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David Graeber: On the Phenomenon of Bullshit Jobs (Strike! Magazine)
David Graeber: On the Phenomenon of Bullshit Jobs (Strike! Magazine)
This is a profound psychological violence here. How can one even begin to speak of dignity in labour when one secretly feels one’s job should not exist? How can it not create a sense of deep rage and resentment. Yet it is the peculiar genius of our society that its rulers have figured out a way to ensure that rage is directed precisely against those who actually do get to do meaningful work.
·strikemag.org·
David Graeber: On the Phenomenon of Bullshit Jobs (Strike! Magazine)
Ryan Leas: Slow Burn, Slow Fade: Inside The Walkmen’s Final Days (Stereogum)
Ryan Leas: Slow Burn, Slow Fade: Inside The Walkmen’s Final Days (Stereogum)
Somewhere along the line, something went wrong. Things fell out of place, or failed to fall into place to begin with. The general assumption is that Johnny Marr’s set went absurdly long, and that nobody forced Kurt Vile to shorten his in order to get things back on schedule. On subsequent days, photographers and others in and out of the backstage scenes will repeat a rumor that the Walkmen bringing their own sound man along contributed to the issues and the confusion, but no one really knows what that means. Whatever the cause, things don’t go right. Having flown in that morning from their various hometowns — New Orleans, Philadelphia, New York — the Walkmen arrive in Austin on Friday, November 8, for a high-billed set at Fun Fun Fun Fest, and are able to play only six songs.
·stereogum.com·
Ryan Leas: Slow Burn, Slow Fade: Inside The Walkmen’s Final Days (Stereogum)
Tom Scocca: On Smarm (Gawker)
Tom Scocca: On Smarm (Gawker)
Last month, Isaac Fitzgerald, the newly hired editor of BuzzFeed's newly created books section, made a remarkable but not entirely surprising announcement: He was not interested in publishing negative book reviews. In place of "the scathing takedown rip," Fitzgerald said, he desired to promote a positive community experience.
·gawker.com·
Tom Scocca: On Smarm (Gawker)
Mark Richardson: A Window That Isn't There: The Elusive Art of Bill Callahan (Pitchfork)
Mark Richardson: A Window That Isn't There: The Elusive Art of Bill Callahan (Pitchfork)
Callahan’s power as a songwriter comes from observation. He finds things that don’t initially seem notable and then puts them under a microscope until we see something new. By imbuing simple objects with symbolic power and laying them out clearly, he can create an image or a feeling that seems closer to the person hearing it.
·pitchfork.com·
Mark Richardson: A Window That Isn't There: The Elusive Art of Bill Callahan (Pitchfork)
Rawiya Kameir: M.I.A.’s ‘Matangi’ Is a Defiantly Personal Reclamation of the Brown Girl Narrative (The Daily Beast)
Rawiya Kameir: M.I.A.’s ‘Matangi’ Is a Defiantly Personal Reclamation of the Brown Girl Narrative (The Daily Beast)
It’s fairly easy, and indeed tempting, to write M.I.A. off as a faux-radical who relies on the borrowed aesthetics of revolution to sell records. But that superficial reading belies her truest political work: her commitment to self and the exploration of identity in a world and industry that is more comfortable with easily digestible predetermined narratives, particularly when it comes to racialized people.
·thedailybeast.com·
Rawiya Kameir: M.I.A.’s ‘Matangi’ Is a Defiantly Personal Reclamation of the Brown Girl Narrative (The Daily Beast)
Cecily Carver: Things I Wish Someone Had Told Me When I Was Learning How to Code
Cecily Carver: Things I Wish Someone Had Told Me When I Was Learning How to Code
You’ll hit this wall no matter what “learn to code” program you follow, and the only way to get past it is to persevere. This means you keep trying new things, learning more information, and figuring out, piece by piece, how to build your project. You’re a lot more likely to find success in the end if you have a clear idea of why you’re learning to code in the first place.
·medium.com·
Cecily Carver: Things I Wish Someone Had Told Me When I Was Learning How to Code
Eric Harvey: I Started a Joke: "PBR&B" and What Genres Mean Now (Pitchfork)
Eric Harvey: I Started a Joke: "PBR&B" and What Genres Mean Now (Pitchfork)
"PBR&B" spread because lots of people were talking about these particular artists, but the artists themselves were left out of such conversations. That's how it usually happens: Their work is left to be sorted like cereal boxes, independent of their own agency. Artists are sometimes asked by fans and inexperienced journalists to describe the "type of music" they make, and they’re often rightfully itchy about making these distinctions themselves. It’s not so much that there’s a right or wrong to genres, but it’s more the case that genres are power moves, able to define music far beyond any artist’s own wishes.
·pitchfork.com·
Eric Harvey: I Started a Joke: "PBR&B" and What Genres Mean Now (Pitchfork)
Elizabeth Plank: Why We Love Angry Men, But Hate Impassioned Women (PolicyMic)
Elizabeth Plank: Why We Love Angry Men, But Hate Impassioned Women (PolicyMic)
In other words, a man is angry because he cares, while a woman is angry because she's an emotional wreck. Men who are angry don't only get more respect, status, and better job titles — they also get higher pay Despite the fact that men can use anger to achieve status, women may need to be calm in order to come off as rational. You know, so that people don't think they're PMS-ing, or whatever.
·policymic.com·
Elizabeth Plank: Why We Love Angry Men, But Hate Impassioned Women (PolicyMic)
Juana Molina: Sin Guia No (Rookie)
Juana Molina: Sin Guia No (Rookie)
Just do it! Go and do it! There are no valid excuses [not to]. We see our excuses as real things, but they’re just a barrier you built between you and what you want to do because you are afraid to try it and fail. No one wants to fail, but you will never know if you don’t try it. Maybe the first few times, you’ll have a bad time…but then you won’t.
·rookiemag.com·
Juana Molina: Sin Guia No (Rookie)
Isaac Butler: The Realism Canard, Or: Why Fact-Checking Fiction Is Poisoning Criticism
Isaac Butler: The Realism Canard, Or: Why Fact-Checking Fiction Is Poisoning Criticism
In real life, people don't talk the way they do in movies or television or (especially) books. Real locations aren't styled, lit, or shot the way they are on screen. The basic conceits of point of view in literature actually make no sense and are in no way "realistic." Realism isn't verisimilitude. It's a set of stylistic conventions that evolve over time, are socially agreed upon, and are hotly contested. The presence of these conventions is not a sign of quality. Departure from them is not a sign of quality's absence.
·parabasis.typepad.com·
Isaac Butler: The Realism Canard, Or: Why Fact-Checking Fiction Is Poisoning Criticism
TunesToTube
TunesToTube
The fastest way to create a music video from a song. Upload an MP3 to YouTube in HD.
·tunestotube.com·
TunesToTube