You can’t change the time of the body. It needs time to get into something, and it will do things at its own pace. That in itself is a radical statement in the world we live in, where everything’s changing at an insane pace. When I started contemporary dance, my teacher was making us dance away from [the mirror]. Then you realize, it was all about my feelings within what I do, that is the key answer to dancing, and not what I look like. It’s funny—I can have that love for someone else, but I also have to find the strength [to give] that love for myself. I did that for other choreographers, too—just write them, tell them, “The reason why I love your work is this, this, this and this.” And I found choreographers like that. First, it’s very nice when someone tells you I like you—it’s a bit like the beginning of a good date.

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“THIS RECORD IS GENERALLY INSPIRED BY THE FEELING OF HAVING LOST AND FOUND YOUR CAR KEYS AT THE SAME TIME. THERE'S DRAMA, DISTRESS AND DEEP, PROFOUND CONTEMPLATION MIRRORED WITH RELIEF AND RELENTLESS JOY.”