Poems "Tell me about last night" and "Thirteen years and this is what you are to me now" by Augury Books founding editor Kate Angus.

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For them the videos were a grace they didn’t have to earn. I like to tell them the struggle is the more interesting place to be: because a healthy confusion is where the real learning begins. In fact, failing a student CAN be done with grace, so that the student understands their dignity has not been tarnished even though their work has been justly assessed---just as a parent can discipline her child if the child knows her love is unconditional. Grace is precisely what makes hard conversations possible, and productive, between people. But you have to extend the grace first. One of my students said to me, so gently: “Should I be terminally ill later in life, I would want my son to act as you have.”

Our second open board meeting! To find out about the next one we do, follow me at gumroad.com/sahil/follow

Creativity is about connection—you must be connected to others in order to be inspired and share your own work—but it is also about disconnection. You must retreat from the world long enough to think, practice your art, and bring forth something worth sharing with others. You must play a little hide-and-seek in order to produce something worth being found.

Instead, it was damn fun. The low expectations I had for myself let me enjoy just being terrible, and building from there.

There’s a lot of talent pooled in Silicon Valley, and it’s hard not to look around at a lot of the companies here and feel that it’s a bit of a shame, a waste of potential. ​ There’s some conflation happening there, of moral value with economic value,

An aspiring research distiller lacks many things that are easy to take for granted: a career path, places to learn, examples and role models. Underlying this is a deeper issue: their work isn’t seen as a real research contribution. We need to fix this. ​ It’s entirely possible to build paths and staircases into these mountains.That is, really outstanding tutorials, reviews, textbooks, and so on. The climb isn’t something to be proud of. The climb isn’t progress: the climb is a mountain of debt.

You can tell that the poet misses his pet, misses this unique relationship in his life that—itself like a star—helped orient him on certain too-quiet nights when he was lost at sea. It is a marvelous demonstration of how to write about animals: by using specific memories, and not anthropomorphizing them to such a degree that they lose their essential dogginess or catness or mongooseness, but, instead, by recognizing their striking, sometimes sublime differences from us, alongside their similarities. ​ Sometimes, it is enough, as Neruda understood, to have someone look at us to remind us we exist, and that someone, or something, cares that we do. ​ listening with drooping eyes and the occasional blustery sneeze.) He was wonderfully just-there, an uncritical receptacle for my childhood loneliness.

To keep things brief: I recommend putting both your footnotes and your references at the end of the book, but separately.

I tried to come up with a gift idea that would light a maths majors heart without being pricey. So I decided to find a prime that looked like the face of the person that I had to gift.

I decided to try blogging on an iPad that has an attached magnetic keyboard. Other than rocking on my thigh because I’m in a comically oversized armchair, it seems like a pretty good set up and that my guesses for it were correct. Coffee shop...

Homotopy Type Theory as an Alternative Foundation to Mathematics - GitHub - mixphix/hott-thesis: Homotopy Type Theory as an Alternative Foundation to Mathematics

Ichi-go ichi-e (Japanese: 一期一会, lit. “one time, one meeting”) describes a cultural concept of treasuring the unrepeatable nature of a moment. The term has been translated as “for this time only,” and “once in a lifetime.” The term reminds people to cherish any gathering that they may take part in, citing the fact that any moment in life cannot be repeated; even when the same group of people get together in the same place again, a particular gathering will never be replicated, and thus each moment is always a once-in-a-lifetime experience. The concept is most commonly associated with Japanese tea ceremonies, especially tea masters Sen no Rikyū and Ii Naosuke.

ZIP codes have become part of our culture, organizing our locations and determining the flow of mail. There is an order and a structure to this mail system that is similar to that of many natural systems. Let's use the nearly-50-year anniversary of ZIP codes as an opportunity to examine their quantitative aspects.

Optics Cheatsheet · GitHub

Right now I am very sad, if I’m honest: I didn’t do much this year but write this newsletter and go to the gym and not drink and love some people halfway decently and others not as well as I would have liked to. I did not do anything exciting and I also did not save as much money as I intended to save by trimming out those exciting things. I once again did not finish or sell a book; I got off twitter for a while but only because I spent most of the year wrestling with the feeling that all of this had been a mistake and that I should quit writing and go do something else with my life, and the perhaps-worse feeling that it was too late to even do that, too late, even, to successfully give up. every verb in the future or the past tense and nothing in the present. This is a time to sit uncomfortably with who we are when we have nothing to show for ourselves, and how we might still be loved.

The type of seeing we’re referring to here is less ocular and more oracular. ​ There are hidden pennies everywhere. Our job is to see them. ​ Because in the end, after all of your goals are over and through (achieved or not), when the final tally is counted, these are the only pennies you can keep.

We tend to overestimate […] in the short run and underestimate […] in the long run.

She looks like an Instagram – which is to say, an ordinary woman reproducing the lessons of the marketplace, which is how an ordinary woman evolves into an ideal. ​ Figuring out how to “get better” at being a woman is a ridiculous and often amoral project – a subset of the larger, equally ridiculous, equally amoral project of learning to get better at life under accelerated capitalism. In these pursuits, most pleasures end up being traps, and every public-facing demand escalates in perpetuity. Satisfaction remains, under the terms of the system, necessarily out of reach. ​ The ritualization and neatness of this process (and the fact that Sweetgreen is pretty good) obscure the intense, circular artifice that defines the type of life it’s meant to fit into. The ideal chopped-salad customer needs to eat his $12 salad in 10 minutes because he needs the extra time to keep functioning within the job that allows him to afford a regular $12 salad in the first place. He feels a physical need for this $12 salad, as it’s the most reliable and convenient way to build up a vitamin barrier against the general malfunction that comes with his salad-requiring-and-enabling job. As Matt Buchanan wrote at the Awl in 2015, the chopped salad is engineered to “free one’s hand and eyes from the task of consuming nutrients, so that precious attention can be directed toward a small screen, where it is more urgently needed, so it can consume data: work email or Amazon’s nearly infinite catalog or Facebook’s actually infinite News Feed, where, as one shops for diapers or engages with the native advertising sprinkled between the not-hoaxes and baby photos, one is being productive by generating revenue for a large internet company, which is obviously good for the economy, or at least it is certainly better than spending lunch reading a book from the library, because who is making money from that?” ​ It’s very easy, under conditions of artificial but continually escalating obligation, to find yourself organizing your life around practices you find ridiculous and possibly indefensible. Women have known this intimately for a long time. ​ Barre was much too expensive for my grad school budget, but I kept paying for it. It seemed like an investment in a more functional life.

Have you ever met someone with a unique first name, and then all of a sudden you hear the name everywhere you turn? That's the Baader-Meinhof phenomenon at work. How did it get that handle?

We all want to be seen in our way, whether it be by a broader audience, a romantic partner, esteemed peers—but what's becoming clearer to me is how imperative it is for me to see me. That is quite possibly the only important thing, the thing that drives the regard of others. The problem is that as a beautiful* woman, you become accustomed to being a constant focus of the most superficial kind of gaze, the only kind that you think exists. It convinces you that you are powerful, and you become drunk on this power, addicted, and it becomes the worst kind of crutch and measure of self-worth. Its decline is terrible and slow and steady. You think you're becoming invisible, and you begin to doubt yourself. The fact that you suffer so much from this is also deeply embarassing. It feels shallow, indulgent, and bourgeois.

An implementation at https://www.translationparty.com/.