Art, commerce, and the battle for the soul of My Little Pony. --- Branded toys routinely make more money than the films and cartoons on which they are based—sometimes a lot more—so it’s logical in a way that yes, children’s television shows and movies are basically long, elaborate toy commercials. If they are to provide something, anything, more interesting or positive for children than a siren call to the toy store, any other potential motives—humor, pleasure, an observation on human nature or a philosophical or moral lesson—are incidental to the prime directive of selling toys, lunchboxes, T-shirts, and all the other branded merchandise known in the trade as “CP,” or consumer products. […] In effect, it’s no longer possible to produce mass-market children’s entertainment outside the parameters of “selling out.” […] All the bronies I have met share this effortless camaraderie; some are shyer than others, but basically they are twenty-somethings with the simple, unaffected friendliness of 5-year-olds. […] There’s a temptation to reckon the attempts of artists like Lauren Faust to create entertaining and meaningful shows within the straitjacket of corporate commerce as entirely futile, hopeless. A mug’s game. But then I remember the Grand Galloping Gala in full swing. In time the techno music was blasting and a throng of kids massed together in the center of the dancefloor, dressed in cosplay pony ears and swishing tails and all sorts of homemade cartoon finery, pogoing, and suddenly it became clear that they were all chanting together. Evan, I said. Are you hearing what they’re chanting. He’s all, What is it? It was this: “Friendship! Friendship! Friendship!”

The CCCC is a simple tool that allows groups of parents and other caregivers to automatically generate a fairly distributed cooperative childcare schedule. Don’t miss the explainer, which explains why collective childcare is vital even in times of social distancing: https://docs.google.com/document/d/1UmfWCSgtZPR6o3B1lfsqi51bADjnDvMrDLg1M2fTIt4/mobilebasic

Single parents across race and class lines struggle to secure safe and affordable childcare on short notice, and often those parents are faced with hard decisions. They can take the children to work or to a job interview with them and risk violating company policy (and, by extension, their chances of maintaining or securing a position with the company). They can leave the children at home, if they’re old enough, in “latchkey” situations. They can leave them with a childcare provider they don’t know and haven’t had time to vet. Or they can cancel their obligation, risking much-needed income. No decision is without its consequences, but black mothers find themselves making these decisions (and facing legal and penal consequences) disproportionately. These institutional consequences compound the economic stress and hardship one-income households already face.

For as long as we’ve had kids on the Internet, we’ve worried about adults with bad intentions luring them into an in-person meeting. … The truth is that all available data sets indicate that young Americans are increasingly safe from accidental and intentional victimization alike. The people who are most likely to violate children are known to them: Acquaintances, peers, and, yes, parents. Strangers only commit 1 to 10 percent of child abuse. Almost no one wants to harm children, and the ones who do tend to target kids close to them.

The reality is that whether it’s at school, home or in the open space, lots of little city boys just don’t get the physical activity their restless bodies need. I’m focused on my boy, but the same is surely true for many girls as well. The results to me are obvious: a city of little boys with ants-in-the-pants who become grown men affected by it. I wonder if it’s worth it.

A great, short profile directed by Spike Jonze

Michael, a 9-year-old whose periodic rages alternate with moments of chilly detachment.

‘”What To Expect” is, then, finally, a self-fulfilling prophesy, because what to expect as an expectant mother today is to be bombarded with information about how you are doing it wrong—whether it is carrying a baby in your womb, pushing it out, or raising it.’

‘When it comes to IVF, in-vitro fertilization, nothing is normal. Your world is upside-down. Your doctor compliments your wife on her monkeys. Then, when every dollar and exertion has gone toward a single hour of hope, it begins to snow.’

This piece is incredibly sad. But it is hopeful also. The expansion of pet-based forensic science teams, the increasing intersection of psychological examinations of pet abuse and how it relates to bad home situations, and the use of animals for therapeutic practice are three wonderful things. A must-read.

Why are so many women willingly giving up their identities and letting their children take over? And are our children being overly coddled as a result?

This must be the best children's show ever.

Basically: It's sometimes amateurish, and there's troubling misogyny, but is that so bad? I say, and I think this is what Kevin is getting at, is that the age-old paradigm of adults worrying about young minds being influenced by media is a bit more complicated -- I think more than a new idea being introduced and etched onto a young mind by 'Twilight', the more likely circumstance is that the ideas therein subtly reinforce existing ideas that the child is already exposed to.

"This is the best invention of all and I can’t even hardly believe someone has finally taken the time to invent this. You’ve probably seen this at any local pizzeria located within an audioanimatronic aviary."

"A politically charged photography exhibition" -- she took away her subjects' lollipops and photographed them. Caught flak. Wanted "to convey that the children, if they knew, would be really upset about the way the world is going."

So far, my favorite of the "Takeaway Shows" series. This is why I love music, plain and simple. Absolutely amazing.

A "nefarious chicken-finger pandemic?" "It pains me that many children now grow up eating little besides golden-brown logs of kid food, especially in a time when the quality, variety and availability of good ingredients is better than ever."