ur favourite time of year has rolled around again: the publication of the results from the Senses of Cinema World Poll. It’s always so gratifying to look at the incredible array of writers who contribute to this annual reflection on what was best for us in our year at the cinema. They come from all over […]
‘Get Out’ Star Responds to Samuel L. Jackson’s Race Comments
In interviews, Daniel Kaluuya seems to rebut Mr. Jackson’s comments about the black experience in Britain being less fraught than that in the United States.
This argument strikes me as mostly bullshit: The acclaimed depiction of gay romance forgoes politics and doesn’t mention AIDS—but there are hints at a broader, darker context for its story.
Big Gay Picture Show's Top 10 LGBT- Themed Films Of 2017 - Big Gay Picture Show
It’s hard to believe that 2017 is coming to an end. Indeed, it’s somewhat hard to believe we managed to get through the year without the apocalypse happening, considering the likes of Trump and North Korea. Alongside the political tumult, there have been some great LGBT-films doing the rounds, and it’s time for us to […]
Has the video essay become a victim of its own success? These digitally produced, critical (or at times, not-so-critical) reworkings of film and media continue to proliferate at a rate beyond what anyone can possibly keep up with. Their ubiquity marks them as a sure sign of film culture’s passage into the era of digital and social media. As an open-source method to express our media-based experiences to ourselves and others, the video essay can be seen as a powerful means by which a generation of digital natives makes sense of its contemporary condition of audiovisual over-saturation. At it...
The Parallax View: On the Recent Films of Janie Geiser by Genevieve Yue
There are two types of “found” objects that appear in the films of Janie Geiser. The first include her many thrift store finds—scraps of wallpaper, rulers and other measuring instruments, anatomica…
LA INTERNACIONAL CINÉFILA 2017: LAS MEJORES PELÍCULAS DEL AÑO - CON LOS OJOS ABIERTOS
En un texto enmarañado y hermoso del que no recuerdo ni el nombre ni el lugar de su publicación, Peter Wollen intenta caracterizar la pasión cinéfila como una especie de enfermedad, una modesta tara infantil por la que se detiene sin mayor éxito la inserción traumática en el mundo. El cinéfilo quiere entregarse al cine […]