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The Plastic Bag Museum
The Plastic Bag Museum
The Institution under your sink
·plasticbagmuseum.com·
The Plastic Bag Museum
Simple Sundries Recycling Services
Simple Sundries Recycling Services
Simple Sundries does not "recycle" plastic bottles as much as reuse them. All donated plastic bottles get cleaned, refilled with household products and donated to the school food pantries in East County. Simple Sundries is located at 2214 SE 135th Avenue. Donations can be brought to our Refill Window on Sundays between 10:00-1:00 or can be dropped off on our porch anytime. Just email us and let us know you plan to drop items off. simplesundriespdx@gmail.com
·simplesundries.life·
Simple Sundries Recycling Services
Jamelle Bouie: Why Coronavirus Is Killing African-Americans More Than Others (NYT)
Jamelle Bouie: Why Coronavirus Is Killing African-Americans More Than Others (NYT)
To give just a few, relevant examples, black Americans are more likely to work in service sector jobs, least likely to own a car and least likely to own their homes. They are therefore more likely to be in close contact with other people, from the ways they travel to the kinds of work they do to the conditions in which they live. Today’s disparities of health flow directly from yesterday’s disparities of wealth and opportunity. That African-Americans are overrepresented in service-sector jobs reflects a history of racially segmented labor markets that kept them at the bottom of the economic ladder; that they are less likely to own their own homes reflects a history of stark housing discrimination, government-sanctioned and government-sponsored. If black Americans are more likely to suffer the comorbidities that make coronavirus more deadly, it’s because those ailments are tied to the segregation and concentrated poverty that still mark their communities. […] American capitalism did not emerge ex nihilo into the world. It grew out of existing social, political and economic arrangements, toppling some and incorporating others as it took shape in the second half of the 19th century. White supremacy was one of those arrangements. The Civil War may have destroyed slave society, but the racial hierarchy that was central to that society survived the carnage and disruption of the conflict to shape the aftermath, especially in the absence of a sustained program to radically restructure the social and economic life of the South. […] Which is to say that, as it developed in the United States, industrial capitalism retained a caste system with whites as the dominant social group. This wasn’t just a matter of prejudice. As it did under slavery, race under industrial capitalism structured one’s relationship to both production and personhood. Whiteness, the philosopher Charles W. Mills notes, underwrote “the division of labor and the allocation of resources, with correspondingly enhanced socioeconomic life chances for one’s white self and one’s white children.” […] But if you look at the full picture of American society, it is clear that the structural position of black Americans isn’t so different from what it was at the advent of the industrial age. Race still shapes personhood; it still marks the boundaries of who belongs and who doesn’t; of which groups face the brunt of capitalist inequality (in all its forms) and which get some respite. Race, in other words, still answers the question of “who.” Who will live in crowded, segregated neighborhoods? Who will be exposed to lead-poisoned pipes and toxic waste? Who will live with polluted air and suffer disproportionately from maladies like asthma and heart disease? And when disease comes, who will be the first to succumb in large numbers? If there was anything you could predict about this pandemic — anything you could be certain about once it reached America’s shores — it was that some communities would weather the storm while others would sink under the waves, and that the distribution of this suffering would have everything to do with patterns inscribed by the past. As long as those patterns remain, there is no path to a better society. We have to break them, before they break us.
·nytimes.com·
Jamelle Bouie: Why Coronavirus Is Killing African-Americans More Than Others (NYT)
Jennifer Senior: We’ve Hit a Pandemic Wall (NYT)
Jennifer Senior: We’ve Hit a Pandemic Wall (NYT)
New data show that Americans are suffering from record levels of mental distress. --- According to the National Center for Health Statistics, roughly one in 12 American adults reported symptoms of an anxiety disorder at this time last year; now it’s more than one in three. Last week, the Kaiser Family Foundation released a tracking poll showing that for the first time, a majority of American adults — 53 percent — believes that the pandemic is taking a toll on their mental health. This number climbs to 68 percent if you look solely at African-Americans. The disproportionate toll the pandemic has taken on Black lives and livelihoods — made possible by centuries of structural disparities, compounded by the corrosive psychological effect of everyday racism — is appearing, starkly, in our mental health data.
·nytimes.com·
Jennifer Senior: We’ve Hit a Pandemic Wall (NYT)
Caroline Crampton: The Problem with the Inconsequential Quest
Caroline Crampton: The Problem with the Inconsequential Quest
With a very few exceptions — mostly the “Belt Buckle” episode of Mystery Show — I’ve come to realise that I have a fundamental problem with this subgenre that goes far beyond one Reply All episode. It’s this: who gets to go on an inconsequential quest? Podcasting is already a far from level playing field, and even within that this prestigious little niche of it is closed off to almost everybody. It frustrates me that so many of these shows come from the perspective of well-off white American men, but I understand why that is. The resources required to make a really high quality show of this kind make independent production very difficult. You might have to work for six months on an idea only to find that there isn’t really a satisfying answer, so it’s risky. Most networks or funders are unlikely to take a financial risk on a quest creator unless they have a demonstrable track record, are a celebrity, or are celebrity adjacent in some way. Then unless you can afford to do almost all of the work beforehand — typically unpaid, or expending crucial resources — the pitch for an inconsequential quest series is always going to be “I don’t know the answer yet but just trust me!” And we all know where companies are more likely to bestow that trust: executives tend to be disproportionately white, straight and male, and that’s the kind of talent that too often gets to take risks with big budgets. Celebrity access, by the way, has proved to be somewhat important to the inconsequential quest genre. I think part of why people responded to “The Case of the Missing Hit” like they did was the sheer audacity of PJ Vogt calling up the former Barenaked Ladies frontman Steven Page and just… asking him if he knew what the mystery song was. See also: Moby’s involvement in the Gregor episode, and Starlee Kine getting Jake Gyllenhaal to confirm his real height. The contrast between all that mundane legwork and the glamour of a real famous person is exciting in a semi-salacious way. When I listen to “The Case of the Missing Hit”, then, or many of the other examples I’ve cited here, I’m constantly reminded of who isn’t getting to make this stuff. Who doesn’t have the chance to throw time and money at a weird little problem and see what sticks. Which is arguably a reaction that could apply to pretty much any audio genre, but because these quests are personal and idiosyncratic and usually rely heavily on the creator’s existing personal relationships, I think I notice it more readily. For me, the best inconsequential quests turn out not to be inconsequential at all. What starts out as an attempt to give a belt buckle back or find some lost CDs turns out to be a process that can teach us something about our flaws, our blind spots and our inner assumptions. But to find those stories, you have to spend a long time looking. And not everybody has that luxury.
·hotpodnews.com·
Caroline Crampton: The Problem with the Inconsequential Quest
Blacklight – The Markup by Surya Mattu
Blacklight – The Markup by Surya Mattu
A Real-Time Website Privacy Inspector Who is peeking over your shoulder while you work, watch videos, learn, explore, and shop on the internet? Enter the address of any website, and Blacklight will scan it and reveal the specific user-tracking technologies on the site—and who’s getting your data. You may be surprised at what you learn.
·themarkup.org·
Blacklight – The Markup by Surya Mattu
Death, Sex & Money's Pandemic Tool Kit
Death, Sex & Money's Pandemic Tool Kit
A spreadsheet of information and ideas. Things to listen to, Things to read, Things to watch, Things to do, Things for mental health, Things to cook, Things to think, Things for kids, Things to be grateful for, Tips for Finances, Places to donate
·docs.google.com·
Death, Sex & Money's Pandemic Tool Kit
PublicAlerts
PublicAlerts
PublicAlerts sends emergency alerts via text, email, or voice message. It's a *free service for anyone who lives, works, or visits the Portland-Vancouver Region. Personal information is kept secure and private. (*Message and data rates may apply depending on your provider and phone services.)
·publicalerts.org·
PublicAlerts
Astronaut
Astronaut
Today, you are an Astronaut. You are floating in inner space 100 miles above the surface of Earth. You peer through your window and this is what you see. You are people watching. These are fleeting moments. These videos come from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unseen (by anyone but you). Astronaut starts when you press GO. The video switches periodically. Click the button below the video to prevent the video from switching.
·astronaut.io·
Astronaut
1940s NYC | Street photos of every building in New York City in 1939/1940
1940s NYC | Street photos of every building in New York City in 1939/1940
Between 1939 and 1941, the Works Progress Administration collaborated with the New York City Tax Department to collect photographs of every building in the five boroughs of New York City. In 2018, the NYC Municipal Archives completed the digitization and tagging of these photos. This website places them on a map. Zoom in! Every dot is a photo.
·1940s.nyc·
1940s NYC | Street photos of every building in New York City in 1939/1940
microCOVID Project
microCOVID Project
A calculator for how risky an activity is during COVID. We reviewed published research about COVID, and used it to make rough estimates about the risk level of various activities in microCOVIDs. 1 microCOVID is a one-in-a-million chance of getting COVID. We hope you’ll use this tool to build your intuition about the comparative risk of different activities and as a harm-reduction tool to make safer choices. Play around with the calculator! Change the variables and see how they affect the total. Important: In this tool we state our best estimate based on available evidence, even when that evidence is not conclusive. We have read a lot of experts' research, but we are not ourselves experts in this topic. This work has not been scientifically peer-reviewed. There is still a lot of uncertainty about COVID. Do not rely on this tool for medical advice. Please continue to follow government guidance.
·microcovid.org·
microCOVID Project
Heather Arndt Anderson: The Life and Death of Pizza and Pipes (Taste)
Heather Arndt Anderson: The Life and Death of Pizza and Pipes (Taste)
Organ Grinder Pizza, in Portland, Oregon, was the first to serve me pizza that wasn’t a frozen Totino’s. Its most memorable menu item was a hamburger-topped taco pizza called the Percussion, to be exact, and it was served under the twinkling light of disco balls, to the euphony of live organ music. Seated on a platform in the middle of the dining room sat a gleaming, gilded organ played by the Liberace du jour, accompanied by a mechanical monkey playing the cymbals. The organ was a four-manual Wurlitzer with 51 ranks and nearly 4,000 pipes. There were arcade games in the back of the restaurant, and gilding the lily was a hurdy-gurdy player stealing kisses from a real live capuchin monkey named Pizza Pete, who jumped around the dining room, tipping his hat to the audience members and shaking them down for cash with his little tin cup. […] Because of the crowd-friendliness of their primary offering, pizza parlors are generally a louder type of restaurant. There’s typically one large dining room, which lends itself well to the unsubtlety of a pipe organ. In 1962 (four years after opening), Ye Olde Pizza Joynt in Hayward, California, was the first to put the two together. This coincided neatly with the birth of dinner theater, which picked up momentum in the 1960s and ’70s. In the mid-1970s, the pizza-and-pipes trend spread like fireweed; by the 1980s, there were close to 150 organ-boosted pizzerias in North America. Organists played everything from the predictable “Toccata and Fugue in D Minor” and the jaunty ragtime stylings of Scott Joplin to thunderous renditions of “Pinball Wizard” and “Tubular Bells” (better known as the Exorcist theme). Star Wars medleys were likewise in heavy rotation; the colorful mixtures in a tutti-heavy “Cantina Band” were always met with rapt enthusiasm. These pizzerias were so acutely popular that some of the organists even cut albums, which were sold in the restaurants.
·tastecooking.com·
Heather Arndt Anderson: The Life and Death of Pizza and Pipes (Taste)
Pareidolia, face detection on grains of sand, installation, Driessens & Verstappen, 2019
Pareidolia, face detection on grains of sand, installation, Driessens & Verstappen, 2019
In the artwork Pareidolia* facial detection is applied to grains of sand. A fully automated robot search engine examines the grains of sand in situ. When the machine finds a face in one of the grains, the portrait is photographed and displayed on a large screen. Pareidolia was developed for Sea Art on the isle of Texel, commissioned by SEA - Science Encounters Art. The production was supported by the Creative Industries Fund NL. Photo Heleen Vink, SEA Art, church De Burght, Den Burg, Texel, 2019
·notnot.home.xs4all.nl·
Pareidolia, face detection on grains of sand, installation, Driessens & Verstappen, 2019
whentheycamedown
whentheycamedown
whentheycamedown is a project documenting the removal of statues representing white supremacy, oppression, genocide, colonialism, and racism throughout the world. This is a collaborative effort started by Emily Gorcenski, although the intention of the project is to open source contribution in the style of open knowledge. This project takes the stance that the removal of statues represents an important and inextricable part of the history of the people, groups, and moments that those statues represent. Removing of statues, renaming of parks, and similar actions is not an act of erasing history, but an act of adding to history by capturing the spirit, beliefs, motivations, and actions of the people who lived during the times those statues stood. It is the goal of this project to document the people who aimed to remove the monuments more than the people represented by the monuments. The project seeks to document the history of the activists, their efforts to remove statues through proper and improper channels, and the history of the people oppressed by those who the statues represent.
·whentheycamedown.com·
whentheycamedown
First Vigil
First Vigil
Since the events in Charlottesville on August 11-12, 2017, a number of far-right fascists, white supremacists, and neo-Nazis have caught charges for violent crimes. These crimes range from misdemeanors to serious felonies, from state charges to federal charges, and possible penalties can include life in prison or even death. Tracking these cases has given anti-fascist and anti-extremist researchers a wealth of information regarding the organizing methods, networks, and objectives of these groups. Tracking all of these cases, however, can be hard. So here is a resource that should hopefully compile that information for future work. Fascists are never on the side of truth, so sunlight can be a powerful tool to disrupt their organizing. It is with high hopes that this information is used to save lives. This is not an endorsement of the police, of state violence, or of state intervention. This is simply a repository of the most accurate possible information, culled from public records, newspapers, and court hearings.
·first-vigil.com·
First Vigil
State of Hawaii Division of Forestry and Wildlife: Native Species Backgrounds for Phones, Desktops, and Meetings
State of Hawaii Division of Forestry and Wildlife: Native Species Backgrounds for Phones, Desktops, and Meetings
When you can’t experience the forest in person, try connecting with Hawai‘i’s native species by bringing them into your digital lifestyle. With downloadable backgrounds, you can decorate your smartphone or your computer desktop. With our virtual meeting backgrounds you can invite a pueo or a hapu‘u fern to join you on your next video conference call.
·dlnr.hawaii.gov·
State of Hawaii Division of Forestry and Wildlife: Native Species Backgrounds for Phones, Desktops, and Meetings
Blair Stenvick: Portland Police Say They're Needed to Prevent Gun Violence. Experts Disagree. (Portland Mercury)
Blair Stenvick: Portland Police Say They're Needed to Prevent Gun Violence. Experts Disagree. (Portland Mercury)
Portland met a dire record last month: With 15 homicides over a 31-day period, July contained the highest number of homicides the city had recorded in a single month for over 30 years. The Portland Police Bureau (PPB) also reported 99 shootings in July—about three times the number of shootings recorded in July 2019. The jump in shootings and homicides came shortly after Mayor Ted Wheeler disbanded PPB’s Gun Violence Reduction Team (GVRT), a group of officers focused on investigating all instances of gun violence in Portland. The unit had faced scrutiny from Commissioner Jo Ann Hardesty and other police reform advocates for years for disproportionately pulling over Black drivers and keeping a list of suspected “criminal gang affiliates” that allowed police to surveil young men of color. Wheeler, who also serves as Portland’s police commissioner, decided to disband the unit in June, amid ongoing mass protests against police brutality and racial injustice in Portland. […] Mark Leymon, an associate professor of criminology and criminal justice at Portland State University (PSU), told the Mercury that there’s “absolutely no evidence” that the recent disbanding of GVRT contributed to July’s numbers. When asked what the likely cause was, Leymon cautioned it’s “too early to tell” whether July’s numbers qualify as a sustained spike in violent crime.But, he said, “The single most predictive measure of criminal activity is the economy.” The COVID-19 pandemic has caused record unemployment numbers in Oregon—and as Brian Renauer, the director of PSU’s Criminal Justice Policy Research Institute, pointed out, economic anxiety was “already there” for Portlanders who never recovered from the 2008 Great Recession. “It was already impacting certain areas and geographies of the city for a number of years,” Renauer said. “There are places and families that have never recovered from a prior economic crisis.” Heaped on top of economic anxiety is the stress and trauma caused by simply living through an unprecedented pandemic, Leymon said. Leymon used an analogy of a glass of water, explaining that each person has “an emotional glass that can handle a certain amount of emotion.” Many people’s glass is already nearly full because of the pandemic, meaning it doesn’t take much for them to tip over and resort to violence. “Our emotional stress glass has water in it up to a certain base, so it’s very easy to spill over,” he said. “The spillover is when criminal activity happens… People are more likely to snap or make poor decisions when they’re stressed.” […] In addition to citing the dissolution of the GVRT, PPB officials have blamed the protests against police brutality as contributing to the spike in shootings. At a recent press conference, Lovell called the protests a “drain on resources” that kept police from focusing on crime prevention and response. Leymon calls that reasoning “disingenuous.” “They like to say that every day—that police are out there preventing crime,” he said. “But police don’t prevent crime, especially in Portland. Portland’s policing system is a responsive system…They’re not really doing any proactive work, they’re just there in the neighborhood. The most they can do is be a deterrent, and deterrents just aren’t very effective.” However, Leymon said there may be an indirect link between protests and an increase in violent crime. “You could argue that the current protests are societal stress, so that increases criminal activity,” he said. “There’s probably some truth to that. But... people of color and other marginalized communities have been feeling that stress for [hundreds of years]. It isn’t like the stress those people feel hasn’t been existing prior to the protests. It’s just, suddenly, a bunch of white people have noticed.”
·portlandmercury.com·
Blair Stenvick: Portland Police Say They're Needed to Prevent Gun Violence. Experts Disagree. (Portland Mercury)
Jeremy Stahl: Kenosha Police Chief Blames Protesters for Their Own Deaths, Defends Vigilante Groups (Slate)
Jeremy Stahl: Kenosha Police Chief Blames Protesters for Their Own Deaths, Defends Vigilante Groups (Slate)
In describing the shooting of two protesters, Miskinis also declined to call it a homicide and instead referred to it by various euphemisms often used to describe killings by a police officer, which Rittenhouse is not. He said that the shooter “was involved in the use of firearms to resolve whatever conflict was in place” and that there was a “disturbance that led to the use of deadly force.” Additionally, Miskinis refused to comment on the video of Blake’s shooting, but offered that there may have been a reasonable explanation for the man being shot seven times in the back, which has reportedly left him paralyzed and in critical condition. (The officer has been put on administrative leave and has not been fired or arrested.) […] Miskinis’ views of the gathering of vigilante groups that reportedly led to the killing of two local men appears to be very much in line with those of his department. Before the shooting, officers in armored vehicles could be seen giving water to armed men gathered with the alleged shooter and telling them, “We appreciate you guys, we really do.” After the killings, the alleged shooter walked slowly past a series of police vehicles with his arms raised and was allowed to simply walk away. (It’s not yet clear what the officers knew about the shooting at the time, but the shots were audible in nearby footage.)
·slate.com·
Jeremy Stahl: Kenosha Police Chief Blames Protesters for Their Own Deaths, Defends Vigilante Groups (Slate)
Melissa Blake: A Message to TikTok Parents Who Use My Face to Make Their Kids Cry (Refinery29)
Melissa Blake: A Message to TikTok Parents Who Use My Face to Make Their Kids Cry (Refinery29)
The cruel New Teacher Challenge is a viral prank making its way through TikTok that uses disabled faces like mine as the punchline. --- So far, TikTok hasn’t done much to combat this online hate. When people report accounts that have been using my photos in this challenge, they’ve received statements that TikTok has found no violation of the platform’s rules. It’s not just there. When I’ve reported Twitter accounts for posting photos of a blobfish to bully me, more often than not, Twitter says it doesn’t violate any rules either. I want to be clear: I am violated. Every single time. Each photo, taunt, and cruel word is a clear violation of my dignity and my worth as a human being. And every time these platforms fail to take action, they’re sending the message that this bullying is okay. So many disabled people have become inured to our appearance being mocked. That’s not something we should ever have to get used to.
·refinery29.com·
Melissa Blake: A Message to TikTok Parents Who Use My Face to Make Their Kids Cry (Refinery29)
Sam Levin: White supremacists and militias have infiltrated police across US, report says (The Guardian)
Sam Levin: White supremacists and militias have infiltrated police across US, report says (The Guardian)
A former FBI agent has documented links between serving officers and racist militant activities in more than a dozen states --- Michael German, a former FBI special agent who has written extensively on the ways that US law enforcement have failed to respond to far-right domestic terror threats, concludes that US law enforcement officials have been tied to racist militant activities in more than a dozen states since 2000, and hundreds of police officers have been caught posting racist and bigoted social media content. […] Activists in Kenosha say police there have responded aggressively and violently to Black Lives Matter demonstrators, while doing little to stop armed white vigilantes. Supporting their claims is at least one video taken before the shooting that showed police tossing bottled water to what appeared to be armed civilians, including one who appeared to be the shooter, the AP noted: “We appreciate you being here,” an officer said on loudspeaker. […] The FBI and the Department of Homeland Security (DHS) have directly identified white supremacists as the most lethal domestic terrorist threat in the country. According to German’s report, the FBI’s own internal documents have directly warned that the militia groups the agency is investigating often have “active links” to law enforcement. And yet US agencies lack a national strategy to identify white supremacist police and root out this problem, German warned. Meanwhile, popular police reform efforts to address “implicit bias” have done nothing to confront explicit racism.
·theguardian.com·
Sam Levin: White supremacists and militias have infiltrated police across US, report says (The Guardian)
Aaron Gordon: Superheroes (The Mail)
Aaron Gordon: Superheroes (The Mail)
We, as a country, need to agree on something important: that the post office is not a business but a service every American directly benefits from, and therefore every American should pay into. In fact, it is difficult to imagine anything more deserving of tax dollars than a peaceful, civil service that binds every American together, promotes commerce, and serves as a link of last resort to vulnerable populations. Instead of feeding the good thing, we, as a country, have decided to starve it. Reversing this policy would require not just reversing a bad law, but admitting we were wrong about some very big ideas. That is what makes it so difficult, and also so important.
·themail.substack.com·
Aaron Gordon: Superheroes (The Mail)