Film, the measure of all things

An interview with the legendary French neorealist auteurs talk about their latest, motherhood, industrialism, and the late Émilie Dequenne.

I had watched the coming-of-age weepie over and over growing up so it was an overwhelming experience to sit down with its creator and see it again. It was a magical day and he was just as warm-hearted as his movie

A screening tour, a New Year’s re-release, a documentary, an incoming director’s cut … will we ever be rid of this historic misfire?

Sentimental Value writer-director Joachim Trier opens up to Ella Kemp about the emotional clarity of his family portrait, including invitations extended to Labi Siffre, Chris Ware, Gaspar Noé and…

From a John Cusack 80s teen comedy to the other Frank Capra Christmas crowd-pleaser, here are some seasonal picks you might not have seen

PayPal - PayPal.Me/TMMMKMP#SiskelandEbert has had many reviews from the good and the bad but on occation there would be the big disagreements and massive arg...

The studio where he crashed the Life of Brian spaceship, the stage where he put on a Faust that caused fights, the pub where he last spoke to Heath Ledger … the ex-Python takes a hilarious and evocative meander down memory lane

These are movies that leveraged their controversial reputation and the darkness of the night to attract their niche audience.

We know them. We laugh at them. And we hope that we don't accidentally weave them into our work.  I created this because I wanted my own running list of

Cinema has a long history of being misunderstood. Often, a movie is dismissed because it clashes with contemporary expectations or its audience isn’t read

Download YIFY Movies: Last Straw, Sitaare Zameen Par, Deep Rising, Le maître d'école, Forgotten, Stans, The Last Rhinos: A New Hope, Manas, Jeca Tatu

Philip French recalls one of Yoko's inflammatory projects

The Blade Runner and Alien film-maker on his run-ins with critics, the space suits he keeps in his cellar in France – and his love of swearing

A quarter into the 21st century, the Letterboxd crew and contributors recommend over 30 of the best underseen films of the last 25 years, including a Claire Denis deep cut, a Barry Jenkins visual…

Matt Zoller Seitz speaks to Josh Larsen about the upcoming Cinema Interruptus presentation of Robert Altman's The Player.

A quarter into the 21st century, the Letterboxd crew and contributors recommend over 30 of the best underseen films of the last 25 years, including a Claire Denis deep cut, a Barry Jenkins visual poem and a Jane Campion love story.

From final girls to monstrous liberation, horror has long been an avenue to unpack and subvert misogynist tropes—Katie Rife dives in, sharing a starter pack of twenty feminist horror films that’ll…

On cinema’s ability to conjure reality at a paradoxical remove, from Notebook Issue 7.

‘I broke for lunch before everybody else and all the animals I had been working with were on the table – cut up, fricasseed, roasted and seared’

"The gesture of recording is also about the desire to memorialize people, of showing that you really see them and want them to feel seen."

To mark 50 years of Jeanne Dielman, 23 quai du commerce, 1080 Bruxelles, Ella Kemp explores what makes the film such a modern, dynamic and watchable reflection of all our greatest fears.

The complete text & images of a rare illustrated programme for the London premiere of Fritz Lang's Metropolis in 1927.

The actor and musician takes your questions on devastating box office results, his love of Oliver Hardy, and his new vaudeville crooner alter ego

Explore 25 years of our movie coverage, and find your next film from this collection of our critics’ favorites from each year.

Surveying the vast and appropriately unruly canon of underage auteurs.

A new version of Tinto Brass and Bob Guccione’s notorious 1979 film ‘Caligula’ provides a valuable record of one of the most fascinating disasters in cinema history.

The greatest filmmaker of postwar Japan found a new way to show life onscreen.

You can keep Fast & Furious 6 and The Hangover Part III. My guilty pleasure this week is Hannah Arendt (premiering at New York’s Film Forum May 29), the latest collaboration between actress Barbara Sukowa and director Margarethe von Trotta. Guilt, of course, being the operative word. How to characterize the movie’s protagonist? Hannah Arendt …

‘During the riot scene, all the baked beans and mashed potato ended up on the floor. It became like an ice rink. It looks fantastic – but it was pretty hairy’