This zine has the ultimate goal of dismantling audism in this very audio-centric world. Every words and every graphics were created by a Deaf Zinester.

Discover 67 Design communities online, like Design Talks, r/userexperience, Product Development and UX Leaders and more.

A Twitter directory of accomplished women in the design industry.

Process is a studio for Art and Design based in Vienna that works in interactive audio-visual installations, graphic design and software development.

Kia’s new logo has hundreds of people Googling the brand incorrectly every day.

Collection of thinking tools and frameworks to help you solve problems, make decisions and understand systems.

A virtual design archive built by everyone about everyone for everyone.

Virtual access to Letterform Archive’s collection of lettering, typography, and graphic design.

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Looking to come up with inventive AI prompts with unusual art styles? Try one of these resources.

The logo for the telecom company Oi looks straight out of The Electric Koolaid Acid Test. Trippier still? It responds to sound.

Good layout design frames a story and impacts how you are informed by the content. For example, in the hallways of Sports Illustrated, editors hang up every page of the print edition to be reviewed and manually tweaked before publication.

It’s time to blow this scene. Who’s in? Cowboy Bebop arrives Nov. 19. COWBOY BEBOP is an action-packed space Western about three bounty hunters, aka “cowboys,” all trying to outrun the past. As different as they are deadly, Spike Spiegel (John Cho), Jet Black (Mustafa Shakir), and Faye Valentine (Daniella Pineda) form a scrappy, snarky crew ready to hunt down the solar system’s most dangerous criminals — for the right price. But they can only kick and quip their way out of so many scuffles before their pasts finally catch up with them. Based on the beloved anime series, COWBOY BEBOP is executive produced by André Nemec, Jeff Pinkner, Josh Appelbaum and Scott Rosenberg of Midnight Radio, Marty Adelstein and Becky Clements of Tomorrow Studios, Makoto Asanuma, Shin Sasaki and Masayuki Ozaki of Sunrise Inc., Tim Coddington, Tetsu Fujimura, Michael Katleman, Matthew Weinberg, and Christopher Yost. Nemec serves as showrunner. Original anime series director Shinichirō Watanabe is a consultant on the series, and original composer Yoko Kanno returns for the live-action adaptation. The series also stars Alex Hassell and Elena Satine. Watch Cowboy Bebop, a live-action series, only on Netflix: https://www.netflix.com/cowboybebop SUBSCRIBE: http://bit.ly/29qBUt7 About Netflix: Netflix is the world's leading streaming entertainment service with over 209 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments. Cowboy Bebop | Opening Credits | Netflix https://youtube.com/Netflix

20th century and contemporary photography including: Berenice Abbott, Henri Cartier-Bresson, Larry Fink, Lynn Geesaman, Kenneth Josephson, Nadav Kander, Yousuf Karsh, Andre Kertesz, Masatomo Kuriya, Robert Mapplethorpe, Lisette Model, Andrew Moore, Eliot Porter, Marion Post Wolcott, Sebastiao Salgado, Julius Shulman, Sharon Core, Jared Bark, Mary Ellen Bartley.

Little Black Book, Fédération Québécoise des Sociétés d’Alzheimer launches new ads through Cossette

Ive spoke with Fast Company about how his design collective LoveFrom developed an intricate, organic logo mark and a new typeface called LoveFrom Serif.

Tiresias Font: Tiresias was designed for subtitling by Dr. John Gill from the Royal National Institute for the Blind (RNIB), in the United Kingdom. T...

Contribute to googlefonts/atkinson-hyperlegible development by creating an account on GitHub.

Japan House’s new exhibition explores the design of, and impact of these Games.

The late Canadian typographer Carl Dair was one of the great typographic designers of the 1950s and 1960s, and he may have been the best of them all at explaining the nature of typography. In coordinated projects that he both wrote and designed, he managed to describe — and show — the ways in which […]

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For years, the West has relied on so-called 'chop suey' fonts to communicate "Asianness" in food packaging, posters and ad campaigns. But such fonts perpetuate problematic stereotypes.

Posted in r/typography by u/trrrrrrrrrik • 246 points and 37 comments

A zine about the privileged Latin script, the oppression of the Arabic script and how to stop typographical appropriation.