"Unsettling is a sharp, uncompromising interrogation of the transformation of the southern edge of the United States into a zone of migrant sacrifice and suffering, which culminates in a racist mass execution of twenty-two people in August 2019 in El Paso, Texas"--;"Documents the cruel immigration policies and treatment toward border crossers on the US-Mexico border.On August 3, 2019, a far-right extremist committed a deadly mass shooting at a major shopping center in El Paso, Texas, a city on the border of the United States and Mexico. In Unsettling, Gilberto Rosas situates this devastating shooting as the latest unsettling consequence of our border crisis and currents of deeply rooted white nationalism embedded in the United States. Tracing strict immigration policies and inhumane border treatment from the Clinton era through Democratic and Republican administrations alike, Rosas shows how the rhetoric around these policies helped lead to the Trump administration's brutal crackdown on migration-and the massacre in El Paso. Rosas draws on poignant stories and compelling testimonies from workers in immigrant justice organizations, federal public defenders, immigration attorneys, and human rights activists in order to document the cruelties and indignities inflicted on border crossers. Borders, as sites of crossings and spaces long inhabited by marginalized populations, generate deep anxiety across much of the contemporary world. Rosas demonstrates how the Trump administration amplified and weaponized immigration and border policy, including family separation, torture, and murder. None of this dehumanization and violence was inevitable, however. The border zone in El Paso (which translates to "the Pass") was once a very different place, one marked by frequent and inconsequential crossings to and from both sides-and with more humane immigration policies, it could become that once again"--

A professor of sociology explores how black feminist thought confronts the injustices of poverty and white supremacy, and argues that those operating outside the mainstream emphasize sociological themes based on assumptions different than those commonly accepted.

"A field guide to the memorials, museums, and practices that commemorate white supremacy in the United States nd how to reimagine a more deeply shared cultural infrastructure for the future"--;Monuments, museums, and everyday patriotic practices have made headlines for most of the twenty-first century, yet they are seldom look at together or understood explicitly as tools used by particular people in particular times and places to shape the culture in particular ways. Hass explore the complicated histories of sites of cultural infrastructure: memorials in parks, museums visited by school kids, and routine practices of patriotism. She unearths legacies of white supremacy and traces movements to reevaluate and resist countless sites that have been doing this work, and asks that we look for sites that actually work to tell us who we are, how we came to be, and who belongs in the country. -- adapted from jacket

"A profound new rendering of the struggle by African Americans for equality after the Civil War and the violent counterrevolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring stain on the American mind. The story of the abolition of slavery in the aftermath of the Civil War is a familiar one, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: If emancipation came in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In a history that moves from Reconstruction to the Harlem Renaissance, Harvard scholar Henry Louis Gates, Jr., one of our leading chroniclers of the African American experience, brings a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual to answer that question. Interwoven with this history, Stony the Road examines America's first postwar clash of images utilizing modern ma ss media to divide, overwhelm--and resist. Enforcing a stark color line and ensuring the rollback of the rights of formerly enslaved people, racist images were reproduced on an unprecedented scale thanks to advances in technology such as chromolithography, which enabled their widespread dissemination in advertisements, on postcards, and on an astonishing array of everyday objects. Yet, during the same period when the Supreme Court stamped 'separate but equal' as the law of the land, African Americans advanced the concept of the 'New Negro' to renew the fight for Reconstruction's promise. Against the steepest of odds, they waged war by other means: countering depictions of black people as ignorant, debased, and inhuman with images of a vanguard of educated and upstanding black women and men who were talented, cosmopolitan, and urbane. The story Gates tells begins with Union victory in the Civil War and the liberation of nearly four million enslaved people. But the terror unleashed by wh ite paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and diminished Northern will, restored 'home rule' to the South. One of the most violent periods in our history followed the retreat from Reconstruction, with thousands of African Americans murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, [this book] is also a story of heroic resistance, as figures from Frederick Douglass to W E.B. Du Bois created a counternarrative, and culture, inside the lion's mouth. Gates charts the noble struggle of black people to defeat racism and force the country to honor the 'new birth of freedom' that Lincoln pledged would be the legacy of the Civil War, and uncovers the roots of racism in our time. Understanding this bitter struggle is essential if America's deepest wounds are ever truly to heal."--

"An actionable exploration of today's racial landscape, offering straightforward clarity that readers of all races need to contribute to the dismantling of the racial divide. Police brutality trials, white supremacist rallies, Black Lives Matter protests. Race is the story behind many of the issues that make headlines every day. But to talk about race itself--to examine the way it shapes our society, visibly and invisibly--can feel frightening and overwhelming, and even dangerous. In [this book], Ijeoma Oluo offers a clarifying discussion of the racial landscape in America, addressing head-on the issues that divide us. Positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo explains the concepts that continue to elude everyday Americans, and answers the questions readers don't dare ask, like 'What is cultural appropriation?' 'Why do I keep being told to check my privilege?' and 'If I don't support affirmative action, does that make me racist?' With language that's bold, prescient, funny, and finely tuned, Oluo offers hope for a better way by showing what's possible when connections are made across the divide."

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the "New Jim Code," she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life. This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

A history of American white male identity by the author of "So You Want to Talk About Race" imagines a merit-based, non-discriminating model while exposing the actual costs of successes defined by racial and sexual dominance.;What happens to a country that tells generation after generation of white men that they deserve power? Oluo shows how, throughout the last 150 years of American history, white male supremacy has wrought devastating consequences for people of color, women and nonbinary people, and white men themselves. She shows that the erasure and oppression of everyone else in America causes racist and sexist behavior, and imagines the possibilities for a new white male identity, free from racism and sexism. -- adapted from jacket

In this New York Times bestseller, Ijeoma Oluo offers a hard-hitting but user-friendly examination of race in America. Widespread reporting on aspects of white supremacy--from police brutality to the mass incarceration of Black Americans--has put a media spotlight on racism in our society. Still, it is a difficult subject to talk about. How do you tell your roommate her jokes are racist? Why did your sister-in-law take umbrage when you asked to touch her hair--and how do you make it right? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from intersectionality and affirmative action to "model minorities" in an attempt to make the seemingly impossible possible: honest conversations about race and racism, and how they infect almost every aspect of American life.

"When Layla Saad began an Instagram challenge called #meandwhitesupremacy, she never predicted it would become a cultural movement. She encouraged people to own up and share their racist behaviors, big and small. She was looking for truth, and she got it... Thousands of people participated in the challenge, and over 80,000 people downloaded the supporting work Me and White Supremacy. Updated and expanded from the original edition, Me and White Supremacy teaches readers how to dismantle the privilege within themselves so that they can stop (often unconsciously) inflicting damage on people of color, and in turn, help other white people do better, too"--Provided by publisher.

"We are facing unprecedented attacks on our democracy, our dignity, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In these pages, Solomon and Rankin bring together leading Black voices who offer wisdom on how they fight White supremacy. It's a must-read for people well-steeped in resistance work and for the next generation of freedom dreamers." -- Back cover.

"In election after election, conservative white Americans have embraced politicians who pledge to make their lives great again. But as physician Jonathan M. Metzl shows in Dying of Whiteness, the policies that result actually place white Americans at ever-greater risk of sickness and death. Interviewing a range of everyday Americans, Metzl examines how racial resentment has fueled progun laws in Missouri, resistance to the Affordable Care Act in Tennessee, and cuts to schools and social services in Kansas. He shows these policies' costs: increasing deaths by gun suicide, falling life expectancies, and rising dropout rates. Now updated with a new afterword, Dying of Whiteness demonstrates how much white America would benefit by emphasizing cooperation rather than chasing false promises of supremacy."--Page 4 of cover

The white power movement in America wants a revolution. It has declared all-out war against the federal government and its agents, and has carried out--with military precision--an escalating campaign of terror against the American public. Its soldiers are not lone wolves but are highly organized cadres motivated by a coherent and deeply troubling worldview of white supremacy, anticommunism, and apocalypse. In Bring the War Home, Kathleen Belew gives us the first full history of the movement that consolidated in the 1970s and 1980s around a potent sense of betrayal in the Vietnam War and made tragic headlines in the 1995 bombing of Oklahoma City. Returning to an America ripped apart by a war which, in their view, they were not allowed to win, a small but driven group of veterans, active-duty personnel, and civilian supporters concluded that waging war on their own country was justified. They unified people from a variety of militant groups, including Klansmen, neo-Nazis, skinheads, radical tax protestors, and white separatists. The white power movement operated with discipline and clarity, undertaking assassinations, mercenary soldiering, armed robbery, counterfeiting, and weapons trafficking. Its command structure gave women a prominent place in brokering intergroup alliances and bearing future recruits. Belew's disturbing history reveals how war cannot be contained in time and space. In its wake, grievances intensify and violence becomes a logical course of action for some. Bring the War Home argues for awareness of the heightened potential for paramilitarism in a present defined by ongoing war.--

A portrait of the historic Barack Obama era features essays originally published in "The Atlantic," including "Fear of a Black President" and "The Case for Reparations," as well as new essays revisiting each year of the Obama administration;""We were eight years in power" was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America's "first white president." But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period--and the effects of the persistent shadow of our nation's old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective--the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates's iconic essays first published in The Atlantic, including "Fear of a Black President," "The Case for Reparations," and "The Black Family in the Age of Mass Incarceration," along with eight fresh essays that revisit each year of the Obama administration through Coates's own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era."--Dust jacket

Every academic discipline has an origin story complicit with white supremacy. Racial hierarchy and colonialism structured the very foundations of most disciplines' research and teaching paradigms. In the early twentieth century, the academy faced rising opposition and correction, evident in the intervention of scholars including W. E. B. Du Bois, Zora Neale Hurston, Carter G. Woodson, and others. By the mid-twentieth century, education itself became a center in the struggle for social justice. Scholars mounted insurgent efforts to discredit some of the most odious intellectual defenses of white supremacy in academia, but the disciplines and their keepers remained unwilling to interrogate many of the racist foundations of their fields, instead embracing a framework of racial colorblindness as their default position. This book challenges scholars and students to see race again. Examining the racial histories and colorblindness in fields as diverse as social psychology, the law, musicology, literary studies, sociology, and gender studies, Seeing Race Again documents the profoundly contradictory role of the academy in constructing, naturalizing, and reproducing racial hierarchy. It shows how colorblindness compromises the capacity of disciplines to effectively respond to the wide set of contemporary political, economic, and social crises marking public life today.