The New CSS · Matthias Ott – User Experience Designer
Matthias Ott is an independent user experience designer and developer from Stuttgart, Germany. Besides design practice he teaches Interface Prototyping at the Muthesius Academy of Fine Arts and Design, Kiel.
AllCaps is a design practice dedicated to publishing typefaces. Our work takes shape through a collaborative process informed by research, while a connection to visual culture and technology ensures our characters stay current. Components of the collective’s output have been honoured by the Swiss Design Awards, Morisawa Type Design Competition and the Brno Biennale Award. The group is formally trained in both type and graphic design. AllCaps demonstrates its commitment to these disciplines through an engagement in design education by leading workshops in design schools around the world.
Stereo Typefaces® is an independent type-design lable, based in Berlin. As a foundry it is specialized in retail typefaces, custom typography and variable fonts.
A symbiosis between Marvin Schwaibold and Jesper Vos as an ensemble for the creation of high-end digital experiences, product design and development, campaigns and platforms for leading brands worldwide. Currently operating at Linktree.
Zealotry wouldn’t be an inappropriate collective noun for Underware. They not only design typefaces, they live type — they educate about type, they publish about type, they talk about type, they want (and organise) others to talk about type.
Counter Forms is a platform that champions emerging, discursive, antipodean type designers. Driven by typographic research, education and advocacy, we publish original typefaces and texts towards a more accessible, diverse and equitable future.
Co-Founder of Ambrook. Previously design at Scale AI, Meta, Minimill, Autodesk, and Venmo. Alum of Maryland. I like making cool things with cool people.
Understanding the important role of typography in reading is a key subject that designers should know and learn about. Design for reading is an enormous responsibility that we should face and resolve correctly. In these pages you will find an explanation of how one reads, the movement of our eyes when we read, how we recognize words. You will find excellent material of a diverse nature and complexity that will help understand the basic princi- ples of typography, wrong ideas and practices that are common in the profession, and advanced concepts of reading on the screen supported by scientific research. The mastery detail of how to regard type is fully developed by Mary C. Dyson who has devoted her academic life to searching for answers and convey designers of her findings.