My twitter threads

“in january, i started working on a novel project that i’d been incubating in 2022. to make myself actually write it, and not get stuck into research and outlining, or feel overwhelmed by the enormity of the task, i set myself a tiny word count goal of 300 words a day. (1/12)”

playing tkrb musou just for moments like these pic.twitter.com/WGgATdkjQk— lark ⚔️ お前が知ってる (@lightveils) January 15, 2023

ever since i had the epiphany that all my faves are actually united by Confidence, i've tried to redo my faves venn but it led me to the realisation that my faves are actually not a venn but subsets of Types of Confident Guy + combinations of them. like this pic.twitter.com/MaEmxOOb2M— lark ⚔️ お前が知ってる (@lightveils) January 20, 2023

on the occasion of akaken day 5/5 2020 here is a big thread where i cry about them a lot 5⃣5⃣👇

#volleylark #ハイキューありがとう #ThankYouHaikyuu I remember the moment Haikyuu crossed that line, for me, from “fun sports anime” to “something SPECIAL”. It was January 2015. I’d just reached the halfway point of S1E16, “Winners and Losers”, and saw this part.

this has been on my mind lately and i feel i’m seeing it become more widespread, so i want to talk a bit about writing accents/dialect in dialogue, specifically with regards to Inarizaki.

having thinks today about how "readers don't owe writers comments/feedback" and "writers thrive on nice comments" are two statements that absolutely coexist and should be considered with equal weight when talking about fic comment culture