Accessibility practitioners are currently at risk of Burnout due to the nature of our work. No matter our role, our work often gets prioritized over our well...
In some ways, responsive design was an attempt to move past the idea of a “page.” How’s that worked out for us?
as soon as a page is published online, we can’t predict how someone experiences it. Their screen might be wildly smaller or larger than mine, sure. But any number of factors might change the user’s experience: their network might be punishingly slow; their data plan could be stringently capped; they may use their voice to interact with my design; they may not see the screen like I do. In other words, we’ve never had any kind of control on the Web. And that lack of control can feel scary, sure — but if we approach it properly, it can be incredibly powerful.
In today's GUI Challenge, @AdamArgyleInk builds a wide gamut color palette with okLCH, checking accessible color pairs along the way, inspecting color with d...
Netscape 6.0 is finally going into its first public beta. There never was a version 5.0. The last major release, version 4.0, was released almost three years ago. Three years is an awfully long tim…
Sir Uncle Timbo (Tim Berners-Lee to you) famously designed the web for all people, whatever their hardware, software, language, location, or ability. As mobile devices become ubiquitous, yet controlled by a de facto duopoly, how can we ensure that the web remains open, affordable, and accessible for our 3 billion neighbours who are as yet unconnected?
This session is from the Development Track.
About the Speaker:
Bruce was a member of the committee that drafted the British Standard for commissioning accessible websites, and an editor of the HTML5.3 spec for the W3C. He’s also a musician and has been a Bollywood movie extra, tutor to a Princess in Thailand, a tarot reader in Istanbul and arrested (mistakenly!) for espionage in Moscow.
Learn more about axe-con at https://www.deque.com/axe-con/
It is not me who is bad, it is the machine, you see. - Chris Coyier
I think text-generation “AI” will succeed entirely on the merit that most people just don’t like writing. They just don’t wanna do it. They have to do it, because job, but they’d rather not. It’s not a part of their role that they enjoy. It’s certainly not a fun break from other duties. They may […]
Hi hi hi. Robin here. It’s Saturday. I’m up early, dressed, eated, walked. Now: under an awning outside my favorite cafe in the city, with the rain making a...
I think my website should archive everything; every website I’ve ever made, every weirdo CSS demo, every little thing.
I want to earnestly look back on what I’ve made — the stuff that I think is cool and punk rock as well as the stuff that was half-baked, inexperienced, or headed in the wrong direction from the start.
creative work is much better suited by a prototyping demo loop or a hot-potato process to overcome the tension between design and development
Anyways. If you do find yourself stuck on an assembly line, I recommend a good set of headphones and chill lo-fi beats or whatever music helps you focus.
@elly@front-end.social I know this feeling to well. (I’m still refining my approach, so take all of this with a grain of salt.) If there is a tonne, I would avoid being exhaustive or overly detailed. I try to limit my auditing sessions to a fixed amount of time so that it doesn’t turn into an endless task or wear on me mentally. In situations where there’s a lot, I think it’s more important to call that out, but then focus on the high impact issues. Those will help a client get a sense of where to start and the resources they’ll need for it (which might include followup audits). Also, remember: you didn’t make this mess and you don’t need to burn yourself out to fix it.
Icon transcendence: customizing icons to complement fonts
There are many lovely open source icon sets out there, but sometimes, we just need to 'transcend' them. Product Designer Gleb Stroganov shows us how to craft customized icons by leveraging product font styles, bridging two key interface elements—and giving our products some serious style.