Based in New York, London, and Philadelphia, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, beginning with the award winning Guardian Egyptian.
Based in New York, London, and Philadelphia, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, beginning with the award winning Guardian Egyptian.
Introducing the world's first NFT collection that lets you own moments in time by the minute! Each NFT represents a unique moment, captured down to the exact minute. From magic moments in world history to personal memories, it allows you to own and cherish a piece of time like never before. Don't miss out on this unique opportunity to own a piece of time itself. Forever preserve the moments that matter most.
The letterforms are reversed out against a vertically striped background. In a manner similar to Schaeffer Versalien. The graphic effect is inspired-by/stolen-from Schaefer Versalien, but the letterforms are modified from my found stencil font Arugula.
Discover Nutgame, the versatile Sans Serif font that effortlessly elevates your designs with a captivating 70s retro flair.
Norko: A Sharp-Geometric Sans Serif with a Cinematic Twist
Norko, a YouWorkForThem Exclusive, is a geometric sans serif with a distinctive twist. It introduces subtle flared terminals that add personality to its sharp, structured form. This unique detail makes it ideal for bold applications like movie titles, social media graphics, and editorial headlines where a modern voice with character is needed.
Horizontal rhythm mostly impacts the legibility, while vertical rhythm impacts the readability of the text and establishes a sense of visual hierarchy.
This research rethinks paragraph formatting, inspired by techniques from Hebrew and Arabic manuscripts to challenge conventional layouts. Funded by the Leenaards Foundation and supported by Adobe’s plugin tools, the project led to the “Alternative Layout System” plugin, now available for free download on the website. A publication showcasing designers’ experiments with these scripts is also accessible on the website’s “Publication”
We are here to promote in-depth debate about type. Fontstand News includes contributions from many authors. We’re always looking to expand our number of collaborators. Want us to publish your voice?
FL Prefere by Contemporary Type | Edgy display serif typeface | Download free demo fonts
Prefere is an edgy display serif typeface ready to raise some eyebrows. The variable serif font family comes in 5 weights and corresponding italics, meant for big-sizes: posters, headlines, websites, and so on — you know the drill.
Berkeley Mono™ is a love letter to the golden era of computing. The era that gave rise to a generation of people who celebrated automation and reveled in the joy of computing, when transistors replaced cogs, and machine-readable typefaces were developed, for when humans and machines truly interfaced on an unprecedented scale.
Typewolf helps designers choose the perfect font combination for their next design project—features web fonts in the wild, font recommendations and learning resources.
GT Planar tests the limits of a 90-degree range, combining Retalic, Upright, and Italic styles into one continuous design space. It transitions seamlessly from -45° Retalic to +45° Italic while retaining its integrity. This typeface’s central star is its functionality, no matter the length, size, or angle. Typeface by Dominik Huber, exclusively available at Grilli Type.
Counter Forms is a new typographic venture that seeks to champion young, discursive, Antipodean type designers. Driven by typographic research, education and advocacy, we publish original typefaces and texts towards a more accessible, diverse and equitable future.
Flexible Typesetting - Free PDF Download by Tom Brown
Read my book: Flexible Typesetting, for free
You and I are living through the biggest change in graphic design history. New devices, screen sizes, and platforms require us to adapt constantly. It’s exhausting. I wrote Flexible Typesetting to aid your practice, offering new mental models for anchoring fluid, responsive design on key typographic guidelines. And I decided to make it free.