New Queer Cinema | Sight & Sound
Anyone who has been following the news at film festivals over the past few months knows, by now, that 1992 has become a watershed year for independent gay and lesbian film and video. Early last spring, on the very same day, Paul Verhoeven’s Basic Instinct (1992) and Derek Jarman’s Edward II (1991) opened in New York City. Within days, the prestigious New Directors/New Films Festival had premiered four new ‘queer’ films: Christopher Munch’s The Hours and Times (1991), Tom Kalin’s Swoon (1992), Gregg Araki’s The Living End (1992) and Laurie Lynd’s R.S.V.P. (1991).