"A ground-breaking, personal exploration of America's obsession with continuing human bondage from the editor of the New York Times-bestselling Barracoon. Freedom and equality are the watchwords of American democracy. But like justice, freedom and equality are meaningless when there is no corresponding practical application of the ideals they represent. Physical, bodily liberty is fundamental to every American's personal sovereignty. And yet, millions of Americans-including author Deborah Plant's brother, whose life sentence at Angola Prison reveals a shocking current parallel to her academic work on the history of slavery in America-are deprived of these basic freedoms every day. In her studies of Zora Neale Hurston, Deborah Plant became fascinated by Hurston's explanation for the atrocities of the international slave trade. In her memoir, Dust Tracks on a Road, Hurston wrote: "But the inescapable fact that stuck in my craw, was: my people had sold me and the white people had bought me. . . . It impressed upon me the universal nature of greed and glory." We look the other way when the basic human rights of marginalized and stigmatized groups are violated and desecrated, not realizing that only the practice of justice everywhere secures justice, for any of us, anywhere. An active vigilance is required of those who would be and remain free; with Of Greed and Glory, Deborah Plant reveals the many ways in which slavery continues in America today and charts our collective course toward personal sovereignty for all." --

When artist Richard Phillips carefully hangs watercolor paintings in his home, he becomes mentally transported into the nature scenes that appear on his canvas.

Incarcerated people have high legal information needs, covering everything from criminal appeals to probate law. I have learned this from working with the Law Library Service to Prisoners (LLSP) pr…

"From the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast comes this illuminating view of prison life, as told by presently and formerly incarcerated people. The United States locks up more people per capita than any other nation in the world--600,000 each year and 2.3 million in total. The acclaimed podcast Ear Hustle, named after the prison term for eavesdropping, gives voice to that ever-growing prison population. Co-created for the Radiotopia podcast network from PRX by visual artist Nigel Poor and inmate Earlonne Woods, who was serving thirty-one years to life before his sentence was commuted in 2018, Ear Hustle was launched in the basement media lab of California's San Quentin State Prison. As the first podcast created and produced entirely within prison, it has since been globally lauded for the rare access and perspective it contributes to the conversation about incarceration. Now, in their first book, Poor and Woods present unheard stories that delve deeper into the experiences of incarceration and share their personal paths to San Quentin as well as how they came to be co-creators. This unprecedented narrative, enhanced by forty original black-and-white illustrations, reveals the spectrum of humanity of those in prison and navigating post-incarceration. Bringing to the page the same insight, balance, and charismatic rapport that has distinguished their podcast, Poor and Woods illuminate the full--and often surprising--realities of prison life. With characteristic candor and humor, their portrayals include unexpected moments of self-discovery, unlikely alliances, and many ingenious work-arounds. One personal narrative at a time, framed by Poor's and Wood's distinct perspectives, This Is Ear Hustle tells the real lived experience of the criminal justice system"--

"From the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast comes this illuminating view of prison life, as told by presently and formerly incarcerated people. The United States locks up more people per capita than any other nation in the world--600,000 each year and 2.3 million in total. The acclaimed podcast Ear Hustle, named after the prison term for eavesdropping, gives voice to that ever-growing prison population. Co-created for the Radiotopia podcast network from PRX by visual artist Nigel Poor and inmate Earlonne Woods, who was serving thirty-one years to life before his sentence was commuted in 2018, Ear Hustle was launched in the basement media lab of California's San Quentin State Prison. As the first podcast created and produced entirely within prison, it has since been globally lauded for the rare access and perspective it contributes to the conversation about incarceration. Now, in their first book, Poor and Woods present unheard stories that delve deeper into the experiences of incarceration and share their personal paths to San Quentin as well as how they came to be co-creators. This unprecedented narrative, enhanced by forty original black-and-white illustrations, reveals the spectrum of humanity of those in prison and navigating post-incarceration. Bringing to the page the same insight, balance, and charismatic rapport that has distinguished their podcast, Poor and Woods illuminate the full--and often surprising--realities of prison life. With characteristic candor and humor, their portrayals include unexpected moments of self-discovery, unlikely alliances, and many ingenious work-arounds. One personal narrative at a time, framed by Poor's and Wood's distinct perspectives, This Is Ear Hustle tells the real lived experience of the criminal justice system"--