Producing Drums: 4 Tips to Make it Sound Real : macProVideo.com
With so many of us working directly with drum sample libraries, here's four quick tips on how to make your drums sound real when you don't have the budget to hi
Im ersten Teil unseres Recording-Workshops kümmern wir uns um den Aufbau des Gehörs, Lautstärke-Verhältnisse und Überdeckungen von Frequenzen, Instrumenten und Tönen.
Award-winning mixer Jake Jackson deconstructs his mix of a brooding musical cue from the BBC’s long-running crime drama, Silent Witness.Subscribe!https://sos...
Noah '40' Shebib on producing Drake | Native Instruments
40 is the Grammy-winning producer behind the sound of Drake’s innovative productions. More: http://www.native-instruments.com/40onmaschineIn this new video, ...
Das richtige Studio-Mikrofon am Saxofon | SOUND & RECORDING
Welches Mikrofon eignet sich am besten für die Aufnahme eines Saxofons? Dieser Frage soll im folgenden Beitrag auf den Grund gegangen werden. In einer umfangreichen Aufnahmesession haben wir ein Tenor-Saxofon mit 28 Mikrofonen verschiedener Hersteller und diverser Bauarten aufgenommen, um ihren Klang vergleichen und analysieren zu können. Damit eine Vergleichbarkeit hergestellt wird, teilt sich der...
Music Theory & Production Tips: Creating Vocal Harmonies : Ask.Audio
There's more to creating good vocal harmonies than just using pitch shifting software. In this tutorial, Joe Albano takes us through the basic concepts and cons
Duke University class: Sampling Soul (featuring 9th Wonder)
Duke University class discussion of Nas' Illmatic with guests 9th Wonder and James Peterson. Faculty host is Mark Anthony Neal.Hip-Hop Comes of Age at Duke ➡...
Today I take us on a journey to experience the original effects used on guitar. Along with Nick and Zach, I jam on some groovy tunes that may sound vaguely familiar using these original effects. In the comments below, let me know what your favorite effect from today was, which one you think affected electric guitar and music the most, and your favorite early distorted guitar tone from between 1945 and 1955.
https://www.thejhsshow.com/
https://www.patreon.com/thejhsshow
https://www.jhspedals.info/
Check out the gear in this and past episodes here: https://reverb.com/c/jhs-pedal-picks?_aid=growsumo&gs_partner=JoshuaScott
Guitars Josh plays in this episode:
Gibson 335
https://reverb.com/p/gibson-es-335-dot-reissue-electric-guitar?_aid=growsumo&gs_partner=JoshuaScott
Gibson Les Paul Gold Top
https://reverb.com/p/gibson-les-paul-deluxe-1969-1984?_aid=growsumo&gs_partner=JoshuaScott
Gibson Les Paul Gold Top w/Bigsby
Fender Telecaster
https://reverb.com/p/fender-player-telecaster-electric-guitar?_aid=growsumo&gs_partner=JoshuaScott
Seuf Jazzmaster
Fender Stratocaster
https://reverb.com/p/fender-standard-stratocaster-1998-2005?_aid=growsumo&gs_partner=JoshuaScott
Gear in this episode:
0:24 Milkman Tweed 18w Combo
1:29 DeArmond Tremolo Control
https://reverb.com/p/dearmond-tremolo-control?_aid=growsumo&gs_partner=JoshuaScott
2:38 Fender 1963 Reverb Unit
https://reverb.com/p/fender-reverb-tank-1963?_aid=growsumo&gs_partner=JoshuaScott
2:57 Gibson Les Paul w/Bigsby
3:20 Maestro Echoplex EP-1
4:20 Maestro Fuzz-Tone
https://reverb.com/p/maestro-fuzz-tone-fz-1?_aid=growsumo&gs_partner=JoshuaScott
5:21 Sola Sound Tone Bender
6:22 Dallas Rangemaster
https://reverb.com/p/dallas-rangemaster-treble-booster?_aid=growsumo&gs_partner=JoshuaScott
7:16 Vox Clyde McCoy Wah-Wah
https://reverb.com/p/vox-clyde-mccoy-wah?_aid=growsumo&gs_partner=JoshuaScott
8:16 Shin-Ei Uni-Vibe
https://reverb.com/p/shin-ei-uni-vibe?_aid=growsumo&gs_partner=JoshuaScott
8:39 Dallas-Arbiter Fuzz Face
https://reverb.com/p/dallas-arbiter-fuzz-face-1968?_aid=growsumo&gs_partner=JoshuaScott
Record Time:
Howlin' Wolf - Moanin' In The Moonlight
https://amzn.to/33bEjFi
Josh’s record player is by U-Turn Audio:
https://amzn.to/34CRXjr
#jhs #thejhsshow #musichistory
Sol State Music is where music producers come to master music production. You'll learn all aspects of music production from a quality obsessed host.
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Subscribe now: http://bit.ly/2bh1FNRWatch PART 2 here: https://youtu.be/96Owd0jnFE4Do you ever wonder how you can make your music even more epic? In this tut...
Vienna Instrument Basics (Vienna Ensemble Pro 5 Explained)
Discover the fundamental architecture of Vienna Instruments. Articulation units are called patches. Matrices are a two dimensional array of cells used to com...
Moses Schneider about "the Wurst" - the alternative workbook
www.mosesschneider.comThis is already a classic. Never again go without. ‘Wurst’ is a way to ham it up and is a contrast to the clean stereo ‘cheese dome’ (o...
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I’ve been itching to do this for weeks now…. Create a phatt beat with Spitfire Audio’s new “Drumline” plug featuring the #bluedevils . As usual I go deep int...
Tom Holkenborg, aka Junkie XL, is a Grammy nominated multi platinum producer, musician, composer and educator whose versatility puts him on the cutting edge of contemporary music, and whose thirst for innovation is helping to reimagine the world of composition.
The Art of Mixing (David Gibson) | Thriller - Michael Jackson | 1982
Ear Training Project (Sound Engineering) Bogotá, Colombia. Visual media produced by Luis Sandoval. Song: Thriller written and composed by Rod Temperton (Lyrics sung by Michael Jackson) Featuring: Rap by Vincent Price Greg Phillinganes, Rod Temperton & Brian Banks: Synthesizers Anthony Marinelli: Synthesizer Programming David Williams: Guitar Jerry Hey: Trumpet, Flügelhorn Gary Grant: Trumpet, Flügelhorn Larry Williams: Sax, Flute Bill Reichenbach: Trombone Vocal, Rhythm and Synthesizer Arrangement by Rod Temperton Horn Arrangement by Jerry Hey Solo and Background Vocals by Michael Jackson E...
Recording and mixing audio for virtual reality | MusicTech
As VR applications and cinematic experiences grow in popularity, so comes a requirement to design, create and mix the actual audio for these virtual spaces