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Collective Effervescence Is the Cost of Personalized Learning – dy/dan
Collective Effervescence Is the Cost of Personalized Learning – dy/dan
But the cost of personalized learning is often a silent classroom. In the worst-case scenario, you’ll walk into a classroom and see students wearing headphones, plugged into computers, watching videos or clicking multiple choice questions with just enough interest to keep their eyes open. But even when the activities are more interesting and cognitively demanding than video-watching and multiple choice question-clicking, there is still an important cost. You lose collective effervescence. Collective effervescence is a term that calls to mind the bubbles in fizzy liquid. It’s a term from Émile Durkheim used to describe a particular force that knits social groups together. Collective effervescence explains why you still attend church even though the sermons are online, why you still attend sporting events even though they’re broadcast in much higher quality with much more comfortable seats from your living room. Collective effervescence explains why we still go to movie theaters; laughing, crying, or screaming in a room full of people is more satisfying than laughing, crying, or screaming alone.
·blog.mrmeyer.com·
Collective Effervescence Is the Cost of Personalized Learning – dy/dan
Gravity Forms as a Platform: An Introductory Tutorial
Gravity Forms as a Platform: An Introductory Tutorial
It’s easy to see how powerful Gravity Forms is out of the box for creating forms, surveys, polls and quizzes on WordPress and analysing the results. What’s not so immediately clear is how extensible it is under the hood. This introduction to the Gravity Forms developer platform demonstrates some best practices for creating add-ons for Gravity Forms and helps prepare developers to build form-based applications on WordPress.
·stevenhenty.com·
Gravity Forms as a Platform: An Introductory Tutorial
The Making of 7 Iconic Movie Posters – ART & SCIENCE – Medium
The Making of 7 Iconic Movie Posters – ART & SCIENCE – Medium
The design inspiration for Jurassic Park, Schindler’s List, Do The Right Thing, and more. The first images you saw of movies as diverse as Jurassic Park, Schindler’s List, and Do The Right Thing were all created by the same man — and you probably don’t know his name. That man is Tom Martin, a veteran art director who designed thousands of iconic movie posters, billboards, DVD covers, and other pieces of graphic art for movies in the course of his 30-year career. Martin’s Hollywood story actually began in Ohio in the 1970’s, where he art directed print advertisements and a magazine for a local publisher. When that publisher decided to move to Los Angeles, Martin went along for the adventure. But in Los Angeles, he quickly tired of designing for magazines and took a job at a small boutique agency where he created a poster for Dressed To Kill — his first movie work.
·medium.com·
The Making of 7 Iconic Movie Posters – ART & SCIENCE – Medium
The IPKat
The IPKat
Passionate about IP! Since June 2003 the IPKat has covered copyright, patent, trade mark, info-tech, privacy and confidentiality issues from a mainly UK and European perspective.
·ipkitten.blogspot.co.uk·
The IPKat
Creating a Embeddable Content Plugin for WordPress
Creating a Embeddable Content Plugin for WordPress
WordPress is one of the most deployed content management systems around. One of the main reasons is the number of plugins available and the ease with which we can use the system. It is not uncommon to find websites using tens of plugins to accomplish various tasks and functions. Wouldn’t it be nice if you could share your site content with other websites! You may have a need to share advertisements, product information or, if you are a designer, your photo gallery. Whatever the reason, this article will show you a way to create an embeddable content plugin to share your WordPress content with other websites.
·smashingmagazine.com·
Creating a Embeddable Content Plugin for WordPress
Guide to Computing : James Ball
Guide to Computing : James Ball
This colourful series of ten historic computers, created in collaboration between myself and retouching studio, INK documents the beginning of our computing history. Featuring such famous machines as the IBM 1401 and Alan Turing’s Pilot ACE, Guide to Computing showcases a minimalist approach to design that precedes even Apple’s contemporary motifs. What’s more, the combination of photography and retouching techniques has resulted in something wholly unique: the ageing historical objects as photographed, have been ‘digitally restored’ and returned to their original form. As a number of these computers predate modern colour photography, Guide to Computing therefore showcases them in a never before seen context.
·docubyte.co.uk·
Guide to Computing : James Ball
Programming the ENIAC
Programming the ENIAC
The ENIAC was not a stored-program computer; it is "better described as a collection of electronic adding machines and other arithmetic units, which were originally controlled by a web of large electrical cables" (David Alan Grier, IEEE Annals of the History of Computing, Jul-Sep 2004, p.2). It was programmed by a combination of plugboard wiring (shown at the top) and three "portable function tables", shown above (CLICK HERE and HERE for better views). Each function table has 1200 ten-way switches, used for entering tables of numbers.
·columbia.edu·
Programming the ENIAC
The Six-Lesson Schoolteacher, by John Taylor Gatto
The Six-Lesson Schoolteacher, by John Taylor Gatto
I found this essay in the Fall '91 issue of Whole Earth Review. It finally clarified for me why American school is such a spirit-crushing experience, and suggested what to do about it. Before reading, please set your irony detector to the on position. If you find yourself inclined to dismiss the below as paranoid, you should know that the design behind the current American school system is very well-documented historically, in published writings of dizzying cynicism by such well-known figures as Horace Mann and Andrew Carnegie.
·cantrip.org·
The Six-Lesson Schoolteacher, by John Taylor Gatto
Aristotle’s Aperture: An Animated History of Photography, from the Camera Obscura to the Camera Phone – Brain Pickings
Aristotle’s Aperture: An Animated History of Photography, from the Camera Obscura to the Camera Phone – Brain Pickings
In this short film, the Cooperative of Photography takes us on a five-minute animated gallop through some of the 100 ideas that changed photography, tracing the co-evolution of technology, art, and culture
·brainpickings.org·
Aristotle’s Aperture: An Animated History of Photography, from the Camera Obscura to the Camera Phone – Brain Pickings
A Guide to Developer Collaboration with GitHub | SmartBear
A Guide to Developer Collaboration with GitHub | SmartBear
In this eBook, we’ll take a closer look at how GitHub’s revolutionary platform is changing the way development teams can work together. We’ll look at the different features offered in GitHub and show how using a code review tool, like Collaborator, along with GitHub can help improve collaboration across your development team.
·smartbear.com·
A Guide to Developer Collaboration with GitHub | SmartBear
Keynote: Jane Secker – Copyright and e-learning: understanding our privileges and freedoms Home : Annual Conference 2016
Keynote: Jane Secker – Copyright and e-learning: understanding our privileges and freedoms Home : Annual Conference 2016
This keynote will argue that in order to teach online effectively you need a better understanding how of copyright works as this knowledge will be both empowering and enlightening. Copyright is not a subject that excites most educators or learning technologists. In fact it is probably not something that they think about a great deal. For those who do consider copyright, it can be a source of anxiety, conflict and even annoyance, hampering their ability to share content with learners. Meanwhile for copyright owners, such as publishers, record companies and the film industry, digital technology, especially the internet has been a huge source of concern, as it becomes is increasingly easy for their content to be copied and shared with large numbers of people.  Many business models have had to be reconceived and there are increasing attempts by media corporations to prevent illegal copying of their content using Technical Protection Measures (TPM). I will argue that whether we like it or not, copyright and licenses impact on all of our daily lives. I want to consider where copyright laws come from and what copyright is, in addition to what its designed to protect. For me, a greater understanding of copyright is empowering for copyright users. Rather than restricting how we use technology for learning, a greater understanding of copyright, including both the privileges it confers on the copyright owner and the freedoms on the user, will help educators. Copyright is about ethics and a respect for others ideas, and a fundamental part of information and digital literacy. It is vital that the world of education embed these literacies into our pedagogies of the future. We don’t need young people growing up who are expert at reproducing other people’s work, we want critical thinkers who are creative and innovative and can find solutions to problems in the world. I will argue that an understanding of copyright, helps all of us approach education in a new enlightened way and suggest some approaches might help ensure knowledge and learning is available to be used in education, not locked up behind paywalls.
·altc.alt.ac.uk·
Keynote: Jane Secker – Copyright and e-learning: understanding our privileges and freedoms Home : Annual Conference 2016
The Secret Life of the Radio – Brain Pickings
The Secret Life of the Radio – Brain Pickings
“When correctly harnessed, radio can be as emotional, as funny and as satisfying as the best motion pictures or television shows,” Ira Glass has said. Indeed, the radio is a medium imbued with equal parts nostalgia and timeless mesmerism — there is something singular, something especially enchanting about how its invisible waves entrance us with their sounds and stories. But how, exactly, does the radio work, and how did it come to be? That’s precisely what Tim Hunkin and Rex Garrod explore in this delightful vintage episode of the TV series The Secret Life Of Machines, written by Hunkin
·brainpickings.org·
The Secret Life of the Radio – Brain Pickings
The Ultimate Guide to Writing & Publishing with Markdown
The Ultimate Guide to Writing & Publishing with Markdown
Once you get the hang of Markdown, it’s an incredibly powerful writing tool which will allow you to write rich content for the web far faster than almost any other method. To get to that point, however, there’s a little bit of a learning curve. We thought we’d put together an all inclusive guide to make that curve a little bit shorter, and potentially teach you a few super-user tricks to Markdown that you might not have known.
·blog.ghost.org·
The Ultimate Guide to Writing & Publishing with Markdown
My Text in Your Handwriting | UCL Visual Computing
My Text in Your Handwriting | UCL Visual Computing
There are many scenarios where we wish to imitate a specific author's pen-on-paper handwriting style. Rendering new text in someone's handwriting is difficult because natural handwriting is highly variable, yet follows both intentional and involuntary structure that makes a person's style self-consistent. We present an algorithm that renders a desired input string in an author's handwriting. An annotated sample of the author's handwriting is required; the system is flexible enough that historical documents can usually be used with only a little extra effort. Experiments show that our glyph-centric approach, with learned parameters for spacing, line thickness, and pressure, produces novel images of handwriting that look hand-made to casual observers, even when printed on paper.
·visual.cs.ucl.ac.uk·
My Text in Your Handwriting | UCL Visual Computing
NYC Public Art Map and Guide : NYC Parks
NYC Public Art Map and Guide : NYC Parks
New York City’s parks are host to the country’s greatest outdoor public art museum. With hundreds of permanent works in our collection, and more than a dozen works of temporary art on display at any given time, there’s always something new to see just around the corner.
·nycgovparks.org·
NYC Public Art Map and Guide : NYC Parks
Creating an activist Twitter bot - PilgrimSteps
Creating an activist Twitter bot - PilgrimSteps
In my workshop at Digital Pedagogy today, we discussed how and why someone might want to create a twitter bot.  The uses of such bots can vary widely–they can be playful (such as the Billy Joel bot, which tweets out song lyrics) or can expose hidden behavior (such as the Valley Edits bot, which shows edits to wikipedia from Silicon Valley). I wanted my bot to do something similar to the bot that corrects people who tweet about “illegal immigrants,” offering corrective language.  However, I wanted my bot to call attention to everyday words that denigrate the experience of disabled people.  So I chose to target my bot on people who tweet the word “lame.”  It took about 30 minutes to create the bot, most of which was time spent on signing up for the various services that I would need to create a new Twitter/IFTTT/Buffer accounts.  Here’re the step-by-step instructions if you want to do something similar:
·janaremy.com·
Creating an activist Twitter bot - PilgrimSteps
How to make a Twitter Bot with Google Spreadsheets (version 0.4) – Zach Whalen
How to make a Twitter Bot with Google Spreadsheets (version 0.4) – Zach Whalen
Do you like Twitter bots? I know I sure do. I like following them, and I like making them. I also like introducing my students to bots as one way to do creative things in a networked digital context. That’s way, back in 2013, I cobbled together a simple tool built on a Google Spreadsheets that lets anyone create a simple bot without having to write any code. There are many other ways to make a Twitter Bot, but I like this approach for its clarity and hopefully its accessibility for non-programmers to start understanding how to think about language through programming. Today, I’m releasing an upgraded and much improved version of that tool. I’ve been calling it “SSBot”, but I welcome your suggestion for a better name. This blog post contains the instructions for setting up that tool, but the steps are also included in the spreadsheet. I hope they’re clear enough in that form as well, but this blog post will include images to help explain some parts.
·zachwhalen.net·
How to make a Twitter Bot with Google Spreadsheets (version 0.4) – Zach Whalen
GitHub-101 by audreywatters
GitHub-101 by audreywatters
GitHub is a Web-based code repository service, based on Git, a distributed revision control system. Git was first developed by Linux creator Linus Torvalds (because, yup, "git"), as a way to manage the development of the open source project. There are several key features to Git that make it a useful tool for collaborative projects, and although it’s most often used for managing coding, it can be used for managing other files – from Word documents to HTML pages. Unlike other version control software, Git is distributed – that means that you don’t make changes directly to a centralized repository. Instead, you work on your own local copy of the entire repo. When you’re ready (and if you choose), you can submit your changes back to the original repo. GitHub offers Git's functionality, with additional features like bug reports and "social" interactions. (Whee. "Social coding.") Git is a command line tool. You can use GitHub via the command line too, but it has a Web-based graphical interface. There are also Windows and Mac apps you can download. While Git is an open source tool, GitHub is a for-profit hosting platform. While it's seen steady adoption around the tech industry (and even in government), the company has been accused of being a hostile work environment for women. GitHub has raised $350 million in venture capital from Sequoia Capital, Andreessen Horowitz, and others.
·audreywatters.github.io·
GitHub-101 by audreywatters
The rise and fall of the Gopher protocol | MinnPost
The rise and fall of the Gopher protocol | MinnPost
In fact, most attendees needed little introduction to Gopher — the software had been out for months. It was the developers they were curious about, the Minnesotans who had created the first popular means of accessing the internet. “People we’d never met were telling us how they were using our stuff and adding things to it,” McCahill says. “We had no idea how big Gopher was going to be until we experienced this firsthand and realized that growth could be exponential for a while.” In the years that followed, the future seemed obvious. The number of Gopher users expanded at orders of magnitude more than the World Wide Web. Gopher developers held gatherings around the country, called GopherCons, and issued a Gopher T-shirt — worn by MTV veejay Adam Curry when he announced the network’s Gopher site. The White House revealed its Gopher site on Good Morning America. In the race to rule the internet, one observer noted, “Gopher seems to have won out.”
·minnpost.com·
The rise and fall of the Gopher protocol | MinnPost
The 100 Oldest .com Domains Registered on the Internet. - Ryan Forrester Marketing
The 100 Oldest .com Domains Registered on the Internet. - Ryan Forrester Marketing
I went in search of the earliest adopters of the World Wide Web as we know it today and to my surprise there were WWW dns entries that go back as far as 1985…can you believe that…now who was browsing the internet back in 1985 (other than Al Gore). Anyways, the list below represents the 100 first domains ever registered on the internet…it includes some expected names, some unexpected names and some notable missing names. (NB. Entries registered on the same days are in random order on that day.)
·theforrester.com·
The 100 Oldest .com Domains Registered on the Internet. - Ryan Forrester Marketing
Web Concepts
Web Concepts
The Web's Uniform Interface is based on a large and growing set of specifications. These specifications establish the shared concepts that providers and consumers of Web services can rely on. Web Concepts is providing an overview of these concepts and of the specifications defining them. One example for how this works is the Hypertext Markup Language (HTML), which defines the media type text/html and a set of link relation types such as alternate and section. Web Concepts provides a structured, quick, and interlinked overview of these and many more concepts that together establish the Web surface. The best way to explore Web Concepts is to start at one of these two starting points: Concepts Specifications Web Concepts is openly managed on GitHub, so please feel to fork, contribute, comment, or raise issues. The site is generated from structured information representing the individual specifications, with the build process currently being based on XSLT and Jekyll.
·webconcepts.info·
Web Concepts
Choice360 | Why We Need Digital Literacies
Choice360 | Why We Need Digital Literacies
When I teach my undergraduate course on “Digital Literacies,” I begin with an exercise in “meta-cognition,” deep reflection about how we think. I start by distributing a technology that was cutting-edge in 1760 when Linnaeus invented it: index cards. He needed a tool to help him sort discrete bits of data to create his world-changing classification systems. Two centuries later, Melvil Dewey used these as the basis for his card catalog system, and the notch-edged versions were used in the 1960s and 1970s for relational data bases or “Knitting Needle Computers.” History, I tell my students, is one of the digital literacies. Next, I pass around the revolutionary technology known as “pencils.” And I take out a timer. It’s analog. It even ticks. I’ve not yet introduced myself or passed around the syllabus, so the students are on edge. None of this is what my students expect from “Digital Literacies.” When I set the timer for ninety seconds and ask my students, “Who invented the printing press?” they immediately get to work. After a lifetime of timed school tests, they are now in their comfort zone and need no instructions. In a matter of seconds, they’ve written out their answer and have set their pencils down and are looking at me, waiting for the next question. We all know what name they’ve written on their cards. I tell them if they believe their answer is correct, they can sign the card, hand it in, and they have earned an A for the course. They don’t have to come back again or do another assignment for “Digital Literacies.” “But what if the answer is wrong?” a student invariably asks. “Well, you fail, of course,” I say. I like to leave a silence. Someone asks if there are other choices. “Sure, you can turn over the card. Do research using any devices you have with you, work in groups if you want. Make sure you have reputable sources and proper citations, of course. Ninety seconds.”
·choice360.org·
Choice360 | Why We Need Digital Literacies
The New York Times Told Me to Take This Down — - meta - — Medium
The New York Times Told Me to Take This Down — - meta - — Medium
It’s been five months since the New York Times dropped their mammoth digital story “Snow Fall,” and some people still talk about it as if it came out last week. At a conference recently, the editor-in-chief of the Times said that “Snow Fall” has become a verb inside the newsroom. Om Malik suggested that projects like this are where media companies should be investing their money. I was thrilled when I first saw “Snow Fall.” For the past few years I’ve been working to help publishers break from their templates and craft powerful digital stories. I work on a startup designed to streamline this process called scroll kit. So, instead of tweeting about how awesome “Snow Fall” was, I wanted to do something that would show its admirers that they can do it too—I made a replica. It took about an hour to put together, and I recorded a video of the process. I recently opened my email to see a cease and desist:
·medium.com·
The New York Times Told Me to Take This Down — - meta - — Medium