Film, the measure of all things

Film, the measure of all things

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Apichatpong Weerasethakul Wants to Teach Filmmakers How Not to Make a Movie
Apichatpong Weerasethakul Wants to Teach Filmmakers How Not to Make a Movie
The Thai director explains to IndieWire his plan to return to the Amazon for a unique filmmaking experience.
However, Apichatpong’s fixation on the experiential nature of cinema has led him to discourage filmmakers from more literal-minded approaches to the medium. “Many people are really focused on the image and the technique,” he said. “For me, it is more important that the journey is really, really mindful. The idea is to listen to the world and yourself because you can get lost a lot with all different noises and media expressions.”
·indiewire.com·
Apichatpong Weerasethakul Wants to Teach Filmmakers How Not to Make a Movie
For a Cinema of Bombardment - Cinema Scope
For a Cinema of Bombardment - Cinema Scope
Although there have always been intrepid critics and cinephiles who have engaged with films belonging to the non-narrative avant-garde, there has existed a perception that such films, operating as they do on somewhat different aesthetic precepts, could be considered a separate cinematic realm, one that even the most dutiful critic could engage with or not, as he or she saw fit.
·cinema-scope.com·
For a Cinema of Bombardment - Cinema Scope
The Oscars' best picture is a great milestone in search of a great movie
The Oscars' best picture is a great milestone in search of a great movie
For all its representational achievements, the sentimental, self-important 'Everything Everywhere All At Once' is not as bold a choice as it appears.
In concocting a genuine word-of-mouth theatrical hit (with more than $100 million worldwide, it’s by far A24’s biggest success), had they singularly disproved the theory that Hollywood originality is dead, or had they inadvertently confirmed it by making a derivative Marvel-adjacent superhero movie in indie drag?
·latimes.com·
The Oscars' best picture is a great milestone in search of a great movie
The Year the Sight & Sound Poll Died — World of Reel
The Year the Sight & Sound Poll Died — World of Reel
Honestly speaking, I expected this. Today’s S&S/BFI poll results make sense. We knew that this list would be so much less well versed in film history given the abhorrent freefall of English film criticism over the last decade.
·worldofreel.com·
The Year the Sight & Sound Poll Died — World of Reel
Eastern Promise (updated) | Jonathan Rosenbaum
Eastern Promise (updated) | Jonathan Rosenbaum
Why did it take so long for the west to acknowledge the depth and sophistication of a national cinema that had already been undergoing steady developments for half a century?
·jonathanrosenbaum.net·
Eastern Promise (updated) | Jonathan Rosenbaum
ROUGE Index 2
ROUGE Index 2
Index of Issue 2 of the magazine ROUGE.
·rouge.com.au·
ROUGE Index 2
Tired of Netflix? Stream Experimental Films and Video Art
Tired of Netflix? Stream Experimental Films and Video Art
We reached out to artists, filmmakers, and Hyperallergic contributors to assemble a list of what we’ve been sharing on our networks, after finding inspiration in Kate Lain’s “Cabin Fever” playlist.
·hyperallergic.com·
Tired of Netflix? Stream Experimental Films and Video Art
The End of Cinema
The End of Cinema
Jean-Luc Godard, the pioneering director who died on the 13th September at the age of 91, began his career with a pioneering series of films, a magnificent run that included the masterpieces À bout de souffle, Vivre sa Vie, Bande à part, Pierrot le Fou, Masculin Féminin and Week-end. Jared Marcel Pollen charts Godard's early career, and the intersection of literature and cinema in it.
·versobooks.com·
The End of Cinema
Martin Scorsese : Godard is perhaps dead. - Cahiers du Cinéma
Martin Scorsese : Godard is perhaps dead. - Cahiers du Cinéma
When I’m editing a picture, I like to have the TV on, tuned only to movie channels, with the sound off. It’s part of the process, to be able to look away now and then at images made by other people. When we were cutting GoodFellas, I got up from my chair to move and glanced over at the TV, and I saw real images.
·cahiersducinema.com·
Martin Scorsese : Godard is perhaps dead. - Cahiers du Cinéma
When the Hindu Right Came for Bollywood
When the Hindu Right Came for Bollywood
The industry used to honor India’s secular ideals—but, since the rise of Narendra Modi, it’s been flooded with stock Hindu heroes and Muslim villains.
·newyorker.com·
When the Hindu Right Came for Bollywood
Mysterious Impressions: Connor Jessup on Apichatpong Weerasethakul
Mysterious Impressions: Connor Jessup on Apichatpong Weerasethakul
In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.
·criterion.com·
Mysterious Impressions: Connor Jessup on Apichatpong Weerasethakul