Sultan + Shepard’s “Something, Everything” feat. Richard Walters
Taken from their album 'Something, Everything'. Out Now.
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## Related Videos
Q&A, Lockdown Edition: https://www.youtube.com/watch?v=SVmEXdGqO-s
Cortex Animated 105: https://www.youtube.com/watch?v=tDCyFfpHW4E
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## Music
David Rees: http://www.davidreesmusic.com
“[Who are some] notable mathematicians with their own YouTube channel?”
Are there any famous/notable mathematicians who have their own YouTube channel?
I found this amazing video regarding the book.
The YouTube channel name is The Math Sorcerer,
but I don't know what ...
But I think we need to make a conscious effort to realize: every time is different. Even if you put the same effort in and make the same decisions, the world, the people in it, and you, have all changed. What worked before, might not work now. The idea that failed before, well — maybe its day has come.
Interview w/ Sultan + Shepard on their “Something, Everything” album
Sultan + Shepard look ahead to their album 'Something, Everything' out March 12 on This Never Happened. Pre-order/pre-save:
https://thisneverhappened.ffm.to/somethingeverything
Music featured:
Sultan + Shepard - Fourteen
Sultan + Shepard - Hold Me Closer
Sultan + Shepard - Something, Everything feat. Richard Walters
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Odd One Outside.
A technical marvel of biblical DIY proportions. A group of wild finns climbed uphill with a generator, dj gear and cases filled with sensitive equipment designed for a less daring environment. Reaching the moderate summit, they dug a hole in the snow for Yotto to play a dj set in. Frozen fingers, technical difficulties and lost drones did not slow down the brave expedition. Includes a wild amount of unreleased music from Yotto and his label Odd One Out.
Filmed by Tuukka Ervasti.
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#yotto #oddoneout #melodictechno #melodichouse #deephouse #electronicmusic
This is how I used to do most of my writing: out in public, in the midst of things. I’d forgotten how much I missed it. We imagine offices and classrooms and weddings, the casual tenderness with which we’ll interact. I think Peterson is right. It will take some time to move past what we’ve just gone through. Move past we will. I already am, giddy to be with others. And yet: I’d argue that some elements of our grief should stick with us.
Kevin Buzzard's invited talk at CICM arguing that getting undergraduate mathematics formalised in theorem provers is useful and important. Slides at http://wwwf.imperial.ac.uk/~buzzard/one_off_lectures/ug_maths.pdf
3Blue1Brown’s video on the intuition behind Taylor series approximations
Taylor polynomials are incredibly powerful for approximations and analysis.
Help fund future projects: https://www.patreon.com/3blue1brown
An equally valuable form of support is to simply share some of the videos.
Special thanks to these supporters: http://3b1b.co/lessons/taylor-series#thanks
Home page: https://www.3blue1brown.com/
Full series: http://3b1b.co/calculus
Series like this one are funded largely by the community, through Patreon, where supporters get early access as the series is being produced.
http://3b1b.co/support
Timestamps
0:00 - Approximating cos(x)
8:24 - Generalizing
13:34 - e^x
14:25 - Geometric meaning of the second term
17:13 - Convergence issues
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3blue1brown is a channel about animating math, in all senses of the word animate. And you know the drill with YouTube, if you want to stay posted about new videos, subscribe, and click the bell to receive notifications (if you're into that).
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I'll go over all the layers that I've been able to debug in myself. …I think that perfectionism is mostly a thin veil hiding a multitude of insecurities, fears, and logical fallacies. And it’s something we need to face.
There is forever an unknown world within the known, forever more to uncover, and here is a creature dedicated to finding the cracks in reality. We would do well to learn from him, to cultivate seeing. Each script is barely consequential on its own, but in aggregate, the familiar grooves made by them pile up, and we forget how to see. and one must always be conscious when handling maps. It is easy to mistake them for all there is. All summaries are compression, and learning to see means looking for the valuable things that are lost in compression. Prosperity is found in seeking the asymmetries in a world that is forever being painted with artificial symmetry.
Hallo, this is Lucas. Because I love to tinker with projects of any kind in my spare time, lucas.love is a place for projects that I work on besides my working hours. I would also like to use this page to thank all the people who help me with the projects and spread some love.
Pamela’s “Why figuring out ‘what you want’ is overrated” video
This is my second homework video for Ali Abdaal's Part-Time Youtuber Academy...
a short on why figuring out "what you want" IS TOTALLY OVERRATED
Tired of stupid self-help?
subscribe to my occasional emails: https://pamelajhobart.com/subscribe
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#shorts #selfhelp #philosophy #lifecoaching
Some of it is using an RSS reader to change the cadence and depth of my consumption—pulling away from the quick-hit likes of social media in favor of a space where I can run my thoughts to their logical conclusion (and then sit on them long enough to consider whether or not they’re true). Some of it is just letting myself wander, link to link, through people’s personal websites and passion projects, seeing what comes up. A theme of the past year has been trying to disengage from my attachment to what I think other people want or need from me, and to rekindle my working relationship with myself.
Saad Quader’s post on the Euler’s product form of the Riemann Zeta Function
Riemann zeta function is a rather simple-looking function. For any number $latex s$, the zeta function $latex \zeta(s)$ is the sum of the reciprocals of all natural numbers raised to the $latex s^\…
This lecture is part of an online undergraduate course on complex analysis.
This is the first lecture, and gives a quick overview of some of the topics that might be covered, such as Cauchy's theorem, analytic continuation, the Riemann zeta function, and the Mandelbrot set.
For the other lectures in the course see https://www.youtube.com/playlist?list=PL8yHsr3EFj537_iYA5QrvwhvMlpkJ1yGN
I stop and take pictures on my phone and neither post them anywhere nor show anyone. I was grateful I never found out one way or another. I cherish the opportunity to drop in, and let my imagination do the rest of the work. There are shades of truth in all of these answers, but I think the real answer is nothing.
The un-reality of our present is really a consequence of the exponential multiplication of realities. In the not-so-distant past, most of our societal constructs — political bodies, media entities, and the like — helped shape our collective reality, which is an extremely important thing for a society to have if it is to work in a linear fashion.
…the physical world can accommodate emptiness and silence, or at least acknowledge them; online, those voids are just filled by other people’s content, and thus vanish instantly.
I still believe Balaji is frighteningly intelligent, but I would vastly prefer that he use those powers for good than, well, whatever this is. They do not sit around thinking about how they’re going to “get” people they write about, and when subjects think they do, it’s more a reflection of the subject’s self-perception (or self-importance) and, sometimes, a sprinkling of unadulterated narcissism. But mostly, I want them to be more rigorous: to acknowledge that ideas are meaningless in a vacuum that does not include real world material conditions, and that people pursuing innovation are not the only people who matter, or even the people who matter most. There is a huge swath of the tech industry whose only experience of real world inequality is tiptoeing around homeless people on the way to work. And it’s easy for them to continue to live in that bubble and entertain the delusion that absolutist ideas — both good and bad — can be implemented when they can’t. This interprets journalism as public relations, which it is not. Journalists are not supposed to cheerlead the industry; they’re supposed to cover it, and that means writing the good things and the bad with no overriding preference for one over the other. And everyone is an unreliable narrator when they articulate their own experiences.