Was Manfred Bock und seine Freunde da machen, das ist ein Monument! krautjazz.de hält 472 CDs zum Download bereit. Wildes Material mit spannenden Musikern! Mehr darüber auf jazznrhythm.com
Mos Def performing “UMI Says” with Doug Wimbish and Will Calhoun of Living Colour, Dr. Know of Bad Brains, and Bernie Worrell of Parliament-Funkadelic
Bowery Ballroom, NYC 2001
#POWMagazine #MosDef
It’s been 30 years since the release of @coldcutofficial “Journeys by DJ: 70 Minutes of Madness” mix!
Coldcut pushed the boundaries of what a DJ mix could be by incorporating changes in tempo, spoken word samples, scratching and layering. The intricate production, which involved studio editing (using ADAT and early computer software), made the mix feel more like an album than a DJ set.
It’s safe to say it has left a lasting impact on electronic and dance music culture.
Theresa Bäuerlein (@theresa.baeuerlein) on Threads
Dieser Text ist SO toll. Darin rekonstruiert die WaPo, wie der Superhit Take On Me einst entstanden ist und man kann sich den Song in Einzelteilen anhören, also nur Bass, nur Gitarre, nur Stimme usw oder beliebig kombinieren.
Ich habe nie ein Instrument gelernt und für mich ist das Magie.
https://www.washingtonpost.com/entertainment/interactive/2025/take-on-me-song-aha-40-years/
Warum ich „Lux“ von Rosalía für hochpolitisch halte?
Die 33-jährige ist ausgebildete Flamenco-Sängerin. Die Ursprünge des Flamenco liegen in Andalusien. Flamenco geht auf die Musik afrikanischer Sklaven, „gitanos“ (Sinti u Roma), sowie maurisch-arabische Einflüsse zurück.
Es ist der „spanische Blues“, eine Musik der Einwanderer und der einfachen Leute (obwohl Flamenco heute als spanisches Kulturgut gilt).
HowSongsWereRecorded (@howsongswererecorded) on Threads
The bass you hear on Daft Punk’s Get Lucky is from Nathan East, a renowned bassist.
His part was recorded in a single take a didn’t feature a single repeated bass pattern, an essential part of why the track feels so alive.
#daftpunk #gutarist #music
New Car Smell (@newcarsmell.brass) • Instagram reel
1,132 likes, 84 comments - newcarsmell.brass on October 16, 2025: "VERSE 3 - Sm311 u l8r - LET’S GO @amy_true1
Big love to everyone jumping on board and supporting GRASSROOTS music 💪❤️
#doitdifferent #ukhiphop #sax #tuba #drums #streetart".
Colby Fulton cannot believe what he’s seeing:
“There’s no way this guy is real!”
But El Estepario Siberiano is insanely talented - and very probably insane - but real he is and completely extraordinary.
Near Mint. 360 Vinyl Cleaning Solution is the most effective, chemically balanced & premium record cleaning solution on the market to date boasting a double strength attitude. Developed in the UK by DJ's, Record Collectors & Vinyl Enthusiasts.
The first Okki Nokki was designed by Johan Bezem and got produced back in 1997. Nowadays this record cleaning machine is sold all over the world with Okki Nokki’s new CEO, Sanne Bezem at the helm. The latest version is the Okki Nokki RCM One-DV. Okki Nokki is Rotterdam slang for thumbs-up, RCM stands for Record Cleaning Machine, DV for Dutch Version, and Sanne Bezem for quality. She is all about tomorrow’s vinyl care and awesome sounding analog music. The RCM One-DV is as simple as it is effective. With just one control knob, an LP is cleaned deep down in its groove. All you have to do is apply the cleaning fluid, rub it in with the special application brush and let it be sucked dry by the powerful vacuum tube. The result is a clean and dust-free record that sounds better than new after cleaning. The highs have more definition and the lows are smoother than before. A comparative study in the renowned Dutch hifi magazine HVT has shown that the Okki Nokki is one of the best and quietest record cleaning machines
Das ist aber eine schwierige Party, auf der ich nur einen Song hören dürfte. Der müsste schon sehr lang sein, oder? Sonst keine Party. Es gibt von Ben Liebrand einen Mix von Donna Summers „ I feel love“, der geht - glaube ich - 18 Minuten lang (Oder von den Communards „Don‘t leave me this way“ als 12“ Megamix. 22 Minuten). Das könnte immerhin die Partystimmung retten. Hört man auf Queer-Partys generell andere Musik?
Hermeto Pascoal – Música da Lagoa 🌊🎶
In 1985, Brazilian multi-instrumentalist Hermeto Pascoal took his band into the waters of PETAR (Parque Estadual Turístico do Alto Ribeira, São Paulo) to record one of his most iconic performances: Música da Lagoa.
Captured in the documentary Sinfonia do Alto Ribeira, the piece shows why Hermeto is often called the “sorcerer of sound”, fusing nature, improvisation, and jazz into pure magic.
Eine der schönsten Trollaktionen der elektronischen Musikgeschichte ist ja Meutes Coverversion von Laurent Garniers „The Man With The Red Face“. Stell dir vor, eine Brassband covert deinen Technotrack und lässt den übelst nervigen Saxofonpart des Originals einfach weg. Was für eine Ansage!
#deutschrap #earcandy
Neues Album von Nepumuk:
Vom dicken Fell der nackten Wahrheit
Schöne Beats und stabile Texte
Anspieltip:
Dar man das noch sagen
https://sichtexot.bandcamp.com/track/darf-man-das-noch-sagen
Put this mix together at lunch and listened to it most of the afternoon. I can't normally do repeats this often. This is largely influenced by stuff in the punk lineage, though glimmers of other stuff pops through. Episode link in reply.
Reverb Drift - EP003 - Anarchy in the Algorithm