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Gain factor dB conversion to factor ratio gain conversion to level in decibels dB amplitude voltage gain field quantity dBu dBm dBW dBV dBmV dBµV dBu energy size power voltage damping factor attenuation amplitude amplification acoustic intensity sound pressure factor ratio voltage gain power loss level decibel dB - sengpielaudio Sengpiel Berlin
Gain factor dB conversion to factor ratio gain conversion to level in decibels dB amplitude voltage gain field quantity dBu dBm dBW dBV dBmV dBµV dBu energy size power voltage damping factor attenuation amplitude amplification acoustic intensity sound pressure factor ratio voltage gain power loss level decibel dB - sengpielaudio Sengpiel Berlin
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·sengpielaudio.com·
Gain factor dB conversion to factor ratio gain conversion to level in decibels dB amplitude voltage gain field quantity dBu dBm dBW dBV dBmV dBµV dBu energy size power voltage damping factor attenuation amplitude amplification acoustic intensity sound pressure factor ratio voltage gain power loss level decibel dB - sengpielaudio Sengpiel Berlin
Game Music :: Interview with Rom Di Prisco (January 2011)
Game Music :: Interview with Rom Di Prisco (January 2011)
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·squareenixmusic.com·
Game Music :: Interview with Rom Di Prisco (January 2011)
Game Tools | Marmoset Toolbag ROP | SideFX
Game Tools | Marmoset Toolbag ROP | SideFX
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·sidefx.com·
Game Tools | Marmoset Toolbag ROP | SideFX
Getting Data from MAX MSP - Cockos Incorporated Forums
Getting Data from MAX MSP - Cockos Incorporated Forums
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·forums.cockos.com·
Getting Data from MAX MSP - Cockos Incorporated Forums
Getting the longest of 3 lines.. - Grasshopper
Getting the longest of 3 lines.. - Grasshopper
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·grasshopper3d.com·
Getting the longest of 3 lines.. - Grasshopper
GH: FIELD LINES | [FORMul[a]RCH]
GH: FIELD LINES | [FORMul[a]RCH]
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·formularch.blogspot.com·
GH: FIELD LINES | [FORMul[a]RCH]
Google Maps
Google Maps
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·google.gr·
Google Maps
Granular Synthesis: Building a granular synth with Max, part 2 - YouTube
Granular Synthesis: Building a granular synth with Max, part 2 - YouTube
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·youtube.com·
Granular Synthesis: Building a granular synth with Max, part 2 - YouTube
Grasshopper Tutorial (field lines definition) - YouTube
Grasshopper Tutorial (field lines definition) - YouTube
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·youtube.com·
Grasshopper Tutorial (field lines definition) - YouTube
Gullfoss vs Soothe 2 vs Smooth Operator vs Teote vs DSEQ 3 - YouTube
Gullfoss vs Soothe 2 vs Smooth Operator vs Teote vs DSEQ 3 - YouTube
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·youtube.com·
Gullfoss vs Soothe 2 vs Smooth Operator vs Teote vs DSEQ 3 - YouTube
handprint : elements of perspective
handprint : elements of perspective
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·handprint.com·
handprint : elements of perspective
Has anyone tried to recreate Rom Di Prisco's trance/DNB style? : dnbproduction
Has anyone tried to recreate Rom Di Prisco's trance/DNB style? : dnbproduction
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·reddit.com·
Has anyone tried to recreate Rom Di Prisco's trance/DNB style? : dnbproduction
Help : Blend
Help : Blend
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·blend.io·
Help : Blend
Help ID-ing a 90s Roland synth/ROMpler, please : WeAreTheMusicMakers
Help ID-ing a 90s Roland synth/ROMpler, please : WeAreTheMusicMakers
⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·reddit.com·
Help ID-ing a 90s Roland synth/ROMpler, please : WeAreTheMusicMakers
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⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·observablehq.com·
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⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​𓇬​◦​୦​◦​◯​◦​୦​◦​‭𞢨‭​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​⛋​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​🝊​𖢌​∣​𖢌​ꕤ​𖢌​∣​𖢌​‭𞢨‭​◦​୦​◦​◯​◦​୦​◦​𓇬​⠀​
·observablehq.com·
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