (Spanish, 1863 - 1923); Oil on canvas; Unframed: 95.3 × 63.5 cm (37 1/2 × 25 in.);

[Cheyenne Man] [Waiting in the Forest - Cheyenne] (The J. Paul Getty Museum Collection); 1910; Edward S. Curtis (American, 1868 - 1952); Cyanotype; Image: 19.9 × 14.7 cm (7 7/8 × 5 3/4 in.);

Jan Davidsz de Heem