anyway, a cute vestigial remnant of this whole process is that I still announce what I'm about to do before I do it. It's like a little ritual I have for myself. Every time I do what I say, I build trust in myself, I build self-respect
anyway, a cute vestigial remnant of this whole process is that I still announce what I'm about to do before I do it. It's like a little ritual I have for myself. Every time I do what I say, I build trust in myself, I build self-respect (which I didn't have until... 25? 27?)— Visa’s Fluorescent Foibles (@visakanv) August 11, 2020
But of course, email and social media and games are obvious distractions. In my experience, the more subtle threat -- particularly for non-fiction writers -- comes via the eminently reasonable belief that you’re not ready to start writing, because you haven’t finished your research yet. But as much as I enjoy it, I have learned the hard way that you are never done with your research. Waiting around for the research phase to be complete is a recipe for infinite postponement. when you’re researching in media res, the new ideas or details or stories that you stumble across are much more useful to you, because you can immediately see the slots where they belong.
We procrastinate to protect ourselves. Distractions allow us to delay the moment of truth where we need to show who we really are, what we can really do, where we need to expose ourselves, prove ourselves, and ultimately face the mirror of reality.
The last minute is basically my only real skill. In college, (and high school, and since I can remember) there must have been things I occupied myself with in the hours between when I left class or left a social event and when, at 1am, or 3am, or 6am, I sat down to start work. But mostly what I remember is those frantic hours, the world around me silent, tunneling to the forced singularity of focus. There was a street lamp right under my dorm window, five stories down. It came back on at 5am, and at least once a week I would watch it spark to life, as the morning leaked back into the world, and I would feel like I had acquired some substance, like whatever was coming next would be survivable, like this version of myself, awake, capable of driving the work of two weeks into two hours, was worthy of praise. I felt tangibly good at something, the way I imagine athletes feel. I liked writing, but I liked at least as much being able to say "I wrote it in an hour" about something I’d written. I still do. At this point, after many years of operating this way, I can see the seams, the flimsiness of it, but I have been relying on the last minute for so long that I don’t know how to do otherwise. If television in the last ten or fifteen has a cohesive thesis - and I believe it does - the thesis is that work will save you. Work replaces the family. It orders the world into meaning, and lifts singular identity into a high and visible register. It's easy to see why the promise appeals. You don't have to love anyone, or make anyone love you; you just have to be really, really good at your job. To do something reasonably, in manageable pieces, means to admit my limitations, to turn work from the register of miracles back down to the everyday, where it is just work.
“The fact that you can fool yourself, for the most part, into thinking that you have done something really valuable with your time is really dangerous.”