Based in New York, London, and Philadelphia, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, beginning with the award winning Guardian Egyptian.

Based in New York, London, and Philadelphia, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, beginning with the award winning Guardian Egyptian.

Analyzing All of the Words Found on NYC Streets

Introducing the world's first NFT collection that lets you own moments in time by the minute! Each NFT represents a unique moment, captured down to the exact minute. From magic moments in world history to personal memories, it allows you to own and cherish a piece of time like never before. Don't miss out on this unique opportunity to own a piece of time itself. Forever preserve the moments that matter most.

The letterforms are reversed out against a vertically striped background. In a manner similar to Schaeffer Versalien. The graphic effect is inspired-by/stolen-from Schaefer Versalien, but the letterforms are modified from my found stencil font Arugula.

TypeTrials is a tool designed for testing variable fonts and much more! Powered by Pangram Pangram Foundry

Notes on monospace, fonts, ascii, unicode. A collection of TILs and resources. Inspiration for monospace webpage aesthetic:

Multilingual encyclopedia of typographic terms.

Prefere is an edgy display serif typeface ready to raise some eyebrows. The variable serif font family comes in 5 weights and corresponding italics, meant for big-sizes: posters, headlines, websites, and so on — you know the drill.

Open source variable fonts

Berkeley Mono™ is a love letter to the golden era of computing. The era that gave rise to a generation of people who celebrated automation and reveled in the joy of computing, when transistors replaced cogs, and machine-readable typefaces were developed, for when humans and machines truly interfaced on an unprecedented scale.

Typewolf helps designers choose the perfect font combination for their next design project—features web fonts in the wild, font recommendations and learning resources.

GT Planar tests the limits of a 90-degree range, combining Retalic, Upright, and Italic styles into one continuous design space. It transitions seamlessly from -45° Retalic to +45° Italic while retaining its integrity. This typeface’s central star is its functionality, no matter the length, size, or angle. Typeface by Dominik Huber, exclusively available at Grilli Type.

Brutalita is an experimental font and font editor, edit in your browser and download OTF.

The unedited, writerly feel of monospaced fonts meets the readability and legibility of proportional ones.

A game to learn how to kern type

The free and healthy typeface for bread and butter use

Extraset is an independent Swiss type foundry established in Geneva, jointly led by Alex Dujet (Futur Neue), Xavier Erni (Neo Neo), Roger Gaillard (Cécile + Roger) and David Mamie (TM Todeschini + Mamie). Extraset publishes professional typefaces made by graphic designers for graphic designers.

Words of Type Events offer a series of lectures and workshops with various topics about typography and typeface design, in English and other languages, hosted on the WoT community.

A story of a 150-year-old font you have never heard of – and one you probably saw earlier today.

My digital interpretation comes in two flavors, Airport and Airport X. Both subfamilies offer seven upright weights, with identical character sets and OpenType features. I started with the boldest weight, Airport Bold, which stays close to Carter’s original design, and added lighter weights.

ET Book A webfont of the typeface used in Edward Tufte’s books.

GT Standard is a contemporary response to the modernist pursuit of standardization. The typeface is systematic yet expressive, built for clarity, adaptability, and precision across every scale and medium.

A retro hype type for the future! Letraflex is a bold retro-inspired typeface with a slightly futuristic style. The family is based on old computer lettering and Magnetic Ink Character Recognition (MICR), with a little contemporary twist including nice ink traps. Available at MyFonts. Demo video :

Someone vandalised our building and we made a font out of it. Download it and donate towards local initiatives that will improve the art in East London.

A faithful reproduction of the bitmap version of the Chicago typeface created by Susan Kare for Apple Computer in 1984

Typography in Severance Typography plays an important role in establishing the visual look of a piece of art, and Severance is no exception. This page is an overview of significant instances of typographic design and font use throughout Severance, with additional information about the typefaces and where to obtain them.

A s*** font that f***ing censors swearing automatically

A lovingly crafted handwriting-style monospace font. Oh yeah... and it's variable! Annotation Mono is an idealized handwriting; using letter forms inspired by monospace bitmap fonts, legibility is maximized while retaining a hand-written character.

Fontjoy helps designers choose the best font combinations. Mix and match different fonts for the perfect pairing.