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Quinn Moreland: Something Must Change After Astroworld (Pitchfork)
Quinn Moreland: Something Must Change After Astroworld (Pitchfork)
Scott has long asserted that his shows are a place where fans can let loose and rage through mosh pits, crowd-surfing, stage-diving, and general mayhem. He is far from the only rapper to borrow specific elements from the punk or hardcore underground, but the Astroworld tragedy underscores how important it is that chaos coexist with an ethos of community and accountability. A mosh pit is a collective, physical release of energy and there is the understanding—unspoken or otherwise—that if someone falls, you pick them back up. This is not to suggest that concertgoers at Astroworld did not try to help those who were fighting to stay upright: people crowd-surfed unconscious bodies to safety even while the crush made it extremely difficult for anyone to lift their arms, and at least one attendee testimonial describes pleading with event staff to stop the show. But footage from the festival also suggests a pervasive “every-man-for-himself” mentality, from the fans who pushed others to the ground to get inside, to those who danced atop an ambulance as it inched through the crowd to help people who were literally dying. It can never be said enough: one person’s good time should never come at the expense of another’s safety. These kinds of tragedies should lead to a re-evaluation of safety procedures—and in prominent examples, this has been the case. After the Who concert, Cincinnati banned general-admission concert seating for nearly 25 years. Following Roskilde, Pearl Jam took a six-year break from festivals and returned with strict, hands-on safety policies that included the right to “evaluate all operational and security policies in advance, such as design and configuration of barriers and security response procedures in relation to ensuring our fans’ safety,” as well as the ability to stop a show if needed. Roskilde itself implemented preventative crowd safety measures, including a barrier system that divides the audience into separate pens and more intensive training for security workers. This is the level of oversight we need *before* something horrific happens.
·pitchfork.com·
Quinn Moreland: Something Must Change After Astroworld (Pitchfork)
Paste: Music News: Girl Talk plans epic 24-hour final show on Mayan apocalypse
Paste: Music News: Girl Talk plans epic 24-hour final show on Mayan apocalypse
Where will you be? I'd not mind being here. "I want this to end when I'm on top, so I'm planning my final show on December 21, 2012. It's when the Mayan calendar ends. It's the day when solids become liquids and liquids become plasmas." "I want it to be a stage production, but one where the lines become blurry between reality and complete stage me...I want it to be miserable and equally fantastic. I want the best of both worlds."
·pastemagazine.com·
Paste: Music News: Girl Talk plans epic 24-hour final show on Mayan apocalypse