Livecoding

Livecoding

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MAD DECENT
MAD DECENT
The official home of Mad Decent.
MAD DECENT
Le Monde
Le Monde
International, Economie, Environnement … La référence, partout, tout le temps.
Le Monde
Vimeo
Vimeo
Vimeo, Inc. is an American video hosting, sharing, services provider, and broadcaster headquartered in New York City.
Vimeo
XoilacZ TV
XoilacZ TV
Tường thuật bóng đá trực tuyến miễn phí tại Xoilacz.co full HD. Link Xoilac TV Trực Tiếp Bóng Đá cùng bình luận xem bóng đá tiếng Việt lượng cao.
XoilacZ TV
Discord
Discord
Discord is great for playing games and chilling with friends, or even building a worldwide community. Customize your own space to talk, play, and hang out.
Discord
WIRED
WIRED
We bring you the future as it happens. From the latest in science and technology to the big stories in business and culture, we've got you covered.
WIRED
Red Bull Music Academy
Red Bull Music Academy
Explore the Red Bull Music Academy archive, tracing the global music institution’s more than 20-year history
Red Bull Music Academy
Kwadratuur | Muziek meer dan verdubbeld
Kwadratuur | Muziek meer dan verdubbeld
Speelt in op de concertactualiteit van alle muziekgenres via o.a. heldere cd-besprekingen, uitgebreide concertagenda, interviews, aankondigingen en wedstrijden.
Kwadratuur | Muziek meer dan verdubbeld
Imperica - Home
Imperica - Home
An online magazine which covered topics in and around contemporary culture
Imperica - Home
British Science Association
British Science Association
The British Science Association believes that science should be a part of – rather than set apart from – society and culture, and is owned by the wider community. Our programmes encourage people of all ages and backgrounds to engage with science, become ambassadors for science, and ultimately to be empowered to challenge and influence British science - whether they work in science or not.
British Science Association
BBC - Home
BBC - Home
The best of the BBC, with the latest news and sport headlines, weather, TV & radio highlights and much more from across the whole of BBC Online.
BBC - Home
Home - BBC News
Home - BBC News
Visit BBC News for up-to-the-minute news, breaking news, video, audio and feature stories. BBC News provides trusted World and UK news as well as local and regional perspectives. Also entertainment, business, science, technology and health news.
Home - BBC News
Immigrant Breast Nest
Immigrant Breast Nest
Immigrant Breast Nest is a netlabel founded to present NYC’s best in weird, mostly electronic, underground music. You can download and check out any of our releases, from no-wave techno freaks and squeaks to boss drum & noise to abstract electronic doom. There’s a lot to explore, so take your time and lift with the legs!
Immigrant Breast Nest
Cargo
Cargo
Site builder for designers and artists
Cargo
Fabricating Algorithmic Art
Fabricating Algorithmic Art
“We build our computers the way we build our cities -- over time, without a plan, on top of ruins.” Ellen Ullman (1998) The above quote refers to the historical layers that make up our computer operating systems, where newly developed user interfaces are successively placed on top of the old ones, creating a kind of palimpsest. Behind the graphical user interface we find a text-based one, then a programming language, then a low-level assembly language, then machine and microcode, until we eventually meet with physical electronic circuits. The conventional timeline for computing technology as a whole begins earlier still, with the discovery of the electronic transistor a century ago. Each of these layers has had its heyday as the dominant user interface of its time, and indeed each has been used to make algorithmic systems for, or indeed as, art. There is much artwork to be recognised throughout this period, but if we keep digging, there are many more ruins to be found. Through research during our European Research Council project PENELOPE, we find that algorithms have been present in everyday life for millennia. In the following we will explore some examples which support this claim, with focus on our recent work while resident at the Textiles Zentrum Haslach in Austria.
Fabricating Algorithmic Art
Extramuros: Making Music in a Browser-Based, Language-Neutral Collaborative Live Coding Environment
Extramuros: Making Music in a Browser-Based, Language-Neutral Collaborative Live Coding Environment
The extramuros soware was developed to explore live coding and network music, bringing live coding musicians to- gether around shared text buffers. Originally developed to support a globally distributed live coding ensemble, the extramuros soware has found additional application in projecting laptop orchestra performances to remote sites, in zero-installation workshop and performance seings, and in facilitating the efficient display of code by an ensemble. As the soware works by connecting shared text buffers to audio programming languages through specific network connections augmented by pipes, it is a language-neutral approach. This paper describes the overall architecture of the extramuros system, relating that architecture to perennial network music concerns for bandwidth, security, and syn- chronization. Examples of early use in workshops, rehearsals and performances by laptop orchestras and other small telematic ensembles are discussed, leading to a concluding discussion of directions for future work.
Extramuros: Making Music in a Browser-Based, Language-Neutral Collaborative Live Coding Environment
Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding
Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding
This article hosts an interdisciplinary exploration of cyclic rhythmic structures, bringing together historical references to ground understanding of algorithmic electronic dance music, and in particular the algorave movement. The role of pattern in uniting dance, music and language is investigated in the ancient practice of weaving, in ancient Greek choral lyric, and contemporary live coding. In this context the TidalCycles environment is introduced, with some visual and audio examples. Cyclic metrical patterns in ancient Greek are then explored in detail, particularly the metrical transformations of Epiplokē. Finally, this jump between contemporary and ancient practice leads us to consider algorave itself as a Luddite movement, its proponents engaged in an unravelling of technology.
Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding
Algorithmic Trajectories
Algorithmic Trajectories
We jointly designed and edited this volume [Oxford Handbook of Algorithmic Music] because of our complementary, overlapping yet highly contrasting backgrounds (we have performed together and met first in the context of music research). The contrast between us stems both from our differing time frames of involvement, and from the fact that AM makes music primarily (usually solely) via a computer and in real-time whereas RTD is an acoustic instrumentalist (particularly keyboards, often with computers), and a composer (offline) as well as improviser (real-time). While AM was using computers from an early age, and began serious programming around 1986 (aged 11), RTD first used a (desktop) computer in around 1982 (already aged more than 30). So in this final Perspective on Practice, we will discuss our own experiences and the development of our current enthusiasms. We hope that brief consideration of these trajectories will have some interest for readers seeking to engage with the breadth of our field of algorithmic music. We drafted our own sections, and then jointly edited the chapter, providing a brief conclusion; we also took advantage of helpful suggestions from external reviewers. See Note 1 to this chapter for information on cd and other sources of the music mentioned in the two authors’ sections that follow.
Algorithmic Trajectories
Performing with Patterns of Time
Performing with Patterns of Time
Music is a time-based art form often characterised by patternings; manipulations of sequences over time. Composers and performers may think in terms of patterns, although the structure of patterned sequences are often not made explicit in musical notation. This chapter explores how musical sequences can be created and transformed in real-time performance through patterning functions. Topics related to the use of algorithms for pattern-making are discussed, and two systems are introduced - ixi lang and TidalCycles, as high level and expressive mini-languages for musical pattern.
Performing with Patterns of Time
TidalCycles
TidalCycles
Official channel of the TidalCycles collective. See http://tidalcycles.org/ for more info.
TidalCycles