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Christopher Nolan On 'Oppenheimer' : Fresh Air
Christopher Nolan On 'Oppenheimer' : Fresh Air
Christopher Nolan talks about writing and directing the new film Oppenheimer, about the man who's known as the father of the atom bomb, J. Robert Oppenheimer. Nolan also directed the WWII movie Dunkirk, The Dark Knight, and Inception. The film is about Oppenheimer's leading role in the race to develop the bomb before the Nazis. But after Hiroshima and Nagasaki, he became an arms control advocate, opposed building the hydrogen bomb, and was targeted during the anti-communist witch hunts of the 1950s.Later, Maureen Corrigan reviews the new novel by James McBride.
·npr.org·
Christopher Nolan On 'Oppenheimer' : Fresh Air
The End of Cinema
The End of Cinema
Jean-Luc Godard, the pioneering director who died on the 13th September at the age of 91, began his career with a pioneering series of films, a magnificent run that included the masterpieces À bout de souffle, Vivre sa Vie, Bande à part, Pierrot le Fou, Masculin Féminin and Week-end. Jared Marcel Pollen charts Godard's early career, and the intersection of literature and cinema in it.
·versobooks.com·
The End of Cinema
Watch Val | Prime Video
Watch Val | Prime Video
Val Kilmer, one of Hollywood’s most mercurial actors has been documenting his life and craft through film. He has amassed thousands of hours of footage, from home movies made with his brothers, to time spent in iconic roles for blockbuster films like Top Gun & Batman. This raw and wildly original documentary reveals a life lived to extremes and a heart-filled look at what it means to be an artist.
·amazon.com·
Watch Val | Prime Video
Emma Pasarow Talks About Her First Netflix Movie
Emma Pasarow Talks About Her First Netflix Movie
Watch our full show here: https://youtu.be/lp2US9P2ivs Have you subscribed to CITO on YouTube? ➡️ https://barstool.link/3ca8VLB Follow us on Instagram: https://barstool.link/CITOIG Follow us on Twitter: https://twitter.com/chicksintheoff CITO Merch: barstool.link/CITOMerch #ChicksintheOffice #EmmaPasarow Emma Pasarow Talks About Her First Netflix Movie
·google.com·
Emma Pasarow Talks About Her First Netflix Movie
There Is More Than One Way to Be Exhausted by “Turning Red”
There Is More Than One Way to Be Exhausted by “Turning Red”
In its attempt to celebrate Chinese Canadian culture and destigmatize menstruation, the Pixar film manages to be both hyper-specific and alienating.
If one sees the movie as too sexualized or adult-themed for a young audience, that suggests only the conservatism and squeamishness of the critic.
I mean… yes.
·newyorker.com·
There Is More Than One Way to Be Exhausted by “Turning Red”
He, Robot | Ian Wang
He, Robot | Ian Wang
“After Yang” wants to complicate familiar stories about artificial intelligence and techno-orientalism, but it stumbles in the execution.
·thebaffler.com·
He, Robot | Ian Wang
It’s time to reboot the Hollywood movie franchise
It’s time to reboot the Hollywood movie franchise
When it comes to once-lucrative franchises, the strategy is to make more movies, ask questions later. Now that many of the biggest franchises in cinema history are either ending, on hiatus, or dealing with major creative problems, Hollywood needs to rethink its whole process.
·qz.com·
It’s time to reboot the Hollywood movie franchise
Polar Review
Polar Review
Jonas Åkerlund’s latest is a sad, lint-filled key bump scraped together from the bottom of the post-Tarantino ’90s exploitation baggie.
·vulture.com·
Polar Review
Shrek movie review & film summary (2001) | Roger Ebert
Shrek movie review & film summary (2001) | Roger Ebert
There is a moment in "Shrek" when the despicable Lord Farquaad has the Gingerbread Man tortured by dipping him into milk. This prepares us for another moment when Princess Fiona's singing voice is so piercing it causes jolly little bluebirds to explode; making the best of a bad situation, she fries their eggs. This is not your average family cartoon. "Shrek" is jolly and wicked, filled with sly in-jokes and yet somehow possessing a heart.
·rogerebert.com·
Shrek movie review & film summary (2001) | Roger Ebert