In cases of emergency, many organizations need a quick way to publish critical information. But existing (CMS) websites are often unable to handle sudden spikes in traffic. Like so many others, I’m currently in voluntary quarantine at home - and I used some time this weekend to put a small boilerplate together for this exact usecase. Here’s the main idea: • generate a static site with Eleventy • minimal markup, inlined CSS • aim to transmit everything in the first connection roundtrip (~14KB) • progressively enable offline-support w/ Service Worker • set up Netlify CMS for easy content editing • one-click deployment via Netlify The site contains only the bare minimum - no webfonts, no tracking, no unnecessary images. The entire thing should fit in a single HTTP request. It’s basically just a small, ultra-lean blog focused on maximum resilience and accessibility. The Service Worker takes it a step further from there so if you’ve visited the site once, the information is still accessible even if you lose network coverage. The end result is just a set of static files that can be easily hosted on cloud infrastructure and put on a CDN. Netlify does this out of the box, but other providers or privately owned servers are possible as well.

The style of pizzadude has always been inspired by graffiti and comics, and has had a loose and goofy appearance. My fonts have been spotted all over the world and have been used by restaurants, sport clubs, stores and TV shows and have been used for book covers, toys and even tattoos!

Mitigation can buy us time, but only suppression can get us to where we need to be. --- All of the difficult actions we are taking now to flatten the curve aren’t just intended to slow the rate of infection to levels the health-care system can manage. They’re also meant to buy us time. They give us the space to create what we need to make a real difference. […] Some Americans are in denial, and others are feeling despair. Both sentiments are understandable. We all have a choice to make. We can look at the coming fire and let it burn. We can hunker down, and hope to wait it out—or we can work together to get through it with as little damage as possible. This country has faced massive threats before and risen to the challenge; we can do it again. We just need to decide to make it happen. […] All of the difficult actions we are taking now to flatten the curve aren’t just intended to slow the rate of infection to levels the health-care system can manage. They’re also meant to buy us time. They give us the space to create what we need to make a real difference.

Researchers report we face a horrible choice: lockdown for months or a year, or let hundreds of thousands die in the Covid-19 pandemic.

Health care reporter Caroline Chen dug into the projections to learn what to make of them. Forecasts are fuzzy, but the takeaway is clear: Stay home. --- Trying to get clarity on exactly how many people are infected in your city shouldn’t be your goal, if you’re a regular member of the public. Rivers and Majumder agreed on this: There’s no difference in what action you need to take, whether the models say there will be 10,000 or 20,000 infections in your state within a certain number of days or weeks. There isn’t a single expert I’ve talked to who said case counts won’t continue to soar. There are two reasons for this: As testing becomes more available, cases that already exist will be revealed. Secondly, of course, the virus is continuing to spread. The trends are crystal clear, and the call to action is indisputable. ”If your state has reported community transmission, the message is the same no matter the number of cases: engage in social distancing immediately,” Majumder said.

Why helping people victimized by forces outside their control is a good idea. --- The only villain is an impersonal natural force; everyone with a face is a victim, an Us to be tended. In the face of a virus, only the conventionally feminine approach of mutual care is useful. That leaves the lens through which the authoritarian sees the world (domination and submission) blind, and the tools available to him (scapegoating, exclusion, retribution, violence) impotent. There is no one to punish, no one to make suffer. Without that, the authoritarian is scarcely able to process the threat as a threat at all. A threat without an Other is like a wavelength of light that is invisible to him. […] Trump, his administration, and his coalition are in politics to help friends and destroy enemies. All they know is zero-sum competition, domination, and submission — and with no one to dominate, no one upon whom they can impose ritual cruelty to appease the bloodlust of their base, they are ... adrift. They simply aren’t confident, or competent, in expressing, organizing, and administering care. Many thousands of lives will likely be lost as a result. […] All across America, millions of people live in precarity, one step ahead of financial ruin, with lives that can be upended overnight by a health or employment twist entirely outside of their control. Metaphorically speaking, this country is full of viruses — poverty, poor health care, inequality, systemic discrimination, loneliness, and isolation — that infect innocent victims every day by the thousands. Those victims deserve care as well, and not churlish, moralistic, “means-tested” care. Just care, enough to get by and to live a life of dignity.

Read an exclusive interview with Andreas Tilliander and Axel Willner, discussing Stockholm's underground music scene and such projects as TM404, The Field, Mokira and Lars Blek.

A lot has changed since this went out, with more and more areas of the country being put on shelter-in-place orders, but this is helpful nonetheless. Staying home will stem the coronavirus outbreak, but what if you’re healthy — and bored? Is it ethical to go to the gym, get your hair done, or order delivery?

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Pretending to be black on social media, even without the face paint, is a form of blackface. --- Access to other cultural groups can be found online, of course. However, the access is limited and usually not a direct educational exchange, often inhibiting, rather than cultivating, a deeper understanding of other groups. Many teens learn about other cultures from the media they’re constantly consuming, rather than having real-life relationships and friendships with people who belong to the cultures they’re tapping into. As a result of their real-life segregation paired with their access to social media, not only are young people unconsciously perpetuating racist stereotypes, they’re appearing foolish to millions of people online in the process. For example, in these two videos (one and two) that have gone viral on social media, several young white people are seen throwing up gang signs, seemingly unknowingly, as a funny trend. It can be assumed that they saw these signs somewhere online, thought they were cool, and taught them to their friends. They may very well know nothing of the meaning or connotation of these signals—context that probably would be provided in a more diverse circle. But who is available to let them know the actual meaning of what they’re doing, if their schools, neighborhoods, and social circles are not diverse?

Check your risk for COVID-19 based on best clinical practices, CDC guidelines, illness severity and risk factors like age and pre-existing conditions.

I’m not saying that you SHOULDN’T be pretty if you want to. (You don’t owe UN-prettiness to feminism, in other words.) Pretty is pleasant, and fun, and satisfying, and makes people smile, often even at you. But in the hierarchy of importance, pretty stands several rungs down from happy, is way below healthy, and if done as a penance, or an obligation, can be so far away from independent that you may have to squint really hard to see it in the haze. […] I was going to make a handy prettiness decision tree, but pretty much the end of every branch was a bubble that said “tell complainers to go to hell” so it wasn’t much of a tool.

The message of inclusivity is meant to be helpful, but it can actually do harm. --- Challenging social norms about who can be beautiful is vital work, and of course it is true that representations of beauty in the media are pathetically white, thin, able-bodied and hetero, and of course this should change. But somewhere along the way, the message of inclusivity went from “every kind of person can be beautiful” to “every person is beautiful.” I’m increasingly convinced that this message isn’t only less radical than we might like to believe, but also actively harmful. Wouldn’t it be freeing to admit that most people are not beautiful? What if we stopped prioritizing pleasing aesthetics above so much else? I wonder what it would be like to grow up in a world where being beautiful is not seen as a necessity, but instead a nice thing some people are born with and some people aren’t, like a talent for swimming, or playing the piano.

Art, commerce, and the battle for the soul of My Little Pony. --- Branded toys routinely make more money than the films and cartoons on which they are based—sometimes a lot more—so it’s logical in a way that yes, children’s television shows and movies are basically long, elaborate toy commercials. If they are to provide something, anything, more interesting or positive for children than a siren call to the toy store, any other potential motives—humor, pleasure, an observation on human nature or a philosophical or moral lesson—are incidental to the prime directive of selling toys, lunchboxes, T-shirts, and all the other branded merchandise known in the trade as “CP,” or consumer products. […] In effect, it’s no longer possible to produce mass-market children’s entertainment outside the parameters of “selling out.” […] All the bronies I have met share this effortless camaraderie; some are shyer than others, but basically they are twenty-somethings with the simple, unaffected friendliness of 5-year-olds. […] There’s a temptation to reckon the attempts of artists like Lauren Faust to create entertaining and meaningful shows within the straitjacket of corporate commerce as entirely futile, hopeless. A mug’s game. But then I remember the Grand Galloping Gala in full swing. In time the techno music was blasting and a throng of kids massed together in the center of the dancefloor, dressed in cosplay pony ears and swishing tails and all sorts of homemade cartoon finery, pogoing, and suddenly it became clear that they were all chanting together. Evan, I said. Are you hearing what they’re chanting. He’s all, What is it? It was this: “Friendship! Friendship! Friendship!”

How did a person grow up in a society governed by financial institutions and never get taught how they work? --- Navigating life in this century revolves around our ability to interact with an interlocking series of bureaucracies run according to their own precise rules and delicate timescales. No matter how consumer-focussed these institutions are or deem themselves to be, you will, in the end, have to follow their procedures in order to perform tasks that are essential, unavoidable, or necessary stops in the pursuit of your own happiness. We all know that we often need to look out for our elderly friends, neighbours, and relatives, who learned to navigate a very different maze, and sometimes struggle to keep up with the rules of this one. That’s because it’s hard. It’s a complicated business. And we all know how rubbish a bad interaction with a corporation makes us feel. The recurring term, chosen spontaneously by thousands of callers, is nightmare. […] This inner machinery reveals the billions of ordinary “consumers” who use Facebook to be Romans in their baths: enjoying the futuristic technology of adjustable plumbing and heating, blissfully unaware of the Thracian slave shovelling coal into a boiler just a few feet below. Except, in this case, the facility we are all using and responsible for keeping alive influences elections, convinces people to join the far right, pushes Britain to leave the European Union. […] As stable work has started to disappear, call centre work and other customer service has remained one of the best options for entry-level work. Nearly everyone in my office works there because they needed stable hours and a guaranteed income, and nothing else available to us offered those things. Nearly everyone is under 30. And as impenetrably designed digital services take the place of more and more straightforward face-to-face interactions, more and more things will be contested, and thus explained, assessed, queried, and escalated to a payment expert. Maybe you’re cool with that. Personally, it sounds pretty dystopian to me, considering that those interactions are nearly all immiserating. […] If you must contact a bank or an insurer, do so knowing that it has been made impossible by design for you to talk to anyone with real authority. When you scream down the phone you’ve ruined my life, your system error means I can’t get a mortgage, you will rarely if ever be screaming at anyone who could help you. This design places those with power and responsibility safely away from the impact of their actions, and pits two enormous groups of stressed-out working people against each other. Rather than resolve conflicts in a constructive or efficient way, we are forced to abuse and hate each other as proxies. […] If somebody has to be traumatized in order for Facebook to function as a business, then Facebook doesn’t function as a business. If somebody has to be mistreated and dehumanized for a business to function, then it doesn’t. […] I’m not sure if many know this, but a great many people every day, in this society we live in, destroy their finances on Amazon or ASOS, buying four pairs of $200 trainers on credit when they live on minimum wage and support a family. I can’t say how many, all I can say is that I speak to around five of them a day. Who failed them? How did a person grow up in a society governed by financial institutions and never get taught how they work?

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Before Billie Eilish performed the Beatles' "Yesterday," during the Academy Awards "In Memoriam" segment last month, she walked the red carpet in a look that's become something of a signature for her: custom oversized Chanel tracksuit, a chunky, gold cuban link chain, long black acrylics. --- The internet has provided, for white youth who've spent a large part of their adolescence on it, a front seat to the creation and distribution of Black cultural products — Black music, slang and dances. But as those cultural products move across the internet, they get farther and farther away from their original context and meaning and often become collapsed under the simplistic label of "youth culture." This isn't as democratizing as it seems. Apps like TikTok and its spiritual predecessor Vine not only encourage the performance of Black culture by non-Black teens, but incentivize it with real money to be made. It used to just be financially viable for pop stars to perform Blackness. Now, it presents an opportunity to non-Black teens everywhere.

Having a thing and making someone pay you to use that thing does not in-and-of-itself constitute a job. […] No human being will ever go a day in their life not needing shelter. At no point do you not need a place to live. The need for shelter in a specific area may be temporary, as in the case with hotels, but we always have to have somewhere to call home.

Historical precedents and doomsday projections serve their purpose, but focusing on the worst-case scenario is a great way to make yourself sick with anxiety right now. --- Reading about the worst-case scenarios at a time like this is about as helpful as licking the handle of a shopping cart. […] I’m not saying that we should not be concerned about coronavirus. We most undoubtedly should be. But at a time like this, worst-case scenarios are not your friend, unless you like being friends with things that give you nightmares. It can be easy to catastrophize, to let your mind wander into doom and gloom, to feel like you have no control over events shaping your life, when you’re stuck inside seemingly watching the world crumble around you. It’s important to remember, though, that just as the coronavirus has enjoyed such a rapid spread because we live in such a physically connected world, our digitally connected world may just mitigate it. […] Just stay inside, stay safe, and stay away from that really scary coronavirus story, and the next one, and the one after that.

A great Q&A. Answers to your most frequently asked questions as the virus continues to spread.

This really made me feel better about eating food, ordering takeout, and grocery shopping. Questions about COVID-19 and food safety, answered.

The coronavirus is taking a toll on our mental and our physical health. So how do we make sense of it? We asked some experts. --- 1. Acknowledge your anxiety. First, she recommends acknowledging that anxiety, which is a normal evolutionary reaction to a perceived danger or threat. 2. Schedule worrying. The Association for Behavioral and Cognitive Therapies (ABCT) says setting a daily half-hour “worry period” at the same time and place helps to stay in the present moment the rest of the day. During the allotted slot it recommends “distinguishing between worries over which you have little or no control, and worries about problems you can influence.” 3. Reframe the situation. You are not “stuck inside”. No, you are indulging in a long-awaited opportunity to slow down, focus on yourself and your home. 4. Set quarantine rituals. This could entail a walk first thing in the morning, starting a journal, or speaking to a family member every morning on FaceTime. 5. Exercise. 6. Small acts of altruism. Helping others can give you a sense of purpose and control. Do you have an elderly or sick neighbor you can offer your services to? 7. Physical distancing, not social distancing. It goes without saying, but “loneliness is bad for humans,” says Duckworth. Have a coffee over FaceTime. Call your parents or kids every day. While in some ways coronavirus is isolating, Bhatia says it is worth remembering that it’s a shared global experience. “Everybody’s affected to different degrees, but the bottom line is that everybody’s in it together, and scientists all over the world are trying to work on it together to find a solution quickly.”

Dozens of Hachette employees walked out after learning the company planned to publish Allen’s memoir. Their protest worked. --- Allen has not been censored or denied the right to publish in any way. He has merely lost a deal that came with an advance on royalties and a corporate marketing machine to help him to sell his book. To be published by a major publisher is not a right covered by the First Amendment; it is and has always been a privilege. […] By simply listening to and evaluating the concerns of lower level employees — a recent study by found that the industry’s interns are significantly more diverse than the industry as a whole — publishers have the opportunity to avoid making bad business decisions before contracts are even signed. And, if those employees are valued more, both in their opinions and their salaries, the publishing industry has a better shot at retaining them and becoming more diverse at higher levels.

For years, the elusive singer-songwriter has been working, at home, on an album with a strikingly raw and percussive sound. But is she prepared to release it into the world? --- When you tell people that you are planning to meet with Fiona Apple, they almost inevitably ask if she’s O.K. What “O.K.” means isn’t necessarily obvious, however. Maybe it means healthy, or happy. Maybe it means creating the volcanic and tender songs that she’s been writing since she was a child—or maybe it doesn’t, if making music isn’t what makes her happy. Maybe it means being _un_happy, but in a way that is still fulfilling, still meaningful. That’s the conundrum when someone’s artistry is tied so fully to her vulnerability, and to the act of dwelling in and stirring up her most painful emotions, as a sort of destabilizing muse.

Electronic artists and agents talk about the potentially catastrophic ramifications of the current health crisis on the world of dance music. --- But as club cancelations and postponements pile up, DJs and electronic musicians are left facing the prospect of a month or more without earnings. And a global patchwork of measures—the UK has resisted banning large events, for instance, while San Francisco has temporarily prohibited all non-essential gatherings of 100 or more—means that many DJs are still uncertain as to which events they can still expect to play.

People have argued that there should be new versions with a certain frequency. But not too often, because people don’t have time to read too many announcements. And people will want to write books about the new version, or develop talks and courses about it, which takes time. As Jen Simmons wrote, quoting Chris Coyier, ‘a tremendous number of books, courses, and conferences were dedicated to CSS3’ even though there is no definition of what CSS3 is. The working group certainly never defined it.

To fight the pandemic, restaurants are shuttering across America with no aid in sight. What will happen to the rest of us? --- The boldest action on the parts of government includes eviction bans and more funding for paid sick leave and relaxed liquor regulations. What do these regulations offer an undocumented dishwasher who just got laid off, beyond the hope that his landlord might not demand four months’ back rent in due time? What do they offer business owners trying to keep their employees employed, beyond hope for a fraction of the revenue needed to pay for rent, supplies, and staff? Restaurants are suffering from this pandemic because they’re the center of communal life in America, but the awful cascade of consequences lays bare how broken American life has become. American restaurant culture is a glorious public-works project, like a train station or a bridge, built during more prosperous times; its rusting supports and cracked concrete would have been tough but possible to fix oh, any time, for decades. But no one did. And now, the earthquake has come. Without major and unprecedented government intervention and responsible community support, independent food culture could go the way of the neighborhood pharmacy and department store in the wake of this pandemic. In high-rent neighborhoods in American cities, the transition is already underway, with high-rent blight stuffing neighborhoods with chains, fancy and otherwise. And as restaurants go, so will independent stores of all kinds, whether it’s repair shops or clothing stores or bookstores like the one I worked in, which are now struggling to survive and temporarily laying off staff. Any retail that’s not a grocery store is in serious danger. In the aftermath of the Great Shuttering, without help, the only operators with capital to reopen will be the same massive corporations whose irresponsible treatment of their workers is threatening to worsen the outbreak.

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