A Queer Transcript of "Paris is Burning" - 3 Quarks Daily
by Ethan Seavey This is your sign to acknowledge that it is pride month and that pride comes from decades of unvalued work by Black and Latinx queer people and that pride month would not exist without their strength and that you should watch the film Paris is Burning because you’ve lived 23 years as…
Remembering Films by Kenneth Anger - Notes - e-flux
Lukas Brasiskis pens an obituary for Kenneth Anger and his work.
Kenneth Anger, one of the key figures in American avant-garde cinema, passed away on May 11. His legacy endures in a distinct body of films and in an array of enigmatic stories, some woven from the threads of reality, others spun from the fabric of dreams and fictions. Since the very beginning of his foray into filmmaking in the late 1940s, Anger’s distinctive style, replete with explorations of sexuality and its diverse iconographies, has set him apart from the mainstream norms of American cinema.
KENNETH ANGER was an audacious filmmaker, a self-proclaimed magus, a never-closeted queer, a shameless scandalmonger, a sometime Satanist, a difficult person, and, as P. Adams Sitney put it, the “conscious artificer of his own myth.” He was also the King of Pop—at least that’s what I thought on first seeing Scorpio Rising (1963) in the mid-1960s, age sixteen, at New York’s Museum of Modern Art.There were other movies on that program; I remember being impressed by Gregory Markopoulos’s Ming Green and Ed Emshwiller’s Relativity. But Scorpio Rising blew everything else away: the enameled
The Queer Film Guide: 100 great movies that tell LGBTQIA+ stories by Kyle Turner
In The Queer Film Guide: 100 Great Films That Tell LGBTQIA+ Stories, critic and author Kyle Turner has collected over 100 films that examine and engage with queerness and identity through a broad survey that spans across countries, genres, styles, and even ways of interpreting what queerness is. From classics like The Boys in the Band and Paris is Burning, to unusual gems like Glen or Glenda? and My Hustler, and modern mavericks like Tangerine, Moonlight, and By Hook or by Crook, The Queer Film Guide is a useful and fun resource for anything interested and curious about queer cinema…
In tribute to the pioneering experimental filmmaker, who has died aged 96, we republish this 2009 feature, in which Tony Rayns unpicks the hidden themes and influences that made his work so groundbreaking.
Kenneth Anger, creator of visionary and transgressive films, has died, aged 96
The film-maker and moving image artist was best known for his boundary-pushing (and, according to some, blasphemous) 1963 film “Scorpio Rising”
Kenneth Anger, a monumental figure in American avant-garde cinema and moving image art, died on 11 May at an assisted-living facility in Yucca Valley, California. He was 96 years old. His death was confirmed by Monika Sprüth and Philomene Magers, the gallerists who have represented Anger since 2009.Anger was best known for his transgressive, boundary-pushing cinematic works, including such films as Fireworks (1947) and Scorpio Rising (1963), which went against the formal and social constraints of their day and, in the process, helped map new terrain for American underground film and ultimately pop culture at large.
‘Older straight men hated my films with a vengeance’: how 90s queer film-makers shook up cinema
From trans lives to celebrations of drag, queer film pulled no punches as it hit screens in the 90s with a DIY bravura that transformed the movie industry
Close and Personal: Melodrama and Male Friendship in "Close" and "The Eight Mountains"
When it comes to depictions of male grief and suffering, what is it about sentimentality that pains us so?
If Close is “melodramatic” because it dares to explore—and express—male grief in a direct, if aesthetically attuned, manner, how much does that say about what we expect as viewers? When it comes to depictions of suffering, what is it about sentimentality that pains us so? And how or why is it that this becomes even more painful between boys or men?
also the heart is a muscle - a short film by Antonio Vasaturo
After beating cancer a boy realizes he can no longer lie to himself and faces an identity crisis in Antonio Vasaturo's short film also the muscle is a heart
As a gay viewer whose experience of watching movies changed drastically after coming out, I have found that my motivating force has remained the same pre and post-coming out: to bear witness. To myself, to the community, to the possibilities of life.
Artist Isaac Julien: ‘I didn’t know if I’d live on until the 90s. A lot of my friends didn’t’
He rose to fame in the Thatcher era with his lyrical films about race, sex and politics. As he stages a major retrospective, the artist talks about Aids, migration, and Black Tory MPs
Isaac Julien review – lithe bodies, a lynching and a televisual paean to lust
Julien’s complex and ambitious work leaves you reeling with its richness as it touches on Aids adverts and stolen artefacts, migrant workers and 80s riots