That’s why my short stuff appears here (and on my microblog) and then gets copied to Twitter. It belongs on the open web first. Twitter is just another form of syndication. It’s not the home of my writing.
I have to confess that Twitter has yielded some good relationships and opportunities over the past few years. And there’s a part of me that wants to keep that portal open. It’s just that on most days, I’m not sure it’s worth it. going indie, as it were, works better (better, I grant, depends on your purposes) when you’ve already got a large audience that is going to follow you where ever you go divided What I do know is that the newsletter is increasingly where I want to write and what I want to keep developing
What’s left, then, is “something I am” along with the increasingly important object that is also increasingly unusable by anyone but me, and therefore more a part of me than ever. No wonder it’s so hard to put it down.
AirPods foster a different approach to detachment: Rather than mute the surrounding world altogether, they visually signal the wearer’s choice to perpetually relegate the immediate environment to the background. AirPods, then, express a more complete embrace of our simultaneous existence in physical and digital space, taking for granted that we’re frequently splitting our mental energy between the two. AirPods have externalities — penalizing non-wearers while confining the value they generate to their individual users. Once everyone has earbuds that are always in, physical proximity will no longer confer a social expectation of shared experience. subordinate our in-person sociality to the privatized infrastructure of networked communication Now, the kind of space that suffices instead is a pleasant backdrop for solitary device usage, a relatively blank slate that doesn’t compete with the phone’s foreground — conditions that places like Sweetgreen and Equinox supply. A dominant aural information platform could have a similar effect, fostering a world where we might as well leave our headphones on because there’s nothing around us worth hearing.
“I began to wonder… how might I organize my to do list so that it makes me feel the way I do when I look at my pantry? How might it become a place that gives me a sense possibility, where I want to create—to work. I’ve been playing with this idea for a couple months and have come to some preliminary conclusions.”
Why wear a watch when I have the time on my phone?
As a “technology person” (ugh), people ask my why I wear a mechanical watch when I already have the time on my phone? I love mechanical watches for a number of reasons – the art, …
Rob Rix’s “Postmodern Programming” talk transcript
The important parts of the job are done with our minds. It’s how we think about things, and what things we think up, and how we arrange these things. that is to say, you will very likely make you a better programmer, and I will be very glad indeed if I have helped in some small way. Before that, I spent eighteen months implementing sync, and so I know a thing or two about making mistakes. If it’s new to you, there’s nothing wrong with that, either—it just means it’s your lucky day, and for that matter, mine too. So please don’t take my word on anything: if there’s anything in here that strikes you as interesting or dull or likely or implausible, try it out for yourself. See where it takes you. More than anything else, I would love to see you make things. In truth, it isn’t easy selecting a name, but that’s not the hard part by half. The hard part is selecting something which is deserving of a name: abstracting. With -setUpNavigationItem, defining the what is a contradiction in terms: it’s not a noun, not a concept. It has no value (by which I mean that it declares its return type to be void, i.e. no type, no value). It was abstracted, but in a sense it is not an abstraction, but merely an extraction of specific instructions. In this sense, too, -setChild: and -setUpNavigationItem are not abstractions, despite having been abstracted: they have no meaning, only instructions. They are not nouns. They are not concepts. but I promise the segue makes sense if you’re me. instead the Grand Declarator, telling each abstraction what it is. Again: how vs. what. At the same time, abstracting imperatively, abstracting-without-abstractions, denies you the ability to deal with these extra concepts behind the veil of local complexity; that is, any code using an imperative abstraction necessarily incurs the complexity of any changes it performs in a total sense (as with any other abstraction), but also incurs it locally—because any other changes to the same state need to be carefully sequenced. The details leak from callee to caller, again and again, and can never be contained. part of what I think about when I think of “declarative programming” is the notion that you are constructing a system of objects at runtime out of which the desired behaviour falls naturally: a necessary consequence of the structure. Composition is abstraction’s dual; where abstraction is breaking a problem into simpler components, composition is reassembling those into the solution. Constructing an abstraction is generally itself composition of other abstractions; any time you use an abstraction, you are composing. It is therefore in our best interests to ensure that the abstractions we build are as simple as possible: simple abstractions are more flexible, meaning more easily composed together, because they do not introduce factors not necessary to their operation. And it is clearly the direction that the market and the industry is heading in: there is a lot of ongoing, exciting research being done in declarative languages and systems and how to survive in an imperative world. It’s necessarily different, of course; if control flow is abstracted, it becomes increasingly difficult for your the API’s client to simply use lldb to debug it. To abstract is to identify an idea, a concept, as a unique thing which can be reasoned and acted upon in isolation. It is to give it a name; to define that name with that concept. This is equally true in language and in code. or of the bittersweet experience of a trusted colleague and friend leaving to work on something important to them If abstraction is vocabulary, then composition is grammar
GitHub desktop developer Justin Spahr-Summers presents a case for what the future of ReactiveCocoa might look like at the 2014 Reactive Cocoa Developer Conference hosted by GitHub.
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'MTA Museum' Pays Tribute To Butt Imprints, Bubble Gum & Other Everyday Subway Sights
It reads: "As a political statement on transit and the concept of rest, millions of New Yorkers collaborated over a period of decades to meticulously create these unique patterns using only their posteriors." they've taken it upon themselves to try to curate our mass transit experience as if it were a living museum.
you generally felt a sense of presence with your contacts. You at least knew what to expect, generally, when you messaged somebody. The expectation is the conversation never really ends, but in fact, it never really starts, either.
When working with a monad, you work in its Kleisli category which is another example of a CCC. The above discussion relating function evaluation to function composition, would then relate Kleisli evaluation (=) to Kleisli composition (=). Woah, is `bind` just monadic function evaluation?
Hi, my name is Eitan. I’m a student of mathematics. Welcome to my personal blog. I intend to post mathematical exposition, but since this is a personal blog I will also post political thought…
in conclusion: you will make better things if you go grave robbing in really weird and shitty cemeteries that no one else likes
never apologize for your terrible taste. the ability to derive enjoyment from something no one else can stand is a form of comparative advantage this is especially true in creative fields, where everything is built from the bones of everything else and you make "novel" stuff by importing fresh new bones in conclusion: you will make better things if you go grave robbing in really weird and shitty cemeteries that no one else likes
New York is one of the best cities when things are going well in your life because everyone else has so much energy that you can thrive off them. But, when things aren’t going well, that same energy can make it feel like everyone has their shit togeth
New York is one of the best cities when things are going well in your life because everyone else has so much energy that you can thrive off them But when things aren’t going well, that same energy can make it feel like everyone has their shit together and you don’t Honestly it sort of feels like some sort of social darwinian experiment where only highly resilient people with fantastic stress management can survive for extended periods of time
“Yancey Strickler, a co-founder of Kickstarter, on the internet retreating to safe spaces – well, safer spaces: Podcasts are another example. There, meaning isn’t just expressed through language, but also through intonation and interaction. Podcasts are where a bad joke can still be followed by a self-aware and self-deprecating save. It’s a more forgiving space for communication than the internet at large. Dark forests like newsletters and podcasts are growing areas of activity. As are other dark forests, like Slack channels, private Instagrams, invite-only message boards, text groups, Snapchat, WeChat, and on and on. This is where Facebook is pivoting with Groups (and trying to redefine what the word “privacy” means in the process). Obviously, the various spaces mentioned above are wildly different, but it is interesting to try to bucket them all together into this trend. And it is something that resonates with me about newsletters…”
Purl, directed by Kristen Lester and produced by Gillian Libbert-Duncan, features an earnest ball of yarn named Purl who gets a job in a fast-paced, high energy, bro-tastic start-up. Yarny hijinks ensue as she tries to fit in, but how far is she willing to go to get the acceptance she yearns for, and in the end, is it worth it?
Get ready for more #SparkShorts coming to Disney+ later in 2019. Sign up for updates at http://disneyplus.com
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Viewed through this lens, Sponsors can be understood as a first, important stepping stone towards company sponsorships, which seem inevitable for GitHub given the presence of Organization accounts. Their eyes light up when they talk about specific developers. If I ask why, I tend to hear a few common responses: 1) they’re learning a specific skill, and watching that person is helpful, or 2) they’re experienced developers who just love being able to see how “the best” do it. it struck me the other day that open source is a sort of “high-latency streaming”. the relationship between a prominent GitHub developer and their audience, and a prominent Twitch streamer and their audience, is similar: they gain followers because people enjoy watching them do something in public. an additional set of motivations, which is, “I want to watch and learn from you”. A graphic artist or a blogger who’s funded on Patreon doesn’t quite have that same relationship to their audience. In those cases, I think their output – the artifacts they create – takes center stage. there are probably others who just love watching the person who makes it. With companies, open source developers are selling a product. With individuals, they’re selling themselves.
The phrase is meant to convey authority, but it is also a plea for trust. Believe me, I can see more than you — so do as I say. While these sights may amaze the neophyte air traveler, the window-seat view soon becomes routine — and yet it still manages to conserve its power in metaphor. While everyone is invited to see things from 30,000 feet, not everyone is invited to stay there or make decisions from such an elevated position. The expression enfolds a double maneuver: It shares a seemingly data-rich, totalizing perspective in an apparent spirit of transparency only to justify the restriction of power, the protection of a reified point of authority. It’s not about flight at all: It is a vertical metaphor to negate horizontalism.
With his students, he was able to write a program capable of typesetting the entire 700-page revised volume of his book by 1978. The program, called TeX, revolutionized how scientific papers are formatted and printed. It’s also one of the oldest OSS projects still in use. The disconnect between technical or scientific and nontechnical authors is also fundamental to understanding TeX’s mainstream obscurity: In nontechnical publishing, typesetting is usually not essential for conveying the author’s intent. Typesetting is considered ornamental; authors of popular material are content to send a Word document to their publisher and let professionals do the rest. Technical authors, on the other hand, need to convey their meaning precisely through glyphs, sizes, and placement. TeX lets them do that, as well as exchange their documents in a widely understood format.
Antarctica has become one of the most widely cited examples of how law enforcement might operate on other worlds Throughout history, frontiers have been where we experiment with innovative societal arrangements, but they are also where we most faithfully reproduce the most current version of our culture, unfettered by the historical customs that temper it back home. but it will also feel like where we came from.