Typography

Websites using the typeface Chronicle Text with personal recommendations for similar web fonts, suggested font pairings and the closest free alternative.

Lenora was born as a charming daughter of typographic fantasy and settled details from Didot or Bodoni's.

DINAMO is a Swiss design practice established by Johannes Breyer and Fabian Harb. We’re interested in the overlap between graphic design production, bespoke or retail typefaces and technology. More recently also how these things can translate into physical objects.

Migra is a spiky serif typeface inspired by the features in migratory birds.Its weights span from an austere and elegant light cut to a hawkish and powerful black one.Packed with a set of even more gestural Italics and sundry special ligatures,this typeface is guaranteed to add sparkle and grace to any of your designs. 8 Roman styles with 8 Italic styles with 568 glyphs each. Language support for the Americas and most of Europe.Designed by Valerio Monopoli

Around the 1850s, a new typeface genre emerged, marked by pointed serifs and capitals of harmonized widths. It quickly evolved into an international phenomenon, with variants known by largely random names such as Latines in France, Renaissance- or Etienne-Schriften in Germany, Latin and Runic in England, as well as Celtic in the United States. Apris is a contemporary typeface design that adopts several features of this genre, like a moderate stroke weight contrast distributed along a vertical axis. Most significantly, its serifs are concave. Stems and arms flare out into acute ends that, depending on their position, resemble trumpet bells or thorns. This sharp look is further enhanced by the shoulders that taper to a point, and by the long-drawn unseriffed terminals on which one could prick oneself. The italics follow the model of the inclined roman, optically corrected, but without any cursive or narrowed shapes. This decision is in line with historical precedents. Latines rarely had an italic, and when they did, slant was the only distinguishing trait. Typefaces of this genre were often all caps. For a present-day release, skipping the lowercase would be too limiting. Apris, however, does sport a large x-height, which ensures a similar compactness of the line band. The design is far from a stylistically pure revival anyway. Throughout the glyph set, one can find elements that seem inspired by other moments in the history of type and lettering. The asymmetrical A with its projecting roof, to name but one example, is a detail frequently found in German Mediäval and Antiqua typefaces from around 1910. The original Latines were a popular choice for jobbing and titling purposes, and particularly common for cards and letterheads. Apris is suitable for a wider range of applications, in print and on screen. The family spans six weights from Thin to Black, with matching italics. Toward the lighter end, it can signal luxury and loftiness. Its medium cuts take on a more assertive voice. Especially when set in the evenly proportioned capitals, they acquire a self-evident quality familiar from shop signs, nameplates or memorial plaques. In the Bold and Black styles, Apris gets funkier and exhibits overtones of 1970s display typography. The fonts offer three alternate glyphs that can be accessed via Stylistic Sets: simpler monocular forms for a and g, and an R with pointed leg that doubles down on the 19th-century provenance.

free sans-serif font family

Comic Neue fixes the shortcomings of Comic Sans. It's the casual script choice for everyone, including the typographically savvy.

Orach Technic Pro - Engraving Fonts

Typography and Design by Connary Fagen

Typography and Design by Connary Fagen

Typography and Design by Connary Fagen

Marvin Visions is a modern and consistent reinterpretation of Marvin, a typeface originally designed by Michael Chave. It has been revived and expanded by Mathieu Triay for the identity of Visions, a new science fiction magazine.

Try JetBrains Mono in your IDE. Its simple forms and attention to every detail make coding a nice experience for developers’ eyes, no matter which IDE you choose.

Glyphs 3 is a Mac font editor that puts you in control: quickly draw high-precision vectors, efficiently reuse shapes, and easily manage any number of letters, figures and symbols.

Join Charles Nix for an in-depth discussion in this video, Spacing numbers, part of Glyphs App Essential Training.

Hack | A typeface designed for source code

Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau.

Free monospaced font with programming ligatures. Contribute to tonsky/FiraCode development by creating an account on GitHub.

Making the web more beautiful, fast, and open through great typography

A font family designed for software developers. Font follows function.

Single Line Fonts is here to cover all your font needs for journaling using pen tools in Cricut, Silhouette, and Pazzles, embossing, engraving, plasma cutters, CAD/CAM, CNC, and more! We have more fonts being added every week so be sure and bookmark us and come back often!