Death and surrender to power in the clothing of men. [...] All of this—skulls, trucks, flags, guns—form the edges of a commodified, weaponized identity. [...] Those same political and market forces have successfully rebranded the American flag as both consumer product and cultural signifier. Merchandizing and uniformed services have considerably shifted associated symbolism away from a (debatable) neutrality toward a fully masculinized, militarized icon eager to make way for an authoritarian future. The breakdown governing its authorized use asserts that allegiance is above its own laws (and flag code). The incremental push remove color [from the flag] extends far beyond its obvious symbolic value. It’s no stretch to see how emphasis on rigidity and lack of depth helps reframe any spectrum as weakness: vibrancy, nuance, interpretation are signs of vulnerability.

On a warm November morning last month, I was in the grandstands for the Japanese Eastern Command’s Parade of the Eastern Army. As the seats around me slowly filled before the performance, I noticed a pair of young men in puffy down jackets on the tarmac below. Peering more closely, I could make out the action figure of a female heroine from an anime series between them. One of the young men took a photograph of the toy and, apparently satisfied with his framing of the mini-skirted cartoon girl against the backdrop of military vehicles, returned the figure to his companion’s satchel and then mounted the stands.