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Robin DiAngelo's "White Fragility" is a destructive book full of bad reasoning and bad advice. Don't fall for it. --- In other words, the theory is designed as a Kafka trap whereby any denial is interpreted as evidence of guilt. If you object to any insinuation that you are racist because you are white, or that what you have said has racist connotations, you are failing to come to terms with your racism and exhibiting white fragility. […] One reason “social justice” activists like DiAngelo easily fall into this trap is that they see “Whiteness” everywhere, and when you see “Whiteness” everywhere, it loses its meaning. (Foucault would call this a “totalizing discourse.”) We are left with the fallacy of ambiguity, which happens “when an unclear phrase with multiple definitions is used within the argument.” In this case, Whiteness is the unclear phrase used in the premise of every argument that says racial disparity is the result of Whiteness.

It is in details like this, whether in the construction of a technical artifact like the French public transit system at the heart of Latour’s Aramis or a strategy game from the 1990s, that we see the texture of how people and machines produce everything around us. It reminds us not just that the world is human-made, but also that specific historical and technical contexts opened imaginations or constrained possibilities.

Software engineering principles, from Robert C. Martin's book Clean Code, adapted for JavaScript. This is not a style guide. It's a guide to producing readable, reusable, and refactorable software in JavaScript. Not every principle herein has to be strictly followed, and even fewer will be universally agreed upon. These are guidelines and nothing more, but they are ones codified over many years of collective experience by the authors of Clean Code.

Renee Gladman is the author of ten works of prose and poetry, most recently *Calamities*, a collection of essay-fictions. Her first monograph of drawings, *Prose Architectures*, was published by Wave Books in 2017. She lives in New England with the poet-ceremonialist Danielle Vogel.

The book is an adventure tale whose reward is always bats.

Review of the reissue of Carl Wilson’s ‘Let’s Talk About Love.’

Bay Area sound critic Marc Weidenbaum—acoustic historian, noise futurist, music instructor, and writer of a brand new book about Aphex Twin—has been blogging about music, electronics, and everyday sounds at his blog Disquiet here at Gizmodo for the last few months.

Why I don't think I'm a curmudgeon for thinking the green Iran icons are a joke. "…if you believe for one minute that publicly agreeing with an echo chamber is changing anyone’s mind, behavior, or outlook, you need to stand up, locate your disused front door, walk the fuck through it, and then go spend a full (unwired) day doing something to actually help another person."

Not so much 'debunked', but this article calls out Krakauer on a number of conclusions and omissions from his book (and the subsequent movie). To summarize: the poison/moldy seeds theory doesn't hold water, and McCandless probably just simply starved to death. McCandless had money and a map with him on his final trek, but the book and movie omit this. Also, one of the final self-portrait photographs might have a clue as to the "injury" alluded to in his final note: one sleeve of his shirt looks armless.

What to do. Illustrations by Gorey.

"Two Knuckles Deep in My Mathhole: Slowly Reaching Calculus”