Tiziana La Melia

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Damien & The Love Guru is a Brussels-based curatorial field of experimentation in contemporary art with an anthropological twist. It is currently functioning as an art gallery staging compelling and non-conventional exhibitions by emerging artists. Our mission is to activate immersions in and critical approaches to the cross-disciplinary fields of visual art, performance and sound via independent projects and collaborations. At Damien & The Love Guru we channel the emphasis of an art project as a way to create an inclusive and tangible environment.

The Talonbooks 2024 Spring launch took place at Pyatt Hall at the VSO School Of Music on April 24, 2024.lettuce lettuce please go bad is available from Talon...

Gallery artist Tiziana La Melia select works, exhibitions and press

Tiziana La Melia, Je ne sais quoi, 2016–17, oil and aluminum powder on canvas, ink on wooden artist frame, 24 3/8 × 20 7/8". Spanning adjacent walls and gently grazing…

A conversation and reading from the Doing Time: Essays on Using People book launch, recorded at Or Gallery on February 17, 2022, in partnership with Emily Ca...

OAC Author Reading Series - Tiziana La Melia + Fan Wuwith student readers Oshi Spring and Stevie Rose Poling23 February 2022 @ 7:00 PM PSTPresented by Oxygen...

Mercer Union, Toronto, November 28, 2014, to January 31, 2015

To attempt to write about the work of Tiziana La Melia —an artist whose practice is largely founded on writing— is to risk throwing oneself into a form of art criticism equivalent to a “yaourt” singing performance.  In pausing on just a few words and concentrating on their rhythm, form, and emotion, one is able to attempt a transcription of the heart of the work.  We’ve all practiced singing in “yaourt” in the shower, an act which is, before anything else, an intuitive movement toward abstraction through which the precision of words and sense is no longer relevant.  Words become a sonorous material; they bounce about, pause on a melody, achieve fluidity and are then amalgamated.  Sense is no longer fixed, and we are left with the pleasure of flow.  Albeit a tad butchered, this genre of joyous reprisal is a far cry from literary criticism or the precious, rigorous analyses of art history.  Yet, it is precisely in this zone of subjective irresolution that Tiziana La Melia situates her artistic practice, in the spaces that generate relations between things, that bring forms and ideas into being prior to the clarifying act of definition.