Styles & Genres

Styles & Genres

#jazz
Jazz Backing Track Play Alongs (The Real Book und mehr)
Jazz Backing Track Play Alongs (The Real Book und mehr)
◆This channel is the full complete Jazz Standards Backing Tracks of The Real Book and more. It's over 1800 Backing Track videos! ◆We are uploading Jazz Backing Tracks (Play Along) for musicians who want to improve the jazz improvisation. ◆To loop a video, right click the video and select "Loop". ◆Our channel is convenient to use "Playlists". Please check it out. https://www.youtube.com/channel/UCH41jwczZGGOy0QotghGQYw ◆You can change playback speed. If you need to change tracks Playback speed, you can change in the YouTube settings. Please try it. If you do not like is the way, please reque...
rpmaas·youtube.com·
Jazz Backing Track Play Alongs (The Real Book und mehr)
Robert Glasper: “Jazz is the mother of hip-hop” | JAZZ NIGHT IN AMERICA
Robert Glasper: “Jazz is the mother of hip-hop” | JAZZ NIGHT IN AMERICA
Why do hip-hop producers gravitate towards jazz samples? ————————————————————— by ALEX ARIFF For a mood, for sonic timbre, for a unique rhythmic component. Swing is a precursor to the boom-bap. "If you're a hip-hop producer that wants a lot of melodic stuff happening," pianist Robert Glasper says, "you're probably going to go to jazz first." Glasper has lived in an area of overlap between jazz and hip-hop for more than two decades — and you can hear it in his piano playing, which often drifts into cyclical rhythms akin to a beat-maker's loops. It's all one and the same to Glasper: recasting the music of Miles Davis for an R&B audience or rocking live shows with Q-Tip; playing acoustic jazz with his trio or streamlined soul with his Grammy-winning Robert Glasper Experiment. In this short doc, Glasper identifies three jazz samples, from tracks by Ahmad Jamal and Herbie Hancock, that have served as source material for famed hip-hop producers J Dilla and Pete Rock. MUSIC: Ahmad Jamal Trio, "I Love Music," The Awakening (1970) Nas, "The World Is Yours," Illmatic (1994) Herbie Hancock, "Come Running To Me," Sunlight (1978) Slum Village, "Get This Money," Fantastic, Vol. 2 (2000) Ahmad Jamal, "Swahililand," Jamal Plays Jamal (1974) De La Soul "Stakes Is High," Stakes Is High (1996) *Correction to the video: Slum Village's album Fantastic, Vol. 2 was released in 2000, not 2009. ————————————————————— FOLLOW US! Facebook: https://www.facebook.com/jazznight Twitter: https://twitter.com/jazznight Instagram: https://instagram.com/jazznightinamerica/
·youtube.com·
Robert Glasper: “Jazz is the mother of hip-hop” | JAZZ NIGHT IN AMERICA
Why Isn’t Jazz Popular?
Why Isn’t Jazz Popular?
There’s something for everybody in jazz. It’s the most open-minded sound on the planet, no matter what the Jazz Police say. Photos by Jason Quigley
del-1711638983034·vrtxmag.com·
Why Isn’t Jazz Popular?
Jazz – wie man von Tönen fürs Leben lernt: Die Freiheit der Anders-Klingenden
Jazz – wie man von Tönen fürs Leben lernt: Die Freiheit der Anders-Klingenden
In Zeiten, in denen Politiker wieder von "Säuberungen" sprechen und in denen die freie Existenz vieler Menschen nicht nur in und um Europa bedroht ist, sollte man sich ein Beispiel am Jazz nehmen. Ein Sound der Koexistenz, des Miteinanders – gesellschaftlich heute womöglich relevanter denn je. Warum? Ein Kommentar von Jazzredakteur Roland Spiegel.
del-1711638983034·br-klassik.de·
Jazz – wie man von Tönen fürs Leben lernt: Die Freiheit der Anders-Klingenden