The Cinesexuals

Which is where the LGBTQ angle of the movie begins. And ends. Lightfoot dons a dress and long blonde wig to distract the night manager of an alarm-monitoring service. Once this is accomplished, he dashes down an alley to catch up to the getaway car, which will soon rendez-vous with Eastwood and Kennedy, who’ve done the heavy lifting of the robbery itself.

Even the beleaguered gay emblems in As Good As It Gets (1997), The Object of My Affection (1998) and Threesome (1994) — to cite at random three Hollywood films of recent memory — are light-years more comfortable with themselves and the world around them. In those films, gay men are shown co-existing (for the most part) peacefully with heterosexuals: bottom-line, they can come out successfully. By contrast, Jack and Ennis have an eternally wounded dignity that refuses to be compromised. They were emotionally gutted, early in their lives, by the recognition that, to be themselves, they would have to fight to the death against the entire world — a world who would always fight back harder, and would always win.

Gay film work should be sexually candid and realistic and politically critical/ analytic of the forms of gay oppression. If a film is neither, its usefulness to gay liberation can be only accidental.

INTRODUCTION: WILL HOMOSEXUALS BE ADMITTED TO THE CLASSLESS SOCIETY? The prospect of writing on a few gay-oriented films for JUMP CUT has caused me a few tremors of hesitation. There are obvious dangers in blowing one's professional cover (i.e., coming out) in academia in 1977. But there are worse places to come out in than a Faculty of Fine Arts, like a Faculty of Engineering, for example (to indulge in a little of what is called interdisciplinary retaliatory stereotyping). And if a friend of mine in an English department was able, just last year, to seize tenure from the jaws of a board of Catholic priests, things are looking up indeed. There are other more important reasons for my hesitation, which I would like to outline briefly before I get started.

Nevertheless, gays still occasionally get expelled from left party formations. The Venceremos Brigade still won't let us go to Cuba with them. An enthusiastic gay contingent gets ignored and insulted at last summer's 4th of July Coalition, Anti-Bicentennial Rally in Philadelphia. And one still has to deal with such provocations as a position paper recently published by a California-based splinter group that states unequivocally that "homosexuals cannot be communists."

For filmmaker Kit Hung, coming out as a gay man to his family felt like a kind of confession. Hung hails from Hong Kong, where same-sex marriage is not legally recognized. For decades, he has been propelled by LGBTQ+ movements around the world to make his own queerness more visible, even though he wasn’t immediately accepted for his sexuality. That same desire to increase queer visibility is what drove his latest project, Forever 17, and what is driving his new work in New Haven this year.

For Dhont, “Close” began with the realization that images of men fighting have long flooded our screens, becoming the only accepted mode of engagement between them. Seeing men holding on to each other with platonic affection remains a much rarer sight.

“At the age of 13, these boys talk about each other in the most loving, tender, beautiful way,” said Dhont. “These are testimonies of love, and they dare to use that word openly.”

But as the young men went through puberty, their responses to Way’s questions drastically changed. With the codes and pressures of masculinity looming ever larger, they came to see emotion as weakness and to fear being perceived as feminine — often at the expense of authentic connections. It’s precisely around this age that the suicide rate for men becomes four times higher than that for women.

"Brokeback Mountain" is still viewed as the go-to gay movie. In Insider's recent chats with various queer and ally filmmakers about their favourite LGBTQ movies, Lee's seminal film was mentioned by every single person. The effect that "Brokeback" has had on the film industry, its filmmakers, and the queer community, is still rippling today — even 15 years later. We spoke to several queer filmmakers about what makes "Brokeback Mountain" the quintessential queer movie.

Let's all be adults; this is not a puerile discussion of the male member. We're merely noting that throughout history, while paintings and sculptures have depicted the nude male body with regularity, film has a limited number of offerings (not counting the XXX variety, of course), whereas leading ladies (even Oscar-winning ones) drop cover again and again.

This is a list of live action gay characters in television (includes TV movies and web series). The orientation can be portrayed on-screen, described in the dialogue or mentioned. Roles include lead, main, recurring, supporting, and guest.

This is a list of live action made-for-television films that feature lesbian, gay, bisexual, or transgender characters. The orientation can be portrayed on-screen, described in the dialogue or mentioned. .mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}

Has Disney really been producing enough inspiring content to counteract its donations and lack of a statement?