Pictos Font
Design
Heydings - A Free Icon Web Font
Web Symbols typeface
What is User-Centered Design (UCD)?
User-centered design (UCD) is an approach to design that grounds the process in information about the people who will use the product. UCD processes focus on users through the planning, design and development of a product. […]
Design Is a Job
From contracts to selling design, from working with clients to working with each other, you’ll learn why navigating the business of design is just as important as the craft of it.
User Experience Is The Heart Of Any Company. How Do You Make It Top Priority?
If you start with “useful” as a first principle, then you automatically place customer need and experience first, writes Wolff Olins’s Mary Ellen Muckerman.
Ein Apple Touch Icon für die eigene Webseite erstellen | Elmastudio
WordPress Themes
Style Tiles
A Style Tile is a design deliverable consisting of fonts, colors and interface elements that communicates the evolution of a visual brand for the web. Learn how to use them here.
The Noun Project
The Noun Project collects, organizes and adds to the highly recognizable symbols that form the world's visual language, so we may share them in a fun and meaningful way.
Docpool – For web developers to share documentation
This is an effort to share and improve commonly used documentation in the web design & development community such as contract templates, user questionnaires, invoice layouts and more. Got any docs you think would be useful to share with other designers, send them to docs@docpool.co
Provide Retina Pictures via CSS
Media Queries for Standard Devices
This page lists a ton of different devices and media queries that would specifically target that device. That's probably not generally a great practice, but it is helpful to know what the dimensions for all these devices are in a CSS context.
Settle | Send payments from your phone.
Skalierbare, Retina-Display ready Icon Fonts für responsive Webdesigns
Icon Fonts sind eine spannende Alternative zur Verwendung von Bildern, um skalierbare, 100% scharfe Icons in einem responsive Webdesign umzusetzen. Das Icon Font…
Planboard — Lesson planning made easy for teachers and educators
Get organized and reduce your classroom prep time. Accessible from anywhere to plan lessons, align to curriculum sets, and manage your schedule with ease.
web development studio | TSE-WebDesign
Font Awesome
… the iconic font designed for use with Twitter Bootstrap
Happy Cog
Happy Cog designs marketing websites, digital products and experiences for mission-driven nonprofits, higher education, media companies, and global brands.
Character
Character is a branding and design agency with studios in New York and San Francisco.
Google Maps API Styled Map Wizard
Designing UX for apps
Android Design
Responsive Navigation Patterns
For the record: It’s super important for us to keep this site 100% free for you and 100% high quality. To help us do that, we’ve partnered with some of
Windows Desktop UI Concept
(The Verge Forums)
Principles for Successful Button Design
There are a thousand ways to design and create buttons today and you only need to spend a small amount of time looking through work on dribbble to get a sense of them. A great deal of these...
How To Recruit A UX Designer
Responsive TYPO3, maddesigns (Sven Wolfermann) #T3AK12
Ed Ruscha "Me and The" Graphicstudio fore-edge book
This video describes the process used at USF Graphicstudio for creating Ed Ruscha's ME and THE, a fore-edge book, with printing that appears when the gilt edge is fanned one way or another. Fore-edge printing was popular in the 18th century but rarely used today; Graphicstudio research encompasses the recapture and revitalization of such technology. The pages of the book are blank, perhaps a commentary on the meanings we would ascribe, or fail to ascribe, to such seemingly simple words.
When the book pages are fanned in one direction the text Me appears. When the book pages are fanned in the opposite direction the text The appears.
ME and THE, 2002
Cloth covered book with one-color fore-edge printing and gold leaf edges.
Text by the artist
Closed book: 5 1/4"H x 7 1/2"W x 2 1/8"D
Edition 230
http://www.ira.usf.edu/GS/artists/ruscha_ed/ruscha_one.html
20 new business cards – Best of february 2012
A Responsive Ad Model | Trent Walton
Mark Boulton on the challenges we face when incorporating traditional ad spaces into responsive layouts: