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Infecting An Audience: Why Great Stories Spread | Co.Create | creativity culture commerce
Infecting An Audience: Why Great Stories Spread | Co.Create | creativity culture commerce
In his 1897 book What is Art? the great Russian novelist Leo Tolstoy defined art as “an infection.” Good art, Tolstoy wrote, infects the audience with the storyteller’s emotion and ideas. The better the art, the stronger the infection--the more stealthily it works around whatever immunities we possess and plants the virus. Tolstoy reached this conclusion through artistic intuition, not science, but more than a century after Tolstoy’s death this is exactly what psychologists are finding in the lab. When we enter into a story, we enter into an altered mental state--a state of high suggestibility. Note that this goes against our culture’s dominant idea about stories. When I ask my students why people like stories, most cite escapism. Life is hard. Storyland is easy. Stories give us a short vacation from the troubles of our real lives. We enter the pretend worlds of stories and have a nice time, and then walk away unscathed and unchanged. But if we think this we are wrong. Studies show t
·fastcocreate.com·
Infecting An Audience: Why Great Stories Spread | Co.Create | creativity culture commerce
Guillermo del Toro Shares 14 Creative Insights From His Spectacular Cabinet Of Curiosities Sketch Book | Co.Create | creativity culture commerce
Guillermo del Toro Shares 14 Creative Insights From His Spectacular Cabinet Of Curiosities Sketch Book | Co.Create | creativity culture commerce
Fantasy master and creature creator Guillermo del Toro opens up his Cabinet of Curiosities and talks about the horror inside us all and the importance of failure.
·fastcocreate.com·
Guillermo del Toro Shares 14 Creative Insights From His Spectacular Cabinet Of Curiosities Sketch Book | Co.Create | creativity culture commerce
The Science Of Storytelling: How Narrative Cuts Through Distraction Like Nothing Else | Co.Create | creativity culture commerce
The Science Of Storytelling: How Narrative Cuts Through Distraction Like Nothing Else | Co.Create | creativity culture commerce
In the first of a three-part series, author Jonathan Gottschall discusses the science of storytelling--not just escapism, stories have real power to hold human attention and shape our thinking.
·fastcocreate.com·
The Science Of Storytelling: How Narrative Cuts Through Distraction Like Nothing Else | Co.Create | creativity culture commerce
Story 2.0: The Surprising Thing About The Next Wave Of Narrative | Co.Create | creativity culture commerce
Story 2.0: The Surprising Thing About The Next Wave Of Narrative | Co.Create | creativity culture commerce
When I give talks about the science of storytelling to business audiences, I always get the same question: “What’s the next big thing in story? What new thing will come along and transform everything”? My audiences seem to worry--as Joyce did--that the old story forms have gone a little stale, and the time is ripe for a bit of creative destruction. The digital revolution has put a massive number of new and powerful tools at the storyteller’s disposal. And if technology has revolutionized our tools, shouldn’t this lead to a revolution in the stories themselves? This whole way of thinking is summed up in an annual summit called The Future of Storytelling, which bills itself as “Reinventing the way stories are told.” Is it time for story 2.0?
·fastcocreate.com·
Story 2.0: The Surprising Thing About The Next Wave Of Narrative | Co.Create | creativity culture commerce
Blue Chalk
Blue Chalk
We’re a Brooklyn-based digital media company founded by people who believe in the power of nonfiction visual storytelling. With roots in photojournalism, documentary film, cable television and digital communications, the Blue Chalk team is equipped to serve third-party clients and partners as well as to publish independently. Blue Chalk arrives at a complicated time in the evolution of the visual media industries. We embrace this moment of disruption and encourage blue sky thinking about the technologies and approaches needed to create and convey picture-led stories in a digital world.
·bluechalk.com·
Blue Chalk
Narratively: Human stories, creatively told.
Narratively: Human stories, creatively told.
rratively, named one of TIME's "50 Best Websites of 2013," is a platform devoted to original, in-depth and untold stories. We launched in September 2012. Narratively slows down the news cycle. We avoid the breaking news and the next big headline, instead focusing exclusively on untold, human-interest stories—the rich, intricate narratives that get at the heart of what a place and its people are all about.
·narrative.ly·
Narratively: Human stories, creatively told.
Dadaab Stories
Dadaab Stories
Dadaab is the world's largest refugee settlement. Situated in northern Kenya near the border of Somalia, its five camps are a fragile home to roughly half a million people. By definition, a refugee camp is temporary, but life does not stop here. Love, marriage, children, work, art — life goes on. After two decades, there are more than 8,000 Dadaab grandchildren — children of children who were born in the camp. Following famine and renewed conflict in the region in 2011, over 100,000 new refugees flooded into the camps. Recently, the region has also been hit by a series of major security incidents, like kidnappings of aid workers and IED explosions. Despite the challenges, the Dadaab story continues to evolve.
·dadaabstories.org·
Dadaab Stories
IDFA DocLab | Exploring documentary storytelling in the age of the interface
IDFA DocLab | Exploring documentary storytelling in the age of the interface
IDFA DocLab is the New Media program of the International Documentary Film Festival Amsterdam (IDFA). Since 2007, the program showcases new forms of documentary storytelling and interactive media art, both online and offline. During the IDFA Festival in November, DocLab presents a competition program for Digital Documentary Storytelling, live cinema events, interactive installations, workshops and industry panels. The program is open to all media that can be used to tell a documentary story.
·doclab.org·
IDFA DocLab | Exploring documentary storytelling in the age of the interface
Interactive: Your Hospital May Be Hazardous To Your Health | Inside FRONTLINE | FRONTLINE | PBS
Interactive: Your Hospital May Be Hazardous To Your Health | Inside FRONTLINE | FRONTLINE | PBS
So much of what we call “digital television,” YouTube, Netflix or Hulu, is just small television, distributed over the internet. At FRONTLINE, though, we’ve long been interested in understanding what happens when the internet breaks into the box, and transforms the video itself into something interactive and social. What happens when TV is produced not just to live on the internet but to embrace the possible new experiences and storytelling techniques the internet makes possible?
·pbs.org·
Interactive: Your Hospital May Be Hazardous To Your Health | Inside FRONTLINE | FRONTLINE | PBS
Ideas Become Reality At The Storytelling Innovation Lab | Tribeca Film Institute
Ideas Become Reality At The Storytelling Innovation Lab | Tribeca Film Institute
Our first Storytelling Innovation Lab with Mozilla took place May 13-17 under the Tribeca Hacks banner. In just five days the teams created some really impressive web-native projects and made their code available to others on GitHub. It was important for us to open source the code as part of the impetus for doing this lab was to push what is possible with web-native storytelling and to share this knowledge widely. Our hope is also to encourage others to take the code and create new work from it. We were delighted that the Frontline/ProPublica team published their project, Your Hospital May Be Hazardus To Your Health, after just 4 days work, an incredible feat when you consider that this included the video shoot and the tech build. The lab brought together the best aspects of hackathons—pressure, collaboration, adrenaline—with the best aspects of a longer term lab—more time, peer support, pitch training—and we were really thrilled with the results
·tribecafilminstitute.org·
Ideas Become Reality At The Storytelling Innovation Lab | Tribeca Film Institute
The Basics of Motion Design on Vimeo
The Basics of Motion Design on Vimeo
The basics of motion design as interpreted by the students of the "Basics of Motion Design"-class at the Hochschule für Künste (University of the Arts) in Bremen. In a series of short single episodes different basic principles of motion design are explained
·vimeo.com·
The Basics of Motion Design on Vimeo
Black Gold Boom
Black Gold Boom
Black Gold Boom: How Oil Changed North Dakota is produced by independent producer Todd Melby and brought to you by Prairie Public, Zeega, and  AIR, the Association of Independents in Radio, Incorporated. Black Gold Boom is part of Localore, a national initiative produced by AIR, in collaboration with Zeega, with financial support from the Corporation for Public Broadcasting, the Wyncote Foundation, the John D. and Catherine T. MacArthur Foundation, National Endowment for the Arts and The Spence Law Firm.
·blackgoldboom.com·
Black Gold Boom
The New York Times Told Me to Take This Down — - meta - — Medium
The New York Times Told Me to Take This Down — - meta - — Medium
I was thrilled when I first saw “Snow Fall.” For the past few years I’ve been working to help publishers break from their templates and craft powerful digital stories. I work on a startup designed to streamline this process called scroll kit. So, instead of tweeting about how awesome “Snow Fall” was, I wanted to do something that would show its admirers that they can do it too—I made a replica. It took about an hour to put together, and I recorded a video of the process. I recently opened my email to see a cease and desist:
·medium.com·
The New York Times Told Me to Take This Down — - meta - — Medium
Objects with Meaning
Objects with Meaning
In our disposable world of stuff, the things that surround us have little value or meaning. Beyond that clutter, are the few pieces that are so intertwined with our personal narratives that they are truly cherished. These items are what we call Objects with Meaning. Join us by posting your own treasured object with the hashtag #OWM.
·blog.zady.com·
Objects with Meaning
Inside the Story Magazine
Inside the Story Magazine
In 2012 I published Inside the Story, a collection of secrets from some of the most respected digital producers around the world. More than 2,000 downloads later and I'm really excited to show you the next iteration of the project: a high quality, quarterly web magazine. Inside The Story Magazine is about designing and building better stories in a digital world. Are there rules to storytelling? No, but, as Robert McKee says, there are principles: there are techniques that work and those that don't. Any professional worth his or her salt must understand and appreciate these - even if it is in order to break them. It is time to make sense of what is so often guesswork. There are countless articles and websites about the so-called 'power of storytelling' but I don't see anyone really trying to understand the underlying mechanics of how a good story works. This project is an attempt to do that. Rather than talking in vague terms, Inside the Story Magazine gets its hands dirty looking at th
·insidethestory.org·
Inside the Story Magazine
Don't Just Shoot
Don't Just Shoot
A brief illustration of five photographic composition techniques: the rule of thirds, framing, fill the frame, lines and forced perspective.
·slideshare.net·
Don't Just Shoot
selfiecity
selfiecity
Selfiecity investigates selfies using a mix of theoretic, artistic and quantitative methods: We present our findings about the demographics of people taking selfies, their poses and expressions. Rich media visualizations (imageplots) assemble thousands of photos to reveal interesting patterns. The interactive selfiexploratory allows you to navigate the whole set of 3200 photos. Finally, theoretical essays discuss selfies in the history of photography, the functions of images in social media, and methods and dataset.
·selfiecity.net·
selfiecity
Choosing a Secure Password - Boing Boing
Choosing a Secure Password - Boing Boing
As insecure as passwords generally are, they're not going away anytime soon. Every year you have more and more passwords to deal with, and every year they get easier and easier to break. You need a strategy.
·boingboing.net·
Choosing a Secure Password - Boing Boing
Jim Groom and Alan Levine: Resisting the Narrative of Crisis / Zen of Teaching Interview | Skate of the web
Jim Groom and Alan Levine: Resisting the Narrative of Crisis / Zen of Teaching Interview | Skate of the web
It is a shame I let quite a few months go by since October 2013 when I held an amazing Zen of Teaching interview with edtech gurus Jim Groom and Alan Levine. So, I am humbly trying now to regain the time past and take out of the drawer some potent stuff. Sorry for the delay to Jim and Alan, two of the most ethical and knowledgeable people in the trade, and friends to me. Jim is director of the Division of Teaching and Learning Technologies, the famed DTLT, at Mary Washington University, while Alan is an independent instructional technology specialist and programmer who collaborates often with DTLT. Among other achievements, Jim and Alan are known for DS106, an open, online digital storytelling course which has seen great success in the past few years, even spawning a namesake online radio station. As in the previous interviews within this series and the Zen of Teaching Project, the awesome Gabriela Rivera Torrado has assisted me diligently and she wrote the following summary of the in
·blogs.netedu.info·
Jim Groom and Alan Levine: Resisting the Narrative of Crisis / Zen of Teaching Interview | Skate of the web