The act of writing for a broad audience poses a predicament for anyone who recognizes the temptations of pride and self-aggrandizement. But it creates particular risks for scholars, whose professional commitments, properly understood, demand humility...
“Deciding to Put My Writing Out There Has Changed My Life.” A Conversation with Jillian Luft
Micro is a podcast for short but powerful writing. Each week features a few short pieces of fiction, creative nonfiction, and/or poetry read by the author. In the accompanying interview series, 5 Q…
Maggie Shipstead on Dealing with Mistakes in Writing
The following first appeared in Lit Hub’s The Craft of Writing newsletter—sign up here. * Maybe five years ago I read a novel in which a man drowns in a lake, and, a few minutes later, his body is …
Today was the last day of school for my kids. They both started new schools this year (high school and middle school). It’s been a weird few years and a bad few days. My son chose not to atte…
Annie Sand suggests that for us to understand others’ pain and communicate our own, we need to create some new metaphors based on our individual perception and experience.
There is no question that land is being lost to the sea — it is an inevitable part of climate change. However, as Erica Gies reports in this fascinating essay for Hakai, in some areas of the UK, the Environment Agency is not only acknowledging this — but helping the sea to win. For that […]
The novelist and artist discuss how archeology reveals something about the present time
This episode of Artists On Writers | Writers On Artists reunites two old friends—novelist Elif Batuman, and artist Sibel Horada—who began their conversation years ago when they met in Istanbul. Here, they commiserate about the uncomfortable relevance of Russian novels, how archeology reveals something about the present time, and ways to leave enough room inside a work for readers and viewers to find their own way inside of it, as well as many other topics. Batuman’s newest book, Either/Or, is out now with Penguin Press. Horada’s work is currently on view in the 5th Mardin Biennial, which is up through June 20.Elif Batuman’s first novel, The Idiot, was a finalist for a Pulitzer Prize, and was shortlisted for the Women’s Prize for Fiction in the UK. She is also the author of The Possessed: Adventures with Russian Books and the People Who Read Them, which was a finalist for a National Book Critics Circle Award in criticism. She has been a staff writer at The New Yorker since 2010 and holds a PhD in comparative literature from Stanford University.Based in Istanbul, artist Sibel Horada focuses on collective and personal histories with an interest in urban, archaeological and ecological cultures. She investigates memories of erasure with stories that weave together strange, coincidental details. For her, memory is not only the act of recollection, but also a process of reproduction and transformation. Using text and forms, she materializes her encounters in poetic sculptures and installations. Horada has shown in many institutions in Turkey and Europe, including MAC museum Vienna, Depo Istanbul, Ludwigsburg Kunstverein, Hannover Kunstverein and Matadero Madrid.Artists On Writers Writers On Artists brings together luminaries in the fields of art and literature to have the conversations they themselves wish to have. This monthly video series is a joint production of Artforum and Bookforum.
Made to measure: why we can’t stop quantifying our lives
The long read: From ancient Egyptian cubits to fitness tracker apps, humankind has long been seeking ever more ways to measure the world – and ourselves. But what is this doing to us?