When The Met was founded in 1870, it owned not a single work of art. Through the combined efforts of generations of curators, researchers, and collectors, our collection has grown to represent more than 5,000 years of art from across the globe—from the first cities of the ancient world to the works of our time.
Welcome to Smithsonian Open Access, where you can download, share, and reuse millions of the Smithsonian’s images—right now, without asking. With new platforms and tools, you have easier access to nearly 3 million 2D and 3D digital items from our collections—with many more to come. This includes images and data from across the Smithsonian’s 19 museums, nine research centers, libraries, archives, and the National Zoo.
Velvetyne is a French libre type foundry designing and releasing cutting edge typefaces.
We design libre / open source fonts. That means that you can use, modify and redistribute them freely! Learn more and contribute to the adventure of Velvetyne Type Foundry by reading our “about” page!
Open Peeps is a hand-drawn illustration library to create scenes of people. You can use them in product illustration, marketing, comics, product states, user flows, personas, storyboarding, quinceañera invitations, or whatever you want! ⠀
Inter is a typeface carefully crafted & designed for computer screens.
Inter features a tall x-height to aid in readability of mixed-case and lower-case text. Several OpenType features are provided as well, like contextual alternates that adjusts punctuation depending on the shape of surrounding glyphs, slashed zero for when you need to disambiguate "0" from "o", tabular numbers, etc.
53K+ high-resolution pieces of art.
Explore thousands of artworks in the museum’s wide-ranging collection—from our world-renowned icons to lesser-known gems from every corner of the globe—as well as our books, writings, reference materials, and other resources.
For an introduction to mindfulness meditation that you can practice on your own, stream or download the guided meditations below. Recorded by UCLA MARC's Director of Mindfulness Education, Diana Winston.
On the tons of excellent free music coming out via rappers and their mixtapes.
Rappers are very much analogous to bloggers in that both groups sort of do what they do because they want to do it, but they also know there’s not really any worth to what they’re doing - except sometimes one of their cohort gets scooped up by some faceless place with money, so there’s always a little halo of maybe-money attached to what they do. Maybe that halo’s worth more than actually making a piddly amount of money.
“A year ago, when nobody knew who they were, the demonic L.A. skate-rat rap collective Odd Future Wolf Gang Kill Them All cranked out music at an alarming rate. And now that nobody will shut up about them, they’re still doing the same thing. Since 2008, Odd Future have released no fewer than 12 full-length albums, as well as assorted between-releases singles — all available free on their Tumblr. Some of those releases are brilliant, paradigm-shifting works of violent vision. Others are entirely forgettable. Almost all of them are worth your hard-drive real estate, and almost all of them will confound you in one way or another. Below, you'll find a guide to every single one of those albums, from their introductory 2008 ‘The Odd Future Tape’ to Frank Ocean’s ‘Nostalgia, Ultra.’, the experimental R&B tape that the crew released just a few weeks ago.”
“The piece is by Mathias Delplanque. Titled ‘Call Center,’ it’s recent a stereo reduction of a sound installation of his from several years back. It was part of an exhibition titled ‘Bombay Maximum City.’ The sounds, he reports, were ‘recorded during the summer of 2006 in a call center in Gurgaon (suburbs of New Delhi).’ The result is a half hour of sound that flirts with narrative, but also manages to transform the everyday into something sonically complex. That the source of the audio is itself such a quintessential emblem of technology, of globalism, of communication services, and of interpersonal mis-communication only adds to its impact.”
Another ‘response album’ from Marc Weidenaum's blog minions, this a collection of recordings that use a human sigh as their source material. The response is to the grumpy, narrow-minded art critic Richard Dorment, who questioned the integrity and quality of artist Susan Philipsz’ Turner Prize-winning ‘Lowlands‘, as well as a number of other artistic endeavors that he considers unworthy of anything more than a ‘long low collective sigh’.
Marc Weidenbaum — Despite the Downturn: An Answer Album
I may never get around to listening to this, but the idea is fantastic.
"An article in the May 2010 issue of the magazine The Atlantic critiqued the current generation of young music fans for rampant copyright violation. In a small irony, the illustration used to decorate the article interpolated a detail of a preexisting work that appears to not yet be in the public domain. This notice isn’t intended as a criticism of the illustrator — quite the contrary; the illustration is excellent — but instead of the theoretical foundation of the article, which suggests a clear line between right and wrong where there is, in fact, significant ambiguity. I forwarded Traum’s image, and article it accompanied, to various musicians and asked them if they would record a piece of music that took Traum’s picture literally: use it as a score.”
Design Daily News: 30 high-quality free fonts for great designs
Yeah, it's a crappy linkbait gimmicky list of fonts, but these are good ones (not all of them, and relatively speaking). I didn't Delicious this last month when I found it because I thought I was better than that but I've since needed to find the link again four times, so HERE IT IS. Bite me.