26,721 votes and 701 comments so far on Reddit

Film Homepage: https://bit.ly/3CL8Bkn Kanal: https://bit.ly/3pJbuds Profil: https://bit.ly/3QYiBdM Wie demokratisch ist Deutschland? Wie wirkungsvoll sind Wahlen? Wie gerecht sind die politischen Entscheidungen? Mit diesen Fragen beschäftigt sich das Filmprojekt „WAHLEN - WAS WILLST DU UND WAS STEHT ZUR WAHL“. Der Film setzt sich kritisch mit dem derzeitigen Wahlsystem und der Regierungsform Deutschlands auseinander – insbesondere mit dessen Auswirkungen auf Gerechtigkeit und Gleichheit der Gesellschaft sowie auf die Bereitschaft der Bürger, sich aktiv an demokratischen Prozessen zu beteiligen. Namhafte Personen aus den Bereichen Kunst, Wissenschaft und Wirtschaft verdeutlichen, wo die Grenzen der heutigen Mitbestimmung liegen und welche Rolle wir dabei selbst spielen. Sie laden aber auch ein, außerhalb der bestehenden Strukturen zu denken und neu zu gestalten, an was wir uns als Gesellschaft orientieren wollen. Das Projekt wurde über eine Crowdfunding Kampagne teilfinanziert und kann online angesehen werden. https://bit.ly/3CL8Bkn Vielen Dank an alle, die das Projekt unterstützt haben! Über Jens Magnus: Jens Magnus arbeitete als Producer im Werbefoto- und Filmbereich. Mit der Dokumentation „Wahlen“ gibt er sein Film- Debüt und verfolgt seinen eigenen Wunsch, seine Zeit und Energie in Projekte zu investieren, die ihm tatsächlich wichtig sind. Daniele Ganser hat eine neue kostenpflichtige Community! Er sagt: "Ich würde mich sehr freuen, Dich dort zu begrüssen! Mein Ziel ist, in diesen bewegten Zeiten den inneren und äusseren Frieden zu stärken!" Hier erfährst Du mehr zu diesem spannenden neuen Projekt: https://bit.ly/3Hf72va Abonniere hier den Daniele Ganser YouTube Kanal: https://bit.ly/3i0QecQ Daniele Ganser: https://bit.ly/3PNR7Gw https://bit.ly/3CuBJw3 https://twitter.com/danieleganser https://bit.ly/3R9wplC https://bit.ly/3wwoHtZ https://bit.ly/3CuBJw3 Dr. Daniele Ganser ist Schweizer Historiker und Friedensforscher. Er ist Leiter des Swiss Institute for Peace an Energy Research (SIPER). In seiner Arbeit untersucht Daniele Ganser die Themen Frieden, Energie, Krieg, Terror und Medien aus geostrategischer Perspektive. In der Überzeugung, dass auch Wissenschaftler helfen können, einen Teil der Lügen und der Brutalität zu überwinden, die unsere Welt noch immer prägen, engagiert sich Daniele Ganser gemeinsam mit tausenden Menschen für eine Welt in Frieden und für erneuerbare Energien. Seine Forschungsschwerpunkte sind: Internationale Zeitgeschichte seit 1945, Verdeckte Kriegsführung und Geheimdienste, US-Imperialismus und Geostrategie, Energiewende und Ressourcenkriege, Globalisierung und Menschenrechte.

Saudi Arabia may seem to many of us to be a country with a golden future. A country with enormous reserves of wealth, collected from almost a century of trading in oil and holding a monopoly on the world's hydrocarbon market. BUT... I would argue that the enormous economic power the Saudis built on the hydrocarbon market has doomed their country, as well as those of their neighbors in Qatar or the UAE. The holding of such a monopoly stagnated political development and therefore left these countries in a position of being ill-prepared for a world after oil. To showcase this, I will however take you to a different place first. The Congo Why Nations Fail by Darren Acemoglu and James Robinson A world History of Slavery by Milton Meltzer Conquerors by Roger Crowly Impromptu no. 4 in A flat major, D. 899 Preludes, Op. 28 - No. 15 'Raindrop' Ballade no. 1 in G minor, Op. 23 You might be interested in this video too: https://www.youtube.com/watch?v=404IeUzGNZ4 Thank you again, and don't forget to subscribe to watch more.

Jordan Peterson is a psychologist, lecturer, podcast host, and author. EPISODE LINKS: Jordan’s Twitter: https://twitter.com/jordanbpeterson Jordan’s Website: https://jordanbpeterson.com Jordan’s Books: Beyond Order: https://amzn.to/3T4LRBw 12 Rules for Life: https://amzn.to/3c4sqYF Maps of Meaning: https://amzn.to/3A1Ods2 Websites mentioned: Essay App: https://essay.app Self Authoring: https://selfauthoring.com Peterson Academy: https://petersonacademy.com PODCAST INFO: Podcast website: https://lexfridman.com/podcast

Created by Vince Gilligan & Peter Gould All DoP : Marshall Adams, Arthur Albert & Paul Donachie Song : Something Stupid Patreon animation by https://bit.ly/3GQtDNf. Find more animations like this one here: https://goo.gl/UxqcX8 Social media template : https://www.youtube.com/watch?v=wAFlSe-B9lw Intro by Pico : icaro-055@hotmail.com As you probably know, I can't monetize my videos because the content isn't mine. You want to fund me ? : https://bit.ly/2MxrHzs Through this page, you have the possibility to support me and my work. It's also possible to make a one time donation on paypal : https://bit.ly/39uBLaK Thank you to Mitch Patterson, Rogelio Valenzuela, Mishek Kandangwa, GG, cpt.oneeye, Victor Bonnefoy, Marcin, Samipya Bagde, Christopher Prud'homme, Tom Pickett, Jakub Gieryn, Klára Skřenková, Joshua Watson, Erik Sanchez, Austin Doughty, Red Quisumbing, Nikita Maximov, Yataaah, Mira Hobbs, Andrew J. Caines, Giuliano Jahn, Ken O'Hare, Joe Harder, Niall Santo, Milea Silalahi, Thomas Piquet, Isaiah, Mora Mitchell, Max Calder, Jeff Chang, Thomas Eyer, Iwo Plotka, Victor, Albert Lew, Oriol Olivera, Corentin Wunsche, Mark Gatten, Andy Nguyen, Sonal Sharma, Elie Dubois, Junette Ginger, Addison Seth Heathcock, Adrian Hernandez, f1rst_musician_bootmaker, Jesse Slot, Ioan Joita, John Hunter, Breemersch, Jorge A Dominguez P, PD7748, Stefano Savvidis, Damien Nijssen, Lanny Lang, Quinn Hansen, Swann Jaunasse, Jan Vorel, Levi Peterson, Nazar Mahier-Šman, iLLaXx, Gibson Karner, Max Desloges, Antoine de Beauvais, Samigigi, Oliver, The New Ongoam24, Tristan, Florian Tranier, Simon Tan, Orange Kiwi, MarionBastille, David Rico, Shisui, Tarek Chreih, Lawrence Girard, Igor Feiermann, Dillan Lincoln, Allon Bane Wooden, Yarema-Luka Yeleyko, Luke, The Wraith, Culina Harmonia, Anders Hartzen, Oliver Dzuba, Ashe, Kyan, Erika Schnapp, Abdallah Said, Jack Naven, Lukas Reith, Ness Philpott, Bob Murphey, Vishakh Mohan, Eddy Rigaud, Pierre I DO NOT OWN THE RIGHTS OF THE MOVIE OR MUSIC. ALL RIGHTS BELONG TO THEIR RESPECTFUL OWNERS. This video is not intended to violate any Condition of Use. Copyright Disclaimer Under Section 107 of Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. Facebook : https://bit.ly/37Xow1F Twitter : https://twitter.com/TheBeautyOf1 Instagram : https://bit.ly/38EHvy0

Despite its seeming complexity, the skin flows around the forms of the body and connects with its parts as one extensive, but continuous form. This is super useful to note especially when rendering with lines

Better Call Saul Cinematography Breakdown — how the filmmakers behind one of TV’s best shows mix and marry the visual styles of cinema, Westerns, Film Noir, and comedy. Better Call Saul Cinematography Breakdown ►► https://bit.ly/co-bcs StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Intro to Better Call Saul Cinematography 01:06 - Better Call Saul's Unique Vision 01:49 - Chapter 1: Cinematic Presentation 04:48 - Chapter 2: Noir Lighting 07:57 - Chapter 3: Playful Shot Choice 10:17 - Final Thoughts/Takeaways ───────────────────── Better Call Saul Cinematography Breakdown The cinematography of Better Call Saul just might rank up there with the best photographed shows on television. More than just the “quality” of the imagery, the show’s unique visual style is a blend of various cinematic influences from The Godfather and classic Hollywood Westerns, along with the high contrast moods found in Film Noir, and the more playful shot choices and camera framing that accent the comedy. In this video essay, we hear from co-creators Vince Gilligan and Peter Gould alongside DP Marshall Adams and more about these decisions and how they balance all of these influences into a single vision. The first thing you notice about the cinematography of Better Call Saul is that it doesn’t really look like television…and that’s intentional. Just like its predecessor, Breaking Bad, Gilligan and Gould wanted to give Better Call Saul a more cinematic presentation. Despite the fact that a majority of the show is shot digitally, the lighting, framing and shot choices all contribute to this cinematic look. In particular, the use of wide shots when evoking Western landscapes. They also have a tendency to let scenes play longer in these wide shots, rather than cutting between close-ups. Lighting plays a huge role in the Better Call Saul cinematography. Just as the daytime exteriors capture the brightness of the New Mexico sun, there is also a clear inspiration from Film Noir. As it was used in those crime dramas of the ‘40s and ‘50s, similar high-contrast lighting sets the stage for Jimmy’s descent into the criminal underworld. Aiding the cinematographers in this effort are the latest digital cameras like the VariCam that can shoot in extreme low-light situations without the usual signal noise. Finally, even though Better Call Saul ventures into dark and dramatic territory, there are comedic elements woven throughout. The most obvious ways they bring levity into the show is through the dialogue, situations, and performances. But the camera itself can also contribute. Camera placement is an immediate way this is done, specifically the odd and unexpected POVs. Whether from inside a mailbox, mounted to a rolling car, or at the bottom of a talking toilet, these playful camera angles help balance out the drama. The cinematography of Better Call Saul is just one reason why it has quickly become one of the best shows on television. Even with all the clear reference points, the show has crafted a visual style all its own. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: “Smoke On The Water” - Deep Purple “Better Call Saul Theme” - Little Barrie “A Mi Manera” - Gipsy Kings “Mike In Pursuit (III)” - Dave Porter “Reciprocating Saw” - Dave Porter “M40” - Dave Porter “On Edge” - Dave Porter “Five For Lock” - Dave Porter “Three Moves Ahead” - Dave Porter “Ass Over Tea Kettle” - Dave Porter “License Plate” - Dave Porter “Four For Unlock” - Dave Porter “Find Out What’s Happening” - Dave Porter Music by Artlist ► https://bit.ly/3SPLQB4 Music by Artgrid ► https://bit.ly/3Cf1gZI Music by Soundstripe ► http://bit.ly/2IXwomF Music by MusicBed ► http://bit.ly/2Fnz9Zq ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a production management solution for your film? Try StudioBinder for FREE today: https://bit.ly/3Cf1i3M — Join us on Social Media! — Instagram ►► https://bit.ly/3w4FDI2 Facebook ►► https://bit.ly/3Cf1jom Twitter ►► https://www.twitter.com/studiobinder

This short film tells the story of Walter Strohmeyer who for almost all of his 90 years has been swimming in the waters off Long Island. An honest and at times heartfelt…