events

Join Dr Kerry McInerney as she explores what makes technology "good" and how feminism can guide us. Discuss her book The Good Robot: Why Technology Needs Feminism" and delve into critical perspectives on gender and AI. Co-host of The Good Robot Podcast and co-editor of Feminist AI.

Exhibition. 31 May until 11 September 2024. In recent years, AI has started to make a big impact in the world of photography, changing the way we make and see images. In Photography Through the Lens of AI, Foam explores the intersection between art, technology, and society, highlighting how the recent advancements in AI impact our relationship with images, ourselves and our perception of reality. The multi-dimensional project consists of a group exhibition Missing Mirror which is accompanied by the solo exhibition AI Attacks by Paolo Cirio.

Our panel of artists, curators, and researchers explores how data-driven art raises new ethical provocations for curation and exhibition.

24 likes, 0 comments - gestaltungai on May 27, 2024: "The Hidden Layers: AI and Design conference is coming soon and we are glad to present our speakers! 🎤 --- THURSDAY, JUNE 13: - Maria...".

Die re:publica Berlin ist das Festival für die digitale Gesellschaft und die größte Konferenz ihrer Art in Europa. Die Teilnehmer*innen der re:publica bilden einen Querschnitt unserer (digitalen) Gesellschaft.

MUTEK Montréal 2024: An Anniversary Edition Celebrating 25 Years of Innovation

Instructor Kazys Varnelis explores the consequences of technological transformations, tracking how networks transformed political forms and discourses.

Eveline Ypma is a (film) composer, multi-instrumentalist and sound artist. She specializes in compositions with a subdued and playful character. Her love for nature is reflected in her creations through soundscapes; this brings a idiosyncratic and organic dimension to her music.

“After AI” Symposium is an interdisciplinary holistic discussion on Artificial Intelligence

More info: https://elisava.net/critical-futures

More info: https://elisava.net/critical-futures

Assembling Intelligence, a multidisciplinary symposium organised by HEAD – Genève (HES-SO), will bring together artists, designers, and researchers to highlight a spectrum of alternative definitions for ‘artificial intelligence’. The discussions will introduce much-needed diversity into the otherwise monochromatic and frequently cynical perspectives manifested in mainstream corporate AI models.

Exploring AI's human core and environmental impact, artists Dinkins, Joler, and Kline unveil its unseen labor and socio-political dynamics.

Get ready to dive into perhaps the most controversial art exhibit of the century. Rich discussions ahead on AI, art, policy, law, peace!

Explore the history of technology and how to advocate for softer and slower futures in a hands-on workshop

A new series of hybrid events, interviews, and a podcast featuring a range of eclectic perspectives from faculty, current program participants, and special guests on the intersection of Responsible AI, media, and design in a state of climate emergency.

We are excited to invite you to the “Designing for Futures Otherwise: From the Designerly Imaginaries to the Socio-Technical Practices...

Fritzchens Fritz / Better Images of AI / GPU shot etched 5 / CC-BY 4.0 Critical AI studies is an interdisciplinary ‘field in formation’ (Raley and Rhee, 2023), which aims to better understand, critique and provide alternatives to the current regimes of Artificial Intelligence (AI)…

INCREDIBLE MACHINES 2022: THE MODEL IS THE MESSAGE | ABSTRACTS | PROGRAM | SPONSORS | PARTICIPATE | The New Centre for Research & Practice, in collaboration with Richmond Art Gallery, will host the Incredible Machines 2022: Model Is the Message on October 1 and 2, 2022. The event will be followed up with the publication of a volume […]

The New Centre provides graduate-level seminars in a range of fields and disciplines to open new paths in artistic, philosophical and political practice. We aim to provide advanced college and university students as well as junior faculty with seminar and research experience in theoretical frameworks outside the conventional canons and in their most recent stages of development. Our seminars are provided in the context of six different certificate programs, each of which require the completion of twelve 1 credit modules offered each academic year.

Make social impact with stories that connect at the intersection of storytelling and technology. Collaborate with storytellers from different disciplines. Develop innovative stories under healthy time pressure, with inspiring input and professional guidance.

Free workshop: (Ab)using AI as an artist [in English] The onset of publicly available AI-generation for images and text can be a source of existential stress for artists. Virtually any style can be copied now. Complex, intricate compositions are just a prompt away. Making things that appear to be art no longer requires years of study and practice. The uncanny valley has been bridged and we have arrived as pioneers at a new digital frontier. Here, well-trained intelligent beings have dedicated their existence to devising a facsimile of human imagination and creativity. To do so, they make use of the billions of examples we have digitized and uploaded ourselves over the last few decades. We constructed artificial intelligence to assist us in our daily lives, to work more effectively and to reduce (manual) labor. As with anything digital, the goal is to create less friction and easier transactions. Now, the robots are asked to make art while the markets seem more overheated than ever. Once again, automation has led to more work, not more free time. Still, they are dependent on human input. What if these new technologies were (ab)used in a way that makes your life as an artist a lot easier? If students can prompt an AI to do their homework, why wouldn’t there be similar uses for this technology for your life as an artist? On Thursday the 13th of July artists Dakota Havard and Sjef van Beers will give you some insight into the latest developments in the relationship between machine learning and autonomous art. In a workshop format they will introduce you to the available tools and will help you make the robots do the dirty work for you. From writing application text to conjuring up whole exhibitions, the potential for removing a lot of the bureaucratic hurdles involved with being an artist is enormous. The workshop (Ab)using AI as an artist is organised by Singular-Art and Dakota Havard in close collaboration with Lindenberg Kunst en Technologie, platform for art and technology. At the time of this event Dakota will have his first solo at Singular-Art (Waalkade 72), FEAIR, which opens on the 8th of July and runs until the 20th of August. This workshop is in English. You can join for free. Sign up with an email to info@oddstream.nl.