The Cinesexuals

The Cinesexuals

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Gay film and videos
Gay film and videos
This is new video channel with gay videos and films what you can find on site with gay films and videos https://orvel.me/
·vimeo.com·
Gay film and videos
Kenneth Anger, creator of visionary and transgressive films, has died, aged 96
Kenneth Anger, creator of visionary and transgressive films, has died, aged 96
The film-maker and moving image artist was best known for his boundary-pushing (and, according to some, blasphemous) 1963 film “Scorpio Rising”
Kenneth Anger, a monumental figure in American avant-garde cinema and moving image art, died on 11 May at an assisted-living facility in Yucca Valley, California. He was 96 years old. His death was confirmed by Monika Sprüth and Philomene Magers, the gallerists who have represented Anger since 2009.Anger was best known for his transgressive, boundary-pushing cinematic works, including such films as Fireworks (1947) and Scorpio Rising (1963), which went against the formal and social constraints of their day and, in the process, helped map new terrain for American underground film and ultimately pop culture at large.
·theartnewspaper.com·
Kenneth Anger, creator of visionary and transgressive films, has died, aged 96
Kenneth Anger obituary
Kenneth Anger obituary
Influential avant-garde film-maker and author of the salacious book Hollywood Babylon
·theguardian.com·
Kenneth Anger obituary
Kenneth Anger: a life in pictures
Kenneth Anger: a life in pictures
A look back at the life of American underground experimental film-maker, actor and author, who has died aged 96
·theguardian.com·
Kenneth Anger: a life in pictures
Close and Personal: Melodrama and Male Friendship in "Close" and "The Eight Mountains"
Close and Personal: Melodrama and Male Friendship in "Close" and "The Eight Mountains"
When it comes to depictions of male grief and suffering, what is it about sentimentality that pains us so?
If Close is “melodramatic” because it dares to explore—and express—male grief in a direct, if aesthetically attuned, manner, how much does that say about what we expect as viewers? When it comes to depictions of suffering, what is it about sentimentality that pains us so? And how or why is it that this becomes even more painful between boys or men?
·mubi.com·
Close and Personal: Melodrama and Male Friendship in "Close" and "The Eight Mountains"
also the heart is a muscle - a short film by Antonio Vasaturo
also the heart is a muscle - a short film by Antonio Vasaturo
After beating cancer a boy realizes he can no longer lie to himself and faces an identity crisis in Antonio Vasaturo's short film also the muscle is a heart
·shortoftheweek.com·
also the heart is a muscle - a short film by Antonio Vasaturo
bAFF 2022—OPENING NIGHT: iThe Blue Caftan/i (2022)/b
bAFF 2022—OPENING NIGHT: iThe Blue Caftan/i (2022)/b
Husband and wife Halim ( Saleh Bakri ) and Mina ( Lubna Azabal ) run a traditional caftan store in one of Morocco’s oldest medinas . In ord...
·theeveningclass.blogspot.com·
bAFF 2022—OPENING NIGHT: iThe Blue Caftan/i (2022)/b
50 LGBTQ+ Movies That Changed Our World
50 LGBTQ+ Movies That Changed Our World
Which one changed *your* life?
As a gay viewer whose experience of watching movies changed drastically after coming out, I have found that my motivating force has remained the same pre and post-coming out: to bear witness. To myself, to the community, to the possibilities of life.
·gomag.com·
50 LGBTQ+ Movies That Changed Our World
Interview: Patrick Wang
Interview: Patrick Wang
Feast and famine: the director of A Bread Factory and The Grief of Others talks about his richly conceived works, self-distribution, Tyne Daly, independent film, and more
·filmcomment.com·
Interview: Patrick Wang
Too Rough by Sean Lìonadh // LGBTQ Drama // Directors Notes
Too Rough by Sean Lìonadh // LGBTQ Drama // Directors Notes
Sean Lìonadh reveals how he used intimate camerawork, layered colour schemes and sensitive performances to create his BAFTA/BIFA-winning drama.
It is always a pleasure when a film we mentioned in one of our Best of Fest round ups is submitted to Directors Notes. When I first saw Sean Lìonadh’s Too Rough at this year’s Glasgow Shorts Film Festival, I was taken aback by both its evocation of a tough, lived-in atmosphere of dread as well as its capacity for empathy, creating a nuanced portrait of coming-out in a difficult world. Telling the story of the young Nick (Ruaridh Mollica) hiding his boyfriend Charlie (Joshua Griffin) from his alcoholic parents, it is a deeply sensitive tale that is at once claustrophobic and touching, showing a fine command of tone from the poet/director. It’s a depiction that has clearly struck a chord with audiences and awards juries alike – from BAFTA Scotland (where it won Best Live Action Short) to the British Independent Film Awards as one of the five 2022 nominees for Best British Short Film – and so, of course, we jumped at the opportunity to talk to Lìonadh about basing his film on a true story, finding contrast through performance and being inspired by the hyper-realistic tone of Andrea Arnold.
·directorsnotes.com·
Too Rough by Sean Lìonadh // LGBTQ Drama // Directors Notes
Filmmaker 5 with Sean Lionadh: Too Rough
Filmmaker 5 with Sean Lionadh: Too Rough
Too Rough, inspired by events in filmmaker Sean Lionadh's own life, poses the raw question of "Am I too rough for you?"
Twenty-four-year-old Glaswegian Sean Lionadh has established himself as powerful storyteller as poet, writer, musician and filmmaker. A trailblazer, Sean uses the alchemy of film and poetry to share intimate work, making notable social impact. His short film Time for Love, made for BBC, catapulted him onto the global stage as an artist exploring themes of love, God, shame and psychological trial in today’s world. His newest short film Too Rough, inspired by events in Sean’s own life, poses the raw question of “Am I too rough for you?”
·classiccoupleacademy.com·
Filmmaker 5 with Sean Lionadh: Too Rough
Apocalypse Then: Gregg Araki on the queer chaos of newly restored The Doom Generation • Journal • A Letterboxd Magazine
Apocalypse Then: Gregg Araki on the queer chaos of newly restored The Doom Generation • Journal • A Letterboxd Magazine
Gregg Araki discusses the nourishing process of restoring his 1995 cult classic The Doom Generation, fostering queer community and how the film reflects on America then and now.
My movies are for the outsiders and the weirdos and the punks and the queers. They’re for the people that don’t really fit in. I think it’s why the films have resonated all these years. —⁠Gregg Araki
·letterboxd.com·
Apocalypse Then: Gregg Araki on the queer chaos of newly restored The Doom Generation • Journal • A Letterboxd Magazine