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On Chesil Beach
On Chesil Beach
This is a terrible review but it does get one thing right : Saoirse Ronan is brilliant. The scene on the beach is completely hearbreaking.
·sbs.com.au·
On Chesil Beach
Matthew McConaughey : the beat of his own drum
Matthew McConaughey : the beat of his own drum
Matthew McConaughey was playing the bongos naked and stoned at 2.40am at his home in Austin. By his telling, he was “winding down” after a 48-hour bender following a triumphant victory by his beloved Texas Longhorns — “it was time to smoke a bowl . . . time to stand over my drum set and follow the rhythm of the blues” — when two policemen rudely burst in. He refused to allow them to protect his modesty with a blanket: “I’m not putting shit on! My naked ass is proof I was mindin’ my own business!”
·archive.ph·
Matthew McConaughey : the beat of his own drum
Juliet Berto, Phantom Lady Over Paris
Juliet Berto, Phantom Lady Over Paris
Juliet Berto's impact ranged from being an icon of and key collaborator in the French New Wave to directing her own films in the 1980s.
·mubi.com·
Juliet Berto, Phantom Lady Over Paris
Portrait of a Lady on Fire | The New Yorker
Portrait of a Lady on Fire | The New Yorker
The best movies are about women and the best movies about love are made by women. This is an achingly beautiful and poignant movie about women loving women.
Portrait of a Lady on Fire
The best movies are about women and the best movies about love are made by women and with Portrait of a Lady on Fire, Director Céline Sciamma and the amazing players (Noémie Merlant, Adèle Haenel and Luàna Bajrami) have made an achingly beautiful and poignant movie about women loving women. On Netflix.
·newyorker.com·
Portrait of a Lady on Fire | The New Yorker
Menschen am Sonntag (1930)
Menschen am Sonntag (1930)
Zeldzaam mooie zwijgende film over enkele vrienden en vriendinnen die een zonnige zondag beleven in het Berlijn van eind jaren twintig. Alleen al die historische setting maakt dat over alle alledaagse gebeurtenissen een laagje weemoed hangt, terwijl de film door het naturel acteerwerk en door de losse, midden in het leven staande stijl opmerkelijk tijdloos voelt. Veel talent dat uiteindelijk van nazi-Duitsland naar Hollywood zou vluchten: Robert Siodmak en Edgar G. Ulmer regisseerden, Billy Wilder werkte aan het scenario, Fred Zinnemann was camera-assistent.
·youtube.com·
Menschen am Sonntag (1930)
Dear Antonioni
Dear Antonioni
Roland Barthes
the three virtues — which to my mind constitute the artist. I shall name them at once: vigilance, wisdom, and, most paradoxical of all, fragility.
…fragility oh dear god. yes. i am broken, does that count?
·everythingness.github.io·
Dear Antonioni