Exclusive Interview: Ask Any Buddy director Evan Purchell “these films were very much the queer cinema of their day”
The curator of Instagram’s @AskAnyBuddy account, which explores the history of gay adult movies in print, Evan Purchell, has lovingly crafted a feature length companion film of the same name.…
Streamers: Historian Evan Purchell Presents Hidden Queer CInema | Austin Film Society
Austin’s Evan Purchell is a film historian and archivist whose popular and acclaimed (it was a 2018 Artforum Best) Instagram account Ask Any Buddy documents gay adult film and video history through contemporaneous print sources. It’s fascinating. Additionally he has branched into filmmaking with his film ASK ANY BUDDY, of which the BFI says, “This […]
Famed gay director Randal Kleiser talks semi-biographical 'It's My Party,' Out On Film
Randal Kleiser is associated with some of the biggest blockbusters in cinema; the biggest being his very first feature, 1978’s “Grease” — the golden comedy musical that Vanity Fair recently dubbed the the biggest movie musical of the 20th century. But in 1996, the famed film director decided to put the spotlight on a very intimate and personal chapter in his life. In the comedy-drama feature “It’s My Party,” Kleiser used fictional names to illustrate the heartbreaking true story about […]
Wild Chemistry: The Stars of Wildhood on Romantic Two-Spirit Representation • Journal
Leo Koziol chats with Indigenous actors Phillip Lewitski and Joshua Odjick about creating chemistry in Bretten Hannam’s Wildhood, the impact of helping their communities feel seen and keeping their…
Who is Fire Island for? On the Currency of Reading (and Six Packs) in Pines Society
“What kind of gay person goes on vacation to do homework?” asks a character in the new comedy film Fire Island (Hulu), directed by Andrew Ahn and written by comedian Joel Kim Booster. The question …
Anyone who has been following the news at film festivals over the past few months knows, by now, that 1992 has become a watershed year for independent gay and lesbian film and video. Early last spring, on the very same day, Paul Verhoeven’s Basic Instinct (1992) and Derek Jarman’s Edward II (1991) opened in New York City. Within days, the prestigious New Directors/New Films Festival had premiered four new ‘queer’ films: Christopher Munch’s The Hours and Times (1991), Tom Kalin’s Swoon (1992), Gregg Araki’s The Living End (1992) and Laurie Lynd’s R.S.V.P. (1991).
Always the Bridesmaid: Is There a Future for Cinema’s Gay Best Friend? • Journal
As My Best Friend’s Wedding turns 25, Emily Maskell looks at the problematic legacy, influential gear shifts and evolving future of rom-com cinema’s Gay Best Friend.
As with any marker of identity, the LGBTQ+ experience is one of multitudes, filled with as much joy, heartbreak, fun, and even mundanity as any great story.
Depictions of queer and trans people have been present in the film medium since its inception more than 100 years ago, but due to censorship and varying degrees of prejudice