Substrate

“But I understand the appeal. The car as freedom. The car as potential. The car as the American Dream. A box of limitless possibility parked right in the driveway. For many, a car is a self-portrait in motion, a symbol of who they are—or who they want to be.”

“A good photograph of a classic car shouldn’t focus on the car alone. It should illuminate the world around it, the time and place it inhabits. A dream car by itself is inert. It must be in dialogue with its surroundings, in a conspiracy with its space.”