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The writer's critics call him a cynic. But as a new anthology shows, his thinking has matured in subtle ways over the years. --- The word most frequently attached to Ta-Nehisi Coates is probably pessimistic. His critics charge him with focusing on American racism’s intransigence, and overstating the power that white supremacy exerts on black life. […] The racial backlash that Obama engendered testifies to the fact that any attempt by black people to liberate themselves fundamentally threatens the American order. This is part of the glory of Barack Obama’s presidency, that black people possess the potential to recreate America as a true democracy. But the events that have followed the Obama presidency tell us that democracy’s advent will perhaps remain more of a potentiality than a reality, a protracted struggle that the nation will not resolve without enormous strength of political will. Eight Years in Power asks us to linger in that tension instead of dismissing it. Coates’s gradual drift away from post-racial hopes towards hard-nosed realism shows us that he has been in motion this whole time, not denying America’s capacity to change, but realizing how monumental the task before us is.

Power produces bad writing and bad thinking; this is both. This is worth saying, even if nothing else is.

Shaking the Habitual is, inarguably, an achievement. It is the Knife's most political, ambitious, accomplished album, but in a strange way it also feels like its most personal: It provides a glimpse into the desires, intellectual enthusiasms and (unsurprisingly dense) reading list guiding one of music's most shadowy duos. At its most mesmerizing, its conceptual rigor and occasional inscrutability are overpowered by a disarming earnestness: It is a musical manifesto advocating for a better, fairer, weirder world. Shaking the Habitual feels not post-human but profoundly humanist, fueled by an unfashionable but profoundly refreshing faith in music's ability to hypnotize, to agitate, and to liberate.

Journalism in its purest form is a transaction. But inch by inch, story by story, deal by deal, we are giving away our right to ask a simple question and expect a simple answer, one that can’t be taken back. It may seem obvious, but it is still worth stating: The first draft of history should not be rewritten by the people who make it.

Rappers are presented as violent, vulgar sexists and homophobes, and then they're not only expected to have fully-formed opinions on social issues, but progressive ones. This is an ugly update on the always implicit, often explicit demand that hip-hop, if it is to be lauded and celebrated, must espouse a strong, left-leaning political message.

Getting politics wrong and getting pop wrong.

"The above tag cloud shows the popularity, frequency, and trends in the usages of words within speeches, official documents, declarations, and letters written by the Presidents of the US between 1776 - 2007."

Judy Blume: "As always, young readers will be the real losers."

If you were unsure.

Full text and audio database of Top 100 American Speeches by Rank Order