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Blair L.M. Kelley: A NEW STRANGE FRUIT: Martin's Murder Takes Us Back (EBONY)
Blair L.M. Kelley: A NEW STRANGE FRUIT: Martin's Murder Takes Us Back (EBONY)
When I teach about the history of the segregated South, sometimes my students remark that things are just as bad now as they were then, that conditions for Black Americans are still as bleak for too many. Often my response is that if someone were to hang me or them by that tree in front of the building, someone would come. The law would investigate. Our citizenship would matter in at least that crucial way.

 This month is challenging that assumption. When Trayvon Martin was murdered for looking "suspicious", killed without any pretense of a trial, the police failed to come.
·ebony.com·
Blair L.M. Kelley: A NEW STRANGE FRUIT: Martin's Murder Takes Us Back (EBONY)
Jay Rosen: A Brief Theory of the Republican Party, 2012
Jay Rosen: A Brief Theory of the Republican Party, 2012
‘In so far as a political party in the United States can "decide" anything, the party decided not to have the fight it needed to have between reality-based Republicans and the other kind. And so it is having that fight now, during the 2012 election season, but in disguised form. The results are messy and confusing.’
·jayrosen.posterous.com·
Jay Rosen: A Brief Theory of the Republican Party, 2012
Eric Harvey: Mark Richardson’s ‘A Proposed New Year's Resolution for Music Critics’ (marathonpacks)
Eric Harvey: Mark Richardson’s ‘A Proposed New Year's Resolution for Music Critics’ (marathonpacks)
‘Modern societies don’t advance if they don’t create new things. So human beings start asking new questions when they encounter a cultural object or idea: what about this can I identify (i.e. what about it is “old”), and what aspects of it are new (i.e. novel enough to create demand for it)?’ ‘The questions arise: What specific aspects of the past are appropriate fodder for new hybridizations, or what methods of hybridization are privileged over others? Most importantly, why is this?’
·marathonpacks.tumblr.com·
Eric Harvey: Mark Richardson’s ‘A Proposed New Year's Resolution for Music Critics’ (marathonpacks)
Rortybomb: Parsing the Data and Ideology of the We Are 99% Tumblr
Rortybomb: Parsing the Data and Ideology of the We Are 99% Tumblr
‘Upon reflection, it is very obvious where the problems are. There’s no universal health care to handle the randomness of poor health. There’s no free higher education to allow people to develop their skills outside the logic and relations of indentured servitude. Our bankruptcy code has been rewritten by the top 1% when instead, it needs to be a defense against their need to shove inequality-driven debt at populations. And finally, there’s no basic income guaranteed to each citizen to keep poverty and poor circumstances at bay. We have piecemeal, leaky versions of each of these in our current liberal social safety net. Having collated all these responses, I think completing these projects should be the ultimate goal of the 99%.’
·rortybomb.wordpress.com·
Rortybomb: Parsing the Data and Ideology of the We Are 99% Tumblr
VersoBooks.com: Slavoj Žižek at Occupy Wall Street
VersoBooks.com: Slavoj Žižek at Occupy Wall Street
‘Slavoj Žižek visited Liberty Plaza to speak to Occupy Wall Street protesters. Here is the full transcript of his speech.’ “So do not blame people and their attitudes: the problem is not corruption or greed, the problem is the system that pushes you to be corrupt. The solution is not “Main street, not Wall street,” but to change the system where main street cannot function without Wall street. Beware not only of enemies, but also of false friends who pretend to support us, but are already working hard to dilute our protest.”
·versobooks.com·
VersoBooks.com: Slavoj Žižek at Occupy Wall Street
NYTimes.com: Steve Jobs, Enemy of Nostalgia
NYTimes.com: Steve Jobs, Enemy of Nostalgia
‘Mr. Jobs’s magic has its costs. We can admire the design perfection and business acumen while acknowledging the truth: with Apple’s immense resources at his command he could have revolutionized the industry to make devices more humanely and more openly, and chose not to. If we view him unsparingly, without nostalgia, we would see a great man whose genius in design, showmanship and stewardship of the tech world will not be seen again in our lifetime. We would also see a man who in the end failed to “think different,” in the deepest way, about the human needs of both his users and his workers.’
·nytimes.com·
NYTimes.com: Steve Jobs, Enemy of Nostalgia
Expert Labs: The Democracy Gap
Expert Labs: The Democracy Gap
‘The Democracy Gap is a great chasm between this “hearing and deliberative” part of government (what people like to call “Washington”), and the rest of human civilization, and activists — left, right, and orthogonal are beginning to figure this out, and it’s beginning to really tick them off. People are using the internet to become increasingly more organized, but at the same time are becoming more and more disconnected from the mechanics of power inside Washington. Moreover, as the volume of voices grows louder, “Washington” becomes more disconnected — unable to hear the best solutions from the cacophony of noise.’
·expertlabs.org·
Expert Labs: The Democracy Gap
The Daily Beast: The Dish: Who Is Behind Occupy Wall Street?
The Daily Beast: The Dish: Who Is Behind Occupy Wall Street?
‘Protests should do three things: they should express anger, through marches and targeted civil disobedience, at a particular political or social situation. They should give people the opportunity to see that other people, even people different from themselves, share that anger. And they should provide a vision of how life would be better if the world were different. Occupy Wall Street is doing all three of those things.’
·andrewsullivan.thedailybeast.com·
The Daily Beast: The Dish: Who Is Behind Occupy Wall Street?
NYTimes.com: Some of Sarah Palin's Ideas Cross the Political Divide
NYTimes.com: Some of Sarah Palin's Ideas Cross the Political Divide
‘She made three interlocking points. First, that the United States is now governed by a “permanent political class,” drawn from both parties, that is increasingly cut off from the concerns of regular people. Second, that these Republicans and Democrats have allied with big business to mutual advantage to create what she called “corporate crony capitalism.” Third, that the real political divide in the United States may no longer be between friends and foes of Big Government, but between friends and foes of vast, remote, unaccountable institutions (both public and private).’
·nytimes.com·
NYTimes.com: Some of Sarah Palin's Ideas Cross the Political Divide
Mother Jones: Presidential Power
Mother Jones: Presidential Power
‘…in two years Obama has done more to enact a liberal agenda than George Bush did for the conservative agenda in eight. That's not bad, folks. All things considered, I'd say Obama is the most effective politician of the Obama era. And the Bush era too.’
·motherjones.com·
Mother Jones: Presidential Power
NYTimes.com: Paul Krugman: The Centrist Cop-Out
NYTimes.com: Paul Krugman: The Centrist Cop-Out
“The facts of the crisis over the debt ceiling aren’t complicated. Republicans have, in effect, taken America hostage, threatening to undermine the economy and disrupt the essential business of government unless they get policy concessions they would never have been able to enact through legislation. And Democrats — who would have been justified in rejecting this extortion altogether — have, in fact, gone a long way toward meeting those Republican demands.”
·nytimes.com·
NYTimes.com: Paul Krugman: The Centrist Cop-Out
NYTimes.com: How the Deficit Got This Big
NYTimes.com: How the Deficit Got This Big
With a chart that shows what actually happened. “In future decades, when rising health costs with an aging population hit the budget in full force, deficits are projected to be far deeper than they are now. Effective health care reform, and a willingness to pay more taxes, will be the biggest factors in controlling those deficits.”
·nytimes.com·
NYTimes.com: How the Deficit Got This Big
Topspin Media: The Unbundling (and Re-Bundling) of Music
Topspin Media: The Unbundling (and Re-Bundling) of Music
How music became ‘un-bundled’ from CDs as consumers downloaded the one or two songs they actually wanted, and how direct-to-fan sales have re-bundled that music into not just CDs but digital releases, vinyl, and every manner of special package imaginable. “As artists get their arms around all their rights and build direct relationships with their fans we’re seeing artists’ output RE-BUNDLED into higher value packages and average revenue per transaction greater than those delivered by the Compact Disc.”
·topspinmedia.com·
Topspin Media: The Unbundling (and Re-Bundling) of Music
seedy
seedy
This Tumblr posts PDFs of poetry anthologies and books of cultural writing and other classic texts, bits of important historical music-related interviews, old, rare, or otherwise important or interesting records, etc. Would that I had the time to take in everything listed here.
·c-d.tumblr.com·
seedy
The ASC: John Bailey's Bailiwick: Spomenik—Jan Kempenaers and “The End of History”
The ASC: John Bailey's Bailiwick: Spomenik—Jan Kempenaers and “The End of History”
Beautiful, haunting, gigantic sculptures. “There are hundreds of them scattered throughout villages and rural landscapes in the former Yugoslavia. Once the site of pilgrimages by schoolchildren, military veterans, patriots, and mourners who had lost family in WWII, these Spomeniks (monuments) are today rarely visited. Often built out of concrete in a style dubbed Brutalism, these secular totems were meant to endure, impervious to the mere march of time—a testament and continuous witness to the new unity of the historically fractious Balkan states—the unity of all the Slavs, YUGOSLAVIA.”
·ascmag.com·
The ASC: John Bailey's Bailiwick: Spomenik—Jan Kempenaers and “The End of History”
Wikipedia: Gallowglass
Wikipedia: Gallowglass
“The gallowglass were an elite class of mercenary warrior who came from Norse-Gaelic clans in the Hebrides and Highlands of Scotland between the mid 13th century and late 16th century.” “They were the mainstay of Scottish and Irish warfare before the advent of gunpowder, and depended upon seasonal service with Irish chieftains. A military leader would often choose a gallowglass to serve as his personal aide and bodyguard because, as a foreigner, the gallowglass would be less subject to local feuds and influences.”
·en.wikipedia.org·
Wikipedia: Gallowglass
Esquire: How LCD Soundsystem Changed Music
Esquire: How LCD Soundsystem Changed Music
Good oral history. This quote is a good takeaway: "I think the thing I've really learned from James is a) patience, b) only work with people you love, and c) be very, very, very, very stubborn about everything. Because when you're capable and able to say no to stuff, when you're capable of writing your own story and being very adamant about the way that you're portrayed or the way that your records are made, people respond to it."
·esquire.com·
Esquire: How LCD Soundsystem Changed Music
The A.V. Club: An open letter to LCD Soundsystem’s James Murphy, from one critic to another
The A.V. Club: An open letter to LCD Soundsystem’s James Murphy, from one critic to another
“Like a lot of music critics, I feel a special kinship with you, because we are you. Or, rather, you are a better, smarter version of us. The relationship music critics have with you is similar to what film critics have with Quentin Tarantino, who, like you, started out as a know-it-all fan who, unlike most critics, took all the trivial, microscopic specificities he absorbed from every corner of his fan experience and found a way to create something new with it. But even if you guys are big-shot artists now, you’re also still critics at heart; you did it like Godard, critiquing art by making better art. Any time you’d take pains to find just the right detail to make a track really snap—a crisp snare, a squiggly synth, a warmly bouncing bassline—you were both nodding to the records you felt did it correctly, while also making an argument against the relatively chilly, slapdash way music is made in the point-and-click ProTools era. They say writing about music is like dancing about architecture, but your records actually were architecture, built from the spare parts of closely observed sounds you deconstructed and recontextualized from countless songs in your impeccably curated collection.”
·avclub.com·
The A.V. Club: An open letter to LCD Soundsystem’s James Murphy, from one critic to another
Pitchfork: Odd Future Mixtapes
Pitchfork: Odd Future Mixtapes
“A year ago, when nobody knew who they were, the demonic L.A. skate-rat rap collective Odd Future Wolf Gang Kill Them All cranked out music at an alarming rate. And now that nobody will shut up about them, they’re still doing the same thing. Since 2008, Odd Future have released no fewer than 12 full-length albums, as well as assorted between-releases singles — all available free on their Tumblr. Some of those releases are brilliant, paradigm-shifting works of violent vision. Others are entirely forgettable. Almost all of them are worth your hard-drive real estate, and almost all of them will confound you in one way or another. Below, you'll find a guide to every single one of those albums, from their introductory 2008 ‘The Odd Future Tape’ to Frank Ocean’s ‘Nostalgia, Ultra.’, the experimental R&B tape that the crew released just a few weeks ago.”
·pitchfork.com·
Pitchfork: Odd Future Mixtapes