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Though hardly the freshest film in the series, the latest in the Pixar saga puts half of Hollywood’s allegedly grownup films to shame.

Perrineau also addresses Lena Dunham's apology and the controversy that could have derailed her career.

When it comes to once-lucrative franchises, the strategy is to make more movies, ask questions later. Now that many of the biggest franchises in cinema history are either ending, on hiatus, or dealing with major creative problems, Hollywood needs to rethink its whole process.

Tarantino’s love letter to a lost cinematic age celebrates white-male stardom (and behind-the-scenes command) at the expense of everyone else.

Jonas Åkerlund’s latest is a sad, lint-filled key bump scraped together from the bottom of the post-Tarantino ’90s exploitation baggie.

Films like Alfonso Cuarón’s Roma are reaping the benefits.